Don’t Miss an Episode Subscribe Now

Refine
Done
0 Plays
Posted 05/13/2021
This week’s episode of the B&H Photography Podcast is an old-fashioned hands-on review, but in this case, made with six hands. Allan, Jason, and I were pleased to be loaned the Leica Q2 Digital Camera and the Leica Q2 Monochrom Digital Camera, and we use our consideration of these 47MP cameras as a springboard to talk about camera grips, and point-and-shoot cameras, and value. We also talk about macro photography and cropping and about how to create black-and-white images from color files. We begin the conversation mentioning the specs and features of these two incredible cameras and each of us offers our pros and cons regarding the features we liked best and those we felt lacking. Autofocus, body design, focal length, and responsiveness are mentioned. Other Leica cameras, such as the Leica M10-P, get discussed, too, as do the practical differences between rangefinders with removable lenses and point-and-shoots. Join us for this casual chat about photography and about how each of us, with our different workflows, aesthetics, and goals, found these cameras to be versatile, yet also challenged us to create better images. Guests: Allan Weitz, Jason Tables, John Harris Photograph © John Harris © Jason Tables © Jason Tables © Jason Tables © John Harris © John Harris © John Harris Leica Q2 Monochrom Digital Camera © John Harris © Allan Weitz © Allan Weitz © Allan Weitz Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
0 Plays
Posted 04/01/2021
This episode was first published in January 2018. The Canon sweepstakes mentioned in the episode has long since ended and is no longer valid. For some photographers, the phrase “run and gun” has a negative connotation, but when you’re Norman Reedus, that description takes on a much cooler meaning, one that is accurate to his style and a compliment to his ability to “sense a moment.” Reedus, most recognized for his acting work on the television series, “The Walking Dead” and “Ride with Norman Reedus,” is first and always an artist: a sculptor, a director, and author of the photography books, “The Sun’s Coming Up… Like a Big Bald Head” and his latest, “Portraits from the Woods,” which is a behind-the-scenes glimpse at the making of “The Walking Dead.” Both books are available at Big Bald Gallery. With the travel demands of working on films and television, Reedus’s photography becomes a way to engage with his locations and document his adventures but, through the eyes of an artist, his work is more than just famous locales and behind-the-scenes fun. He brings a personal vision, humorous and dark, to images he captures and does so with an experimenter’s touch, using a variety of cameras and styles. We talk with Reedus about his start in photography, his stylistic approaches, gear choices, and what he has learned from his time in front of a camera that helps with his work behind one. However, with a guest like Reedus—generous with his time and tales—you let the conversation flow, and we also discuss his series “Ride,” the influence of Laurie Anderson, fan selfies, his love of horror films, and a range of other topics. While recording this episode, the Tom Waits line, “I like beautiful melodies telling me terrible things,” kept popping into my head. I’m not sure this line best reflects Reedus’s work, but I am sure there is a Tom Waits line that does. This episode was a real treat for us at the B&H Photography Podcast, and we hope you feel the same in the listening. Allan Weitz and Norman Reedus, 2017 © John Harris Guest: Norman Reedus Photograph © Norman Reedus Cooks in the Kitchen with Kitten, Max Security Prison, Moscow © Norman Reedus Exercise, Max Security Prison, Moscow © Norman Reedus Tulum 2 © Norman Reedus Undecided Soldier © Norman Reedus San Diego © Norman Reedus Cover from “Portraits from the Woods,” 2020 © Norman Reedus Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
0 Plays
Posted 05/19/2020
As an industry and as a hobby, the numbers indicate that drone flying and drone photography are still primarily the domain of men, but sustaining this disparity is ridiculous and it should and will change. Our two guests today are part of bringing about that change, and they do so by being good at their craft, by spreading the joy of flying, and teaching drone operation and photography to women and girls. Our first guest today is an Emmy Award-winning camerawoman for CBS News and F.A.A. licensed drone pilot Carmaine Means, who incorporates quadcopter footage into her news coverage and, of course, flies for fun. After a break, we are joined by Yasmin Tajik, a documentary photographer and F.A.A. licensed drone operator who is also the Brand Ambassador Director for the educational and advocacy group Women Who Drone. We get to know the work of each guest, asking Means how and when she decides to use aerial footage in a news segment, what her personal guidelines are for launching a drone, and what the planning stage is like with her producers. We also talk about the value of certain aerial shots in telling a story, about the equipment she uses, and handling the drones in various conditions. Currently, she flies with a DJI Phantom and an Inspire. With Yasmin Tajik, we mention the Federal Aviation Administration licensing process and she recommends the FAA Drone Zone as a good place to start. We also ask her about using drones in documentary work and some of the restrictions placed on flying in the U.S. and other countries. As a resident of Arizona, she discusses some of the advantages of flying in that state, as well as unique guidelines they have established. We also speak about how she learned to fly after initially being hesitant, the work done by Women Who Drone, and taking her Tello Quadcopter into schools and the interest it generates from the next generation of flyers. Tajik also points to the many industries and services that are incorporating drones and the growing opportunities available for licensed pilots, but we don’t forget to talk about the joy she gets by using her DJI Mavic 2 to provide a perspective on the world that our land-based cameras can never match. Join us for this enjoyable and inspirational conversation and if you are a female drone flyer, we’d love to hear your experiences and see your images. Guests: Carmaine Means and Yasmin Tajik Photograph © Yasmin Tajik​ © Yasmin Tajik © Yasmin Tajik © Yasmin Tajik © Yasmin Tajik © Yasmin Tajik © Yasmin Tajik © Yasmin Tajik Courtesy Yasmin Tajik © Carmaine Means © Carmaine Means © Carmaine Means Courtesy Carmaine Means Carmaine Means © Phillip Dembinsky Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 12/10/2019
It’s that time of year again at the B&H Photography Podcast. Now firmly established as a tradition, with the end of the year in sight and gifting season in full swing, we take an episode to talk about the most interesting—dare I say, best—cameras of the year. Our guests include podcast regular Levi Tenenbaum and B&H SuperStore camera expert Georgina Diaz. This year, we start with an overview of mirrorless cameras announced in 2019, including the new full-frames from Panasonic, Sony, Leica and Sigma. We also mention the new APS-C and Micro Four Thirds format cameras such as the FUJIFILM X-Pro 3, the Sony Alpha a6600, the Nikon Z50, and the Olympus OM-D E-M1X Mirrorless Digital Camera. Perhaps most interesting are the mirrorless medium format high-resolution cameras that were introduced, including the FUJIFILM GFX 100 and Hasselblad X1D II 50C. Jumping ahead to DSLR cameras, we see that Nikon and Canon updated their flagship models, Canon offering the EOS-1D X Mark II DSLR and Nikon, the D6 DSLR Camera. Canon also announced its compact mirrorless full frame, the Canon EOS RP. High-end point-and-shoots from Sony and Canon were released, as were three new waterproof tough cameras from Ricoh, FUJIFILM, and Olympus. After a break, we take on the subject of lenses and accessories and highlight a few lenses that caught our attention, such as the FUJIFILM XF 16-80mm f/4 R OIS WR, the Sony FE 200-600mm f/5.6-6.3 G OSS, the Nikon NIKKOR Z 58mm f/0.95 S Noct lens, and several others. We wrap up the episode with a discussion of lights, tripods, drones, and other accessories. Our guests bring their expertise to this conversation as we compare new cameras to their predecessors, discuss specs, and get insight from the SuperStore floor regarding what have been the hot items from 2019. Join us for this timely and educational episode. Guests:  Georgina Diaz and Levi Tenenbaum   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 07/31/2019
This week, we welcome two photographers who know the joys of spending a late afternoon waiting for super cells to form, or that perfect lightning strike to appear, as well as the perils of rising waters, golf-ball-sized hail, and projectile debris in flight. Our topic today is extreme-weather photography, and we welcome photographers from two different continents to tell us about their shooting styles, safety precautions, gear, and their general thoughts on weather, social media, and the photography business. We are joined first by photographer and filmmaker Jim Reed, who is a represented by National Geographic Image Collection. His work has been published in National Geographic magazine, the New York Times, Scientific American, and The Guardian, and has been featured on the Weather Channel, Discovery Network, and the Oprah show. He is the author of the critically acclaimed 2007 photo book, “Storm Chaser: A Photographer's Journey.” With Reed, we discuss his minimal gear setup, safety precautions, useful apps, and how his client base has shifted during his thirty-year career. After a short break, we welcome Jordan Cantelo, from the Western Australian town of Jurien Bay. Cantelo is a local wildfire officer who began photographing weather during long stints in the bush. With Cantelo, we speak about the specific weather and storm types in Western Australia, his use of lightning triggers, his preference for medium format cameras, landscape compositions, and how he follows weather systems to get the shots he is after. For many photographers, being a “storm chaser” seems like a thrilling way to earn a living, so tune in to the B&H Photography Podcast for our conversation with two seasoned weather and landscape photographers to get a better understanding of the dos, the don’ts, and the practical side of extreme-weather photography. Guests: Jim Reed and Jordan Cantelo Above photograph © Jim Reed Professional storm chasers monitor an approaching tornado in western Kansas on May 8, 2008 © Jim Reed Concurrent Tornadoes at Night, 2012 © Jim Reed A Bolt from the Gray, 2004 © Jim Reed A severe thunderstorm brings much needed rain to a drought-stricken farm near Roswell, New Mexico, 2013. © Jim Reed Cloud-to-ground lightning bolts strike a field in eastern Wyoming, 2011. © Jim Reed Waves explode over a seawall and into Galveston, Texas as Hurricane Ike approaches, on September 12, 2008. © Jim Reed Ominous Skies © Jordan Cantelo Dowerin Evening Lightning © Jordan Cantelo Microburst- Between Beacon and Wialki © Jordan Cantelo Electric Skies – Beacon © Jordan Cantelo Kimberley Wet Season Skies © Jordan Cantelo Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 04/10/2019
This is one of the more informative and hands-on practical episodes of the B&H Photography Podcast that we have produced in some time. Obviously, it helps if you are “practicing” car photography, but the insights provided in this episode are useful for a wide range of photo disciplines, and touch on techniques for making better images of moving objects, reflective and non-reflective products, tight interiors, and how to photograph large items in a studio or on location. For this wealth of information, we must thank photographer Nate Hassler, who joined us to talk about his extensive work photographing cars, whether for advertising, editorial, or for personal projects, a.k.a. fun. Hassler is accomplished in each of these areas, and his advertising clients include Toyota, Honda, Lexus, and Mercedes. He is also a respected motorsport photographer, with work appearing regularly in Road & Track magazine. We find out that Hassler grew up around photography, helping in his parents’ photo studio, but developed a love for cars all on his own and seems to have found the perfect career that blends his two passions. We learn a bit about the automobile advertising business, but mostly we discuss capture technique, including the rigs and gear he prefers, shooting moving vehicles, stabilization, bracketing, back-lighting, lens distortion, and post-process. This truly is an educational and entertaining episode, and check out the B&H Photography Podcast Facebook Group for an image of Hassler’s “Franken-Instax” camera that he created to make instant photos with a Schneider lens. Guest: Nate Hassler Photograph © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler “Franken-Instax” camera © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 01/09/2019
On this week's episode of the B&H Photography Podcast, we welcome two artists whose work blurs the line between street photography, documentary, installation and digital art, while cultivating a contemporary interpretation of the art and craft of collage. Both artists utilize photography-based processes and take urban architecture and street scenes as their subject, but from there, the work goes in very different directions. Jennifer Williams creates large, often site-specific collages that inspect but distort the architectural scenes she documents. As she has stated, “The rectilinear shape that is the traditional photograph never fulfilled my desire to show everything in space," and that will be immediately clear upon seeing her work. Layering images of buildings upon one another, she creates angular and abstract collages while still providing a path for the viewer to connect the image she creates with the neighborhood or street that she photographed. Williams speaks about her process, including the original imaging, her manipulation in post-process, and her large-scale installations, often made on Photo Tex media. Tommy Mintz wrote a software program that creates "automated digital collages" and he has experimented over the years how he (and the program) composes the street scenes he photographs. The tools he uses for image capture and computation have evolved and become more powerful, but unlike the painstaking control Williams exercises over her collages, the key element in Mintz's process is the random arrangement and layering of images that the software creates. This is not to say that his images are out of control—after all, he wrote the program. He selects scenes to photograph and he does adjust the final product in Photoshop, but the software-generated placement of images creates layers, unexpected shadows, multiple exposures and even seeming glitches that add up to an intriguing and whimsical take on street photography. Join us as we learn about the conceptualizations and processes of these two visual artists and hear how they integrate Nodal Ninja, Epson 24" printers, and the Sigma dp2 Quattro Digital Camera into their workflow. Guests: Jennifer Williams and Tommy Mintz City of Tommorow- Manhatten: Billionaire's Row (57th Street) © Jennifer Williams Blacksburg Unfurled (Virginia Tech, Blacksburg, Virginia) © Jennifer Williams Surveying Liberty (Newbugrh, NY) © Jennifer Williams The High Line Effect: Approaching Hudson Yards © Jennifer Williams Ladders (Installed at Robert Mann Gallery) © Jennifer Williams © Tommy Mintz © Tommy Mintz © Tommy Mintz © Tommy Mintz © Tommy Mintz Jennifer Williams, Tommy Mintz, and Allan Weitz © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 12/12/2018
