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Posted 04/22/2021
On this week’s episode of the B&H Photography Podcast, we focus on the work of photographer Todd Webb and, specifically, the series of images he created in Africa in 1958, while on assignment for the United Nations. We are joined by Betsy Evans Hunt, the Executive Director of the Todd Webb Archive, and by Aimée Bessire and Erin Hyde Nolan, coauthors of the new book, Todd Webb in Africa—Outside the Frame. With our guests, we discuss the photographic career of Todd Webb, including his work in New York and Paris in the 1940s and 1950s, and the founding and mission of the Todd Webb Archive. Our primary topic, however, is the rediscovery (in a steamer trunk) and eventual archiving and publishing of Webb’s photographs taken in several African nations over the course of a multi-month assignment organized by the United Nations. The images are notable not only for their fateful recovery but for their large and medium format color composition and intelligent eye; they tell a vibrant story of Africa at a moment between colonization and independence. With authors Bessire and Nolan, we discuss the making of their book, which is both a photography book of unique vision and a multifaceted study of the images themselves, with essays and interviews providing historical context and cultural and artistic analysis. Join us for this conversation on the work of an overlooked 20th-century master photographer and on a sweeping series of color photos that sat unseen for almost 60 years. Guests: Betsy Evans Hunt, Aimée Bessire, and Erin Hyde Nolan Photograph © Todd Webb Cover, “Todd Webb in Africa – Outside the Frame” © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 11/05/2020
Our guest on this week’s episode of the B&H Photography Podcast is Sam Hurd. While he is primarily a wedding photographer, I have no doubt that he could photograph anything and make it look interesting. Hurd is also a portrait photographer, he dabbles in landscape work, and is a passionate photo educator. A few minutes listening to this episode and it becomes clear that he can articulate his process as well as he can execute it. He offers “deconstructions” of his images for his Patreon followers and teaches his style, technique, and gear, but today we focus on his “side hustles,” on the methods and platforms he uses to engage with clients and make extra money from the wedding photography he is already doing. We start by discussing his Patreon platform and how he uses his wedding photography images and insights to build a following of “patrons,” who pay monthly subscriptions to follow his tutorials. We then jump to Stocksy, and how his well-curated set of stock images, mostly taken at weddings, creates an additional revenue flow. He also speaks of DVLOP, which is a site that markets presets that he has created while processing his wedding work. Of course, each of these ancillary platforms flows into and out of each other not only to gain him clients but to improve his photography. He mentions several times how the challenge of producing interesting tutorials has forced him to be more inventive. Despite a very simple kit when shooting weddings, Hurd is also a self-described gearhead, and he and Allan bond over their love for vintage glass and discuss recent purchases, including the Hasselblad 907X 50C  and the Canon R6. Finally, we touch on Hurd’s first professional gig, as the staff photographer for the National Press Club, some of the famous faces he photographed, and the odd but practical practice techniques he developed to practice his portraiture. Join us for this very informative episode. Guest: Sam Hurd Photograph © Sam Hurd © Sam Hurd Photography © Sam Hurd Photography © Sam Hurd Photography © Sam Hurd Photography © Sam Hurd Photography © Sam Hurd Photography © Sam Hurd Photography © Sam Hurd Photography George Clooney at the National Press Club © Sam Hurd Photography Mariska Hargitay at the National Press Club © Sam Hurd Photography Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/23/2020
