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Posted 09/09/2021
What do the films Goodfellas, The Devil Wears Prada, Creed, Ocean’s 8, and Die Hard with a Vengeance have in common? The poster art, publicity, and behind-the-scenes photography for these and about one hundred other feature films were made by photographer Barry Wetcher, and we welcome Wetcher to this week’s episode of the B&H Photography Podcast. On-set still photography or, simply, “still photography” is one of the more unique jobs found under the big tent that is photography. The skills needed to excel in this work incorporate abilities from many photographic genres. Portraiture, documentary, news, action, and still life talents are all called upon to create the images needed for varied purposes, but perhaps the most important skill is the ability to understand the many moving parts and dynamic personalities of a film shoot and to find a way to be everywhere but nowhere at the same time. With Wetcher, we talk about the specific demands of the craft, about the evolution of gear from film to DSLR and, ultimately, to mirrorless (Nikon and FUJIFILM, in Wetcher’s case), and mostly about how to best navigate the world of producers, directors, cinematographers, and actors to create the seemingly ephemeral but truly indelible images of movie history. We also find time to ask Wetcher about some of the legendary actors and directors he has photographed over the years. Join us for this enjoyable and informative chat with Wetcher and, as it turns out, his “Brooklyn Brother,” host Allan Weitz. Guest: Barry Wetcher Photograph © Barry Wetcher Chadwick Boseman in “Marshall,” 2017 © Barry Wetcher/Open Road Films Human Green Screen from “I Am Legend,” 2007 © Barry Wetcher/Warner Bros. Pictures James Gandolfini in “Not Fade Away,” 2012 © Barry Wetcher/Paramount Vantage Joe Pesci in “GoodFellas,” 1990 © Barry Wetcