Don’t Miss an Episode Subscribe Now

Refine
Done
0 Plays
Posted 06/03/2021
Every now and again there are conversations that flow and sparkle; they seem laden with professional insights and creative gems. Our chat with photographer Mona Kuhn is one, and perhaps it’s Kuhn’s self-awareness, her quiet confidence, and an ability to articulate her motivations that make it so. There are few who will disagree that her visual stories, her portraits, nudes, landscapes, and photo essays are among the most assured in contemporary photography, and on this episode of the B&H Photography Podcast we just revel in her good humor and willingness to share process. We speak a good deal about Kuhn’s new book Mona Kuhn: Works, and how it distills twenty years of an evolving career without ever seeming like a “retrospective.” We discuss editing strategies for this and previous books, how she created her intimate series, and why the sustained connections and relationships with her subjects are, to Kuhn, the most successful results of her extremely well-regarded work. As mentioned, she is very generous with her thoughts on photography, on how she used photo techniques to avoid the “gratuitous presence of the nude” and that the human figures she photographs are used to communicate “beyond just what you see.” She also references the work of Mike Disfarmer, how the square Hasselblad format forced her to be creative when photographing the “rectangular” human body. In the second half of the program, we cover aspects of her commissioned work and the satisfaction of being spontaneous in editorial work and of exercising the “problem-solving side of your brain” in the commercial sphere. We also discuss the differences between stories told in a book compared to a gallery, how she is comfortable on a monitor using Lightroom, but her book edits need to be printed and arranged physically to cull and order into “visual sentences.” Finally, Kuhn offers a very nuanced thought on the meaning of her personal images, encouraging “a dialogue of meanings” and noting that sometimes "quiet images last longer.” Join us for this delightful chat and have a look at Kuhn’s other new book, Study, from TBW Books. Guest: Mona Kuhn Photograph © Mona Kuhn Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
0 Plays
Posted 04/29/2021
It’s Macro Photo Week at the Explora blog and you’ll find many helpful articles and videos about the tools, techniques, and practitioners of macro photography. On the podcast, however, we go deeper than macro, like 1000x deeper—our conversation is with geologist, gemologist, and microscopist Nathan Renfro, of the Gemological Institute of America. Renfro is a renowned photomicrographer, and his images of the interiors of gems, with their unique inclusions and imperfect perfections, are stunning color abstractions of the natural world. With Renfro we speak about the art, craft, and science of photomicrography—using microscopes to make photos—and how he documents the inner life of a stone. Renfro got his start in gemology thanks to the collection of rocks and gems his grandfather, a miner from North Carolina, left to him. From this collection a fascination grew, ultimately taking him to GIA as a protégé of John Koivula, noted gemologist and author of the Photo Atlas of Gems series. Renfro himself has become one of the leading image makers in his field, and we discuss the tools and techniques he uses to create his work, including fiber optic lighting, focus stacking, and Differential Interference Contrast. We also discuss the surprisingly simple cameras that he uses, as well as the adapters, filters, and apps that enable his wonderful creations. We ask about the advantages that mirrorless photography holds for his craft, about the commercial and scientific applications of his work, and how traditional photography with a standard zoom lens has improved his understanding of composition and color, thus benefiting his photomicrography. Join us for this exploration deep into microverses, which are as complex and unique as any place on Earth or beyond. Guest: Nathan Renfro Photograph © Nathan Renfro Today’s episode of the B&H Photography Podcast was produced using Audio-Technica  microphones. Amethyst © Nathan Renfro Arkansas Quartz © Nathan Renfro Blue Diamond © Nathan Renfro Chrysoprase © Nathan Renfro New South Wales Sapphire © Nathan Renfro Greenland Diamond Trigons © Nathan Renfro Topaz © Nathan Renfro New South Wales Iris Agate © Nathan Renfro ZEISS microscope with Canon 6D DSLR © Nathan Renfro Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
0 Plays
Posted 04/22/2021