For the headline of this week’s episode of the B&H Photography Podcast, we lifted a line from our guest’s own Instagram bio. It would have been too easy to call a show with Walter Iooss Jr. “Sports Photography Legend” or some such, but that pigeonholes Iooss too easily, and does not recognize the scope of his engagement with photography and with the creative process. Yes, Walter Iooss Jr. is sports photography. He has more than 300 Sports Illustrated covers to his name, his first professional gig was at age 17, and for six decades he has photographed several Hall of Fames’s worth of athletes, including names like Arnold, Mary Lou, Muhammad, and Tiger, and his work with Michael Jordan is unparalleled. Also—every Super Bowl. But he has also photographed rock stars, models, fashion and commercial assignments, portraits, and documentary series. And he tells us of his love for music and that if not for a twist of fate, he might have been a musician. The man is a creator for life, a photographer for life. With Iooss, our conversation takes a leisurely approach, touching on a few of his more memorable photos and some of the interesting lesser knowns; the breadth of his work alone could keep us talking for hours. Along the way, we learn a little about his upbringing, the love for music, his mentors, and the time he shot for Atlantic Records. We discuss how he builds a composition, whether it be an action shot during a game or a complicated portrait setup. We also talk about using a giant Polaroid camera, the coming of autofocus, and Canon DSLRs. Join us for this pleasant conversation that is sure to interest not only fans of sports, but fans of photography. Guest: Walter Iooss Jr. Photograph © Walter Iooss Jr. Andy Samberg, 2011 © Walter Iooss Jr. Muhammad Ali and Joe Frazier, 2003 © Walter Iooss Jr. Emmet Ashford, 1968 © Walter Iooss Jr. Tony Scott and Gary Templeton, 1979 © Walter Iooss Jr. Greg Louganis, 1984 © Walter Iooss Jr. Dave Parker and Grant Jackson, 1980 © Walter Iooss Jr. Jack Nicklaus, 1967 © Walter Iooss Jr. The Blue Dunk, Michael Jordan, 1987 © Walter Iooss Jr. The Corner, Havana, Cuba, 1999 © Walter Iooss Jr. Leipzig, East Germany, 1976 © Walter Iooss Jr. Lee Trevino, 1991 © Walter Iooss Jr. Willis Reed, 1973 © Walter Iooss Jr. Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/11/2020
It’s easy to admire Sebastian Meyer, not simply because he’s a talented photographer who also co-founded the first photojournalism agency in Iraq, but because he is confident enough to speak of his shortcomings, his naiveté, and of tragedy. On this week’s episode of the B&H Photography Podcast, we welcome Meyer to discuss his “love at first sight” for photojournalism, the Metrography photo agency he opened in Iraqi Kurdistan, and how he lost a colleague and friend to the violence of the war against ISIS. We also laugh a bunch during this episode and talk about being an “arrogant white guy,” how research can create preconceived ideas, the tropes of war photography, a bit about gear, and about the conditional nature of journalistic standards and freedom of the press. After a short break, we learn of Meyer’s involvement in a prolonged hostage situation, his return to photojournalism, and how his new book, Under Every Yard of Sky, is not only a beautiful chronicle of modern Iraqi Kurdistan, in war and in peace, but is also a tribute to a friend taken too soon. Join us for this wonderful conversation that touches on so many important issues of the contemporary documentary and photojournalism. Guest: Sebastian Meyer Manchester, United Kingdom 2005. Photograph © Sebastian Meyer Manchester, United Kingdom 2005. Photograph © Sebastian Meyer cover of Under Every Yard of Sky by Sebastian Meyer, 2019 from Under Every Yard of Sky, Photograph © Sebastian Meyer from Under Every Yard of Sky, Photograph © Sebastian Meyer from Under Every Yard of Sky, Photograph © Sebastian Meyer from Under Every Yard of Sky, Photograph © Sebastian Meyer from Under Every Yard of Sky, Photograph © Sebastian Meyer from Under Every Yard of Sky, Photograph © Sebastian Meyer from Under Every Yard of Sky, Photograph © Sebastian Meyer Friends and family of Kamaran grieve after hearing the news of his death, 2014. Photograph © Sebastian Meyer Sebastian and Kamaran, Photograph courtesy Sebastian Meyer Allan Weitz and Sebastian Meyer, 2020. Photograph © John Harris Sebastian Meyer on the B&H Photography Podcast, 2020. Photograph © John Harris Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/12/2020