It is that time of year, when we chat about the cameras that have been announced in 2018 and toss in some commentary by our in-house experts. We also make time for our favorite new lenses and a few accessories and miscellaneous pieces of gear. At the end of the show, we’ll go around the room and offer our thoughts on each of our favorite cameras from this year. While we already touched upon the new Canon and Nikon mirrorless full-frame cameras in a previous episode, we would be remiss if we didn’t acknowledge these big announcements at the top of the show. Other than these long-awaited announcements, 2018 was a comparatively quiet year for other manufacturers. Sony announced the Alpha a7 III Mirrorless full-frame camera at the beginning of the year, and both the RX100 VA and the RX100 VI; Zeiss has everyone curious about its full-frame ZX1 Digital Camera. Leica put out the Leica Q-P Digital Camera along with M10-D. Fujifilm bookended its year with two big announcements, the Fujifilm X-H1 in February, and the X-T3 later in the year—and added a few smaller X-series cameras, point-and-shoots, and the Instax SQ6 Taylor Swift Edition along the way. Panasonic announced the Lumix DC-GH5S as the update to the G5, and Olympus released the PEN E-PL9. Several lenses were highlighted during the roundup episode, including the Tamron 28-75mm f/2.8 Di RXD Lens for Sony E and the Sigma 56mm f/1.4 DC CN lens. The Zeiss Batis 40mm f/2 CF lens for Sony E also found favor, as did the Sony FE 24mm f/1.4 GM lens and the Rokinon 24mm f/2.8 AF lens. In addition to cameras and lenses, we spoke about new bags from Lowepro and Peak Design; lights from Luxli and Profoto; tripods by Robus; and the DJI Mavic 2 Pro and the GoPro Hero 7. This really was an episode full of insightful gear talk, and we discussed a wide range of products; we hope you enjoy and that it will help with any gift-buying decisions you may be making. Guests: Chelsea Jensen and Shawn Steiner Chelsea Jensen, Allan Weitz, and Shawn Steiner   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 10/25/2018
Can you imagine a better perspective? On today's episode of the B&H Photography Podcast, we welcome two shooting buddies who, perhaps not so coincidentally, happen to be talented and inspirational landscape photographers. Ryan Dyar and Miles Morgan are both well recognized for their gorgeous "land-based" landscape photography and post-production skills, but over the past few years, both have incorporated drone photography into their workflow. Our show today is a discussion of their aesthetic approach, and of the techniques and gear Dyar and Morgan use to make their stylized landscape images using drones. The topics we discuss are the differences between aerial photography and drone photography (Morgan is also a pilot) and, of course, composing from a tripod as opposed to a monitor image relayed from a few hundred feet in the air. We also talk about camera settings, long-exposure photography, drone choices, flying techniques, how to handle inclement weather, scouting locations, and the legal restrictions on drone operation. It is quite an informative episode, but, what also becomes clear is the camaraderie between Dyar and Morgan and how their friendship not only informs when and where they photograph but also how they work, how they view photography as a practice and, certainly, the influence each has upon the other in terms of their shooting styles. Join us for this enjoyable conversation. Guests: Miles Morgan and Ryan Dyar Photograph © Miles Morgan © Ryan Dyar © Ryan Dyar © Ryan Dyar © Ryan Dyar © Ryan Dyar © Ryan Dyar © Ryan Dyar © Miles Morgan © Miles Morgan © Miles Morgan © Miles Morgan © Miles Morgan © Miles Morgan Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 03/16/2018
As Allan Weitz says in the introduction, when you see a Jeffrey Milstein photo, you know it. He has a distinctive style, which is not an easy accomplishment for an aerial photographer. But, of course, not all his images are taken from high above—he also has an incredible series shot from underneath airplanes. All kidding aside, Milstein’s work—aerial or otherwise—is infused with the complexity of observation and with the fascination of how similar forms repeat themselves in distinctive ways. On this episode of the B&H Photography Podcast, we speak with Jeff Milstein about his photography, with an emphasis on his aerial photography and the process, gear, and technique he uses to capture these stunning images. We discuss his previous career as an architect and the influence that carries into his work, the medium format and 35mm format digital camera he prefers, and his lens choices. Along with Weitz, who also has much aerial photography experience, we discuss using a gyro stabilizer and the advancements made in in-camera stabilization systems. We also chat about communication with pilots and how to plan a helicopter aerial shoot. Milstein also discusses the post-production techniques used to create his geometric compositions and the large format prints he makes, many of which are currently on exhibit at the Benrubi Gallery, in New York. Guest: Jeffrey Milstein Boeing 757-200, Photograph © Jeffrey Milstein Airbus A340-300, Photograph © Jeffrey Milstein Boeing 737-700, Photograph © Jeffrey Milstein Boeing 747-400, Photograph © Jeffrey Milstein Caribbean Princess, Photograph © Jeffrey Milstein Carnival Sensation, Photograph © Jeffrey Milstein Carnival Victory at Night, Photograph © Jeffrey Milstein 5th Ave. Midtown, New York, NY, Photograph © Jeffrey Milstein Park La Brea, Los Angeles, CA, Photograph © Jeffrey Milstein Stuyvesant Town, New York, NY, Photograph © Jeffrey Milstein Coney Island, Photograph © Jeffrey Milstein Disneyland, Photograph © Jeffrey Milstein Gatwick Airport, Photograph © Jeffrey Milstein LAX Airport, Photograph © Jeffrey Milstein Jeffrey Milstein, Photograph © John Harris Jeffrey Milstein and Allan Weitz, Photograph © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
1 — 11 of 19 items

Pages

Close

Close

Close