On this week’s episode of the B&H Photography Podcast, we focus on the work of photographer Todd Webb and, specifically, the series of images he created in Africa in 1958, while on assignment for the United Nations. We are joined by Betsy Evans Hunt, the Executive Director of the Todd Webb Archive, and by Aimée Bessire and Erin Hyde Nolan, coauthors of the new book, Todd Webb in Africa—Outside the Frame. With our guests, we discuss the photographic career of Todd Webb, including his work in New York and Paris in the 1940s and 1950s, and the founding and mission of the Todd Webb Archive. Our primary topic, however, is the rediscovery (in a steamer trunk) and eventual archiving and publishing of Webb’s photographs taken in several African nations over the course of a multi-month assignment organized by the United Nations. The images are notable not only for their fateful recovery but for their large and medium format color composition and intelligent eye; they tell a vibrant story of Africa at a moment between colonization and independence. With authors Bessire and Nolan, we discuss the making of their book, which is both a photography book of unique vision and a multifaceted study of the images themselves, with essays and interviews providing historical context and cultural and artistic analysis. Join us for this conversation on the work of an overlooked 20th-century master photographer and on a sweeping series of color photos that sat unseen for almost 60 years. Guests: Betsy Evans Hunt, Aimée Bessire, and Erin Hyde Nolan Photograph © Todd Webb Cover, “Todd Webb in Africa – Outside the Frame” © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
0 Plays
Posted 03/18/2021
Eye-catching and grotesque are words not often placed together, but those accurate descriptors are part of the charm and beauty in the still life and food photography of Emma Ressel. Ressel joins us on this episode of the B&H Photography Podcast to talk about her work, which takes inspiration from, among other things, Dutch Master paintings and her own upbringing in Maine. We discuss with Ressel the evolution of her work and how she attempts to balance the genres of food photography and still life. Many of her images contain aspects of decay and death, and in her personal fine art photography, food is one way to address these topics. She also is a commercial photographer of food, wine, and still life work commissioned by New York Magazine, Refinery29, and other publications and clients. Ressel works with both a 4 x 5" Toya medium format film camera and with a Nikon DSLR, and we find out how and why she chooses which system to utilize. We also talk about her varied lighting choices and how she came to food photography not knowing much about professional workflows and food stylists and how that may have helped her define her look. She is very hands-on with her work, and we discuss sourcing items as diverse as coral snakes and pig’s heads. We also consider issues of waste and overconsumption and how her work attempts to deal with those ideas within an industry that uses food for purposes not directly related to human sustenance. Ressel also tells us about an inspiring artists residency in which she tackled the subject of a decaying whale carcass. This is a very well-rounded conversation, at ease discussing the technical issues of using a view camera as easily as literary inspiration, and how to walk the fine line between working as a commercial food photographer and pushing the genre to uncomfortable new places. Join us for a listen and have a look at Ressel’s Artfare page to see her larger prints. Guest: Emma Ressel Photograph © Emma Ressel From “Trouble in the Garden” © Emma Ressel From “Trouble in the Garden” © Emma Ressel From “Trouble in the Garden” © Emma Ressel From “Olives in the Street” © Emma Ressel From “Olives in the Street” © Emma Ressel From “Olives in the Street” © Emma Ressel From “Insatiable Hunger and the Peacock’s Plume” © Emma Ressel Commission for New York Magazine © Emma Ressel Commission for Wines of Sicily/Refinery29 © Emma Ressel © Emma Ressel Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
0 Plays
Posted 01/28/2021
Photography has long been used as a tool to explore and analyze history, but in the hands of an artist, that same tool is not asked to be exacting or accurate to the historical record. If anything, artists challenge this idea of photography as fact. And for this reason, it is such a pleasure to welcome artist and photographer Barbara Mensch to the B&H Photography Podcast. Mensch has created a book of history by using photographs she took as an artist. Having lived in the shadow of the Brooklyn Bridge for many years, she photographed the bridge in varied light and perspective, but it was not until she ventured inside the bridge's anchorage that she become interested in using her photographic story as the basis for a researched and nuanced study of the three principle creators of the Brooklyn Bridge. The book, In the Shadow of Genius: The Brooklyn Bridge and Its Creators, is the successful result of her work, and we talk with Mensch about reevaluating older work, the endurance needed to complete a long project, the ability of photography to tell stories, and about square format and Hasselblad. In the second half of the program, we take up Mensch’s current book project, which also re-addresses earlier work, in this case from her wonderful series on the workers of the South Street Seaport or, as it was then called, the “waterfront.” Here we discuss the intrapersonal skills needed to photograph in authentic, yet potentially dangerous situations, the creative and youthful zeal that fuels such projects, and even about Bergger photography paper. Join us for this engaging conversation. Guest: Barbara Mensch Photographs © Barbara Mensch From “In the Shadow of Genius: The Brooklyn Bridge and Its Creators” © Barbara Mensch From “In the Shadow of Genius: The Brooklyn Bridge and Its Creators” © Barbara Mensch From “In the Shadow of Genius: The Brooklyn Bridge and Its Creators” © Barbara Mensch From “In the Shadow of Genius: The Brooklyn Bridge and Its Creators” © Barbara Mensch Klebber’s Murder © Barbara Mensch Child in Shoe Bin, Lower East Side © Barbara Mensch From the upcoming book, "Ghosts of South Street" © Barbara Mensch From the upcoming book, "Ghosts of South Street" © Barbara Mensch From the upcoming book, "Ghosts of South Street" © Barbara Mensch From the upcoming book, "Ghosts of South Street" © Barbara Mensch Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 10/22/2020
In the 1970s, under the aegis of the Great Society’s Model Cities Program, photographer Earlie Hudnall, Jr. began to document the predominantly African-American neighborhoods of Houston’s 3rd, 4th, and 5th wards, and for more than forty years he has continued to create an indelible portrait of life in these neighborhoods. To be sure, Hudnall has photographed all around the world, and worked for years as the photographer for Texas Southern University, but it is his images of the people of Houston that we discuss today, and that are included in his current exhibition at the Photographs Do Not Bend Gallery in Dallas, running through October 31, 2020. On this week’s episode of the B&H Photography Podcast, we talk with Hudnall about the relationship between the stories he tells with his images and those he grew up with in his native Mississippi; how the tradition, culture, and community of his youth reveal themselves in the faces and facades of modern Houston. We also talk about his organic approach to photography and how respect for his subjects informs his process, and how eye contact and body language are tools to connect with people on the street. Hudnall is old school—he works with digital cameras when needed—but his Hasselblad and Nikon film cameras are his primary tools and he discusses why he chooses one over the other to make a particular image. Hudnall also prints his photographs, so we talk about sourcing supplies, Ilford paper, and darkroom techniques. And while we do get into camera talk and a “sweet, sweet, sweet, soft Rolleiflex,” much of our conversation with Hudnall focuses on how memory and inspiration react in a moment to create a powerful image and how staying sensitive to your surroundings will serve your imaging. It is a joy to listen to Hudnall; please join us for this conversation. Guest: Earlie Hudnall, Jr. Photograph © Earlie Hudnall, Jr. Mr. Shine, 3rd Ward, Houston, 1988 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Girl with Flag, 3rd Ward, Houston, 1991 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Hip Hop, Galveston, TX, 1993 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Looking Out, 3rd Ward, Houston, TX, 1991 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Feeling the Spirit, 3rd Ward, Houston, TX, 1987 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Boy Eastern Star, 3rd Ward, Houston, TX, 1984, © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, T Roots, 1997 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 02/23/2018
We are delighted, at the B&H Photography Podcast, to present our chat with acclaimed portrait photographer Chris Buck. Buck is an in-demand celebrity and advertising photographer, but he also maintains ongoing personal projects, such as his current series, “Gentleman’s Club.” We speak with him on a range of topics, from concept development, shooting technique, and gear, to editing decisions and self-publishing. With a flexible yet unmistakable style that blends insight, a touch of dry, almost absurdist humor, and a pinch of the darkness within, Buck has photographed a host of luminaries from the worlds of film, music, and politics, including four of our last five Presidents. His most recent book, Uneasy, is a 30-year compendium of incredible portraits; we discuss the making of this book and, of course, some of his most recognized images. We also speak with Buck about process: his “three tiers of ideas,” thoughts on humor, his adjustment to digital photography, and DSLR versus medium format. In this wide-ranging conversation, Buck opines on his relationship with subjects, the nature of portraiture, his influences from pop culture and photography, and how “being relaxed and having fun are the enemies of a good Chris Buck photo.” Guest: Chris Buck Barack Obama, from the book, "Uneasy" © Chris Buck Elvis Costello, from the book, "Uneasy" © Chris Buck George McGovern, from the book, "Uneasy" © Chris Buck Leonard Cohen, from the book, "Uneasy" © Chris Buck Philip Seymour Hoffman and John C. Reilly, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck William F. Buckley, from the book, "Uneasy" © Chris Buck Jonathan Millet, from the "Gentleman’s Club" series © Chris Buck Vincent Rodriguez, from the "Gentleman’s Club" series © Chris Buck Chris Buck on the B&H Photography Podcast © John Harris Allan Weitz and Chris Buck © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence
0 Plays
Posted 12/29/2017