On this week’s episode of the B&H Photography Podcast, we welcome intellectual property attorney David Deal back to the program to discuss issues regarding copyright infringement, particularly as they involve three high-profile cases in which he is involved. Deal spoke with us last year about a case he had just litigated, Brammer vs Violent Hues Productions, in which he successfully argued to reverse a lower court’s decision, thus protecting his client’s photograph from copyright infringement. While it was a relatively small case, the decision carried positive ramifications for photographers and should stand as precedent going forward. Deal provides a summary of why that case is so important to photographers. He also brings us up to speed on a high-profile case in which he represents many possible heirs to the copyright of Vivian Maier’s photo catalogue. On the second half of our show, we will speak with Deal about the current case in which he is involved, regarding the estate of noted rural portrait photographer Mike Disfarmer  1884–1959). This conversation will serve as an introduction to a serial segment we will record with David Deal over the coming months about the Disfarmer images. Disfarmer’s work is well known and sought after in the art world, but the question remains as to who are the rightful heirs of his work and whether they have been properly compensated. Because his images have been reproduced and sold for many years by various vendors, the case is complicated, and Deal walks us through the issues surrounding this fascinating photographer and case, which involves heroes and villains from small-town Arkansas to big-city New York. Keep your eyes (and ears) open for the future segments of this series as Deal and his team work through the many layers of research and legal briefs, hopefully to sort out the legal entanglements and set the record straight. Guest: David Deal Photograph © Mike Disfarmer All photos in this carousel © Mike Disfarmer Previous Pause Next Mike Disfarmer Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/08/2020
During a little holiday trip, producer John Harris made a visit to the gallery and studio of photographer Clyde Butcher. For anyone who grew up in Florida, Butcher’s work should be very familiar; his photography is often found on the walls of local libraries, municipal buildings, and, as Miami native Jason Tables points out, “every doctor’s office I’ve ever been in.” Butcher’s images of the Florida landscapes, particularly of the Everglades, are legendary, and although he has a brisk print-sales business, many of the photos in libraries have the attached placard, “Donated by Clyde Butcher.” Although he is known primarily for his large format black-and-white photography of “the swamp,” Butcher’s photographic career extends back many decades and includes architectural photography, mountain and western landscapes, filmed documentaries, and decorative color photography. Interestingly, Butcher began his career selling prints at small art fairs and, in the 1970s, he had a thriving business selling thousands of prints through department stores such as Sears and Montgomery Ward. This episode of the B&H Photography Podcast is a casual conversation that glides through several topics, including Butcher’s work with large format cameras, his recent foray into Sony digital cameras paired with Canon tilt-shift lenses, the incredible set of vintage enlargers in his giant darkroom space, the business models he and his family employ to market his images, water conservation, and, of course, his relationship to the Florida landscape for which he will be forever linked. Join us for this conversation with a true master. Guest: Clyde Butcher Above photograph © Clyde Butcher Tamiani Trail © Clyde Butcher Cigar Orchid Pond © Clyde Butcher Ochopee © Clyde Butcher Big Cypress © Clyde Butcher Moonrise © Clyde Butcher Plaja-S’Arenella-with-Boat, from Salvador Dali series © Clyde Butcher Cadaques, from Salvador Dali series © Clyde Butcher Cap-de-Creus, from Salvador Dali series © Clyde Butcher Clocks by Clyde Butcher circa, 1970s © Clyde Butcher Clyde Butcher and John Harris © Niki Butcher Niki and Clyde Butcher © John Harris Clyde Butcher in his Venice, Florida office © John Harris Butcher workshop and darkroom, 2019 © John Harris Niki Butcher with enlarger, 2019 © John Harris Clyde Butcher in Movie Dome with 11 x 14" view camera © Clyde Butcher Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/26/2019