For the B&H Photography Podcast, 2017 has been a wonderful year. We published our 100 th episode, surpassed one million downloads, and reached #1 on the iTunes podcast chart in the Visual Arts category. Achievements aside, we are simply pleased with the remarkable guests we have hosted on our show, the variety of subjects we have covered, and the consistently entertaining and intelligent conversations we have published. And honestly, we are proud to have maintained our production output—week in week out—and to still really enjoy what we do. With this in mind and with gratitude to our listeners, guests, co-workers, and the management at B&H, we have cobbled together a 2017 year-in-review episode in which we discuss our favorite shows from 2017 and play a few clips of the most interesting moments from these episodes. The highlights were many and hard to narrow down, but Allan Weitz chose our episode with photographer Lynn Goldsmith as his favorite, with a close second being our talk with Bellamy Hunt, aka the Japan Camera Hunter. He also mentioned our talks with Richard Drew on his photograph, referred to as “Falling Man,” and our episodes with photojournalists (and husband and wife) Ben Lowy and Marvi Lacar. As for Jason Tables, he pointed to History of Hip-Hop Photography and Night Photography—From Film into Digital, as his favorites. My list included a few of those mentioned above, as well as an episode on social documentary projects and the clip I chose from our serial segment, “Dispatch,” with Adriane Ohanesian, in which she recounts the story of a fatal attack she survived while covering a story in Congo. We discuss several more episodes during this end-of-year extravaganza and hope that the clips pique your interest and inspire you to subscribe to our show and check out programs from our catalog, which now includes more than 100 episodes. Thank you and happy New Year from Allan, Jason, and John. Guests: Lynn Goldsmith, Bellamy Hunt, Richard Drew, Ben Lowy, Marvi Lacar, Danny Hastings, Eric Johnson, Janette Beckman, Vicky Tobak, Chris Nicholson, Lance Keimig, Adriane Ohanesian   Jason Tables, Allan Weitz, and John Harris   Jolene Lupo, Penumbra Foundation DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 05/19/2017
It has been “Macro Week” at B&H Explora, and this week’s episode will put a nice bow on all the articles and photos we have published on the subject, with an overview of what type of macro photography lenses and systems are available. We begin this podcast talking with photographer Marc Silber about his new book Advancing Your Photography: A Handbook for Creating Photos You’ll Love, in which he provides a complete guide to get you from concept to completion. He stresses visualizing your image, gathering the correct gear to accomplish that, and walks the reader through all the steps of production, post-production, and exhibition. The tools he provides are apt for beginners. Enthusiasts—and even pros—will pick up a few tricks. After a short break, we continue the macro photography theme with a listing of the latest macro lenses available at B&H, and a practical conversation on what defines macro, techniques for improving your macro photography, and alternative methods for creating close-up and macro images. Guest: Marc Silber Image courtesy Marc Silber Image courtesy Marc Silber Eiffel Tower by Marc Silber Marc Silber and Allan Weitz, photograph by John Harris Previous Pause Next Photos by Allan Weitz unless otherise noted DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 03/10/2017
Today’s episode broadens our normal photographic sphere as we discuss ophthalmic photography and how the eye’s own optical system is used in conjunction with camera equipment—some techniques very common, some not so—to examine the interior of the eye and to diagnose illnesses that go far beyond problems with vision. We are joined by Mark Maio, clinical medical and ophthalmic photographer and developer of the first high-resolution digital imaging system in ophthalmology. We talk with Maio about his early interest in social justice photography, working as a “jack-of-all-trades” photographer for a hospital, and how his eventual concentration in ophthalmic photography led to early adoption of digital technology and the development of a tool that helped to transform the industry. Throughout this conversation, we learn about the use of analog and digital photography in the biomedical field and how fundus cameras and other specialized gear are used to diagnose optical and systemic maladies. When the pupil is dilated, they eye becomes a portal into the body, and with the proper tools, we can see inside our corporeal system without cutting. Maio is also an accomplished fine art and documentary photographer, and we will also discuss how these various disciplines have intersected throughout his career and resulted in the workshops he leads on ophthalmic imaging, documentary, and landscape photography on the beautiful Isle of Skye. Guest: Mark Maio From the series Saving Sight-- The Flying Eye Hospital From the series Against the Grain – Buffalo Grain Industry From the series, Isle of Skye Previous Pause Next All photographs by Mark Maio DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
1 — 11 of 13 items

Pages

Close

Close

Close