On today’s episode of the B&H Photography Podcast, we welcome California-based advertising, sports, dance, and fashion photographer (and director), Alexis Cuarezma, who packs a considerable amount of practical and creative insight into our hour-long conversation. Ostensibly, Cuarezma was joining us to talk about his lighting techniques and, while he does dive deep into lighting schemes, we discuss so much more. Cuarezma is generous with is thoughts on production, composition, models, gear, self-promotion, and marketing really anything that he understands to help him in his burgeoning photo business. Just a glance at his work, and one will realize why Cuarezma is here to discuss lighting techniques, he has shot for Sports Illustrated (including six covers), Fortune magazine, Ring magazine, the New York Times, and his clients include Nike. Cuarezma emphasizes his belief that getting it right “in-camera” is the key to his success, not just for the sake of the final image, but for his creative process. Researching, planning, arriving early, being hands-on in every phase of the work, and understanding that your vision, when properly executed, will win over a client, is the other key to his success. With Cuarezma we discuss his decision-making process when creating a portrait; each of the small problems that needs to be solved to create the desired look that works best for his particular subject. While comfortable renting the needed gear to fulfill each project, he also discusses the gear he owns and uses, including Profoto B1 lights, Rosco Gels, and his Canon 5DS. Join us for this insightful and very educational episode. Guest: Alexis Cuarezma Photograph © Alexis Cuarezma © Alexis Cuarezma © Alexis Cuarezma © Alexis Cuarezma © Alexis Cuarezma Christine Shevchenko, American Ballet Theater © Alexis Cuarezma © Alexis Cuarezma © Alexis Cuarezma Hunter Strickland © Alexis Cuarezma Chris Paul © Alexis Cuarezma John Harris, Allan Weitz, Alexis Cuarezma, and Jason Tables © Jason Tawiah Previous Pause Next
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Posted 11/06/2019
On today’s episode of the B&H Photography Podcast, we welcome photojournalist and sports photographer Nick Didlick to our show. Didlick has been a freelance shooter, a staff photographer, an agency photographer for Reuters and UPI and, while covering the world news, was nominated for two Pulitzer Prizes. He also is an accomplished videographer, editor, and producer, and has served as Photo Chief for the 2010 Vancouver Winter Olympics and as Director of Photography at the Vancouver Sun, where he oversaw the staff change from film to digital photography. As a photographer, Didlick has always been ahead of the technological curve, willing to try new cameras and transmission systems and push existing technology to its limits. He joins us to discuss his technical evolution as a sports photographer and the features that he considers important to balance technological advances with age-old experience of craft. We ask Didlick to look back on his career and discuss important steps in the evolution of his kit, including autofocus features, compact lenses, telephoto extenders, remote control, wireless transmission and, of course, the development of digital photography. We also look ahead to improvements in metadata and artificial intelligence and his overarching philosophy that all advances should be embraced if they are needed to improve your workflow. Throughout the episode, Didlick pokes fun at my “old” DSLR technology in favor of his Sony Alpha a9 II Mirrorless camera but, in doing so, he underscores his point, that as photographers, the hardest part of advancing your skill set is “un-learning” what you considered fundamental and embrace the changes that can improve your photography. Join us for this rollicking and enjoyable episode. Guest: Nick Didlick Above Photograph © Nick Didlick Wayne Gretzky © Nick Didlick Ronald Reagan and Mikhail Gorbachev © Nick Didlick Remnants of Pan Am Flight 103, Lockerbie, Scotland © Nick Didlick Tiger Woods © Nick Didlick 2019 NCAA Final Four © Nick Didlick Lindsey Vonn © Nick Didlick Rodeo © Nick Didlick Usain Bolt stumbles and falls during race © Nick Didlick IAAF World Athletics Championship, 2019 © Nick Didlick Venus Williams © Nick Didlick Sloane Stephens with U.S. Open trophy, 2018 ©Nick Didlick Aibo dogs from Sony © Nick Didlick Nick Didlick and Allan Weitz © John Harris Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/24/2019
For this episode of the B&H Photography Podcast, we took our portable recorders to an elegant mansion along Central Park, which had been decked out by Sony as a series of stylized photography sets, complete with full lighting, backdrops, and models. They also happened to have on hand many brand-new Sony Alpha a7R IV Mirrorless Digital Cameras and hundreds of lenses for the guests to shoot with in these mini studios. Let’s not forget about the great music, delicious food, and open bar Sony provided. All in all, it was a wonderful event to celebrate the highest megapixel full-frame camera on the market. Sony invited many impressive photographers, writers, influencers, retailers, and… us. And we made our way through the many rooms, speaking with Sony representatives and photographers, getting their first impressions of this latest incarnation of the Alpha a7R series. Needless to say, people were impressed and, after seeing the specs and handling this new camera, so were we. Our first guest is Michael Bubolo, Senior National Manager from Sony PRO Support. We sat with Bubolo before the crowds arrived and were able to go over some of the upgrades and features and get his thoughts on what makes this camera stand out from previous models. Next, we welcome the one and only Ken Rockwell to ask his thoughts on the camera and anything else he wanted to talk about. After a short break, we speak with visual artist Lori Grinker about her potential uses for the a7R IV and, then, with landscape and travel photographer Jude Allen, who happened to be in town from San Francisco, about his first impressions after handling the camera. Finally, we sit down with Sony Artisans Andy Katz and Colby Brown, who both had had the opportunity to shoot the new camera for a couple of weeks and report back on the features they most appreciate for the specific work they do. Join us for this in-depth look at the latest Sony full-frame mirrorless camera, and let us know if you are ready to upgrade. Guests: Michael Bubolo, Ken Rockwell, Lori Grinker, Jude Allen, Andy Katz, and Colby Brown created with the new Sony Alpha a7R IV camera © Andy Katz created with the new Sony Alpha a7R IV camera © Andy Katz created with the new Sony Alpha a7R IV camera © Andy Katz created with the new Sony Alpha a7R IV camera © Andy Katz created with the new Sony Alpha a7R IV camera © Andy Katz created with the new Sony Alpha a7R IV camera © Colby Brown created with the new Sony Alpha a7R IV camera © Colby Brown created with the new Sony Alpha a7R IV camera © Colby Brown created with the new Sony Alpha a7R IV camera © Colby Brown created with the new Sony Alpha a7R IV camera © Colby Brown © Allan Weitz © Allan Weitz Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/17/2019
On this week’s episode of the B&H Photography Podcast, we welcome photographer Ashok Sinha, who talks about his forthcoming book, Driver-full City: The Unique Architecture of Car Culture in Greater Los Angeles, and discusses the Cartwheel Initiative, a nonprofit that he founded, which works with displaced and refugee youth, using photography and multimedia tools to inspire these youth to find their voice through art and creative thinking. Above photograph © Ashok Sinha Before we get into our conversation with Sinha, however, we want to let you know about an opportunity we are offering our listeners. We will be giving away forty free tickets to a private screening of the film, Jay Myself, directed by photographer Stephen Wilkes, about the photographer Jay Maisel. Wilkes will be in attendance for a Q/A session after the screening. Many of you may remember when Maisel and Wilkes joined us to talk about the making of this movie, and we are excited to extend this offer to the first forty listeners who request a ticket. This screening will be in New York City, on August 4, so if you cannot be in New York on that date, please do not request a ticket, which are limited to two per person. If you would like to attend the screening and meet the filmmakers, send a request to podcast@bhphoto.com or join our B&H Photography Podcast Facebook Group and comment on the post regarding the free screening. Screening details are in the post and we look forward to meeting you. Ashok Sinha is a complete photographer and filmmaker, able to make a living from his architecture and interior design photography, but also adept at large-scale landscapes, human-interest editorial stories, and portraiture. His photographs have been widely published by editorial outlets such as The New York Times, TIME, Interior Design, and exhibited by The Museum of the City of New York, the International Center of Photography, and The Royal Photographic Society. And, as mentioned, Sinha has found a wonderful way to use photography to give back to the youth most in need of a helping hand. Join us for this inspiring episode and request your free tickets to Jay Myself. Guest: Ashok Sinha “Driver-full City” © Ashok Sinha “Driver-full City” © Ashok Sinha “Driver-full City” © Ashok Sinha “Driver-full City” © Ashok Sinha “Driver-full City” © Ashok Sinha Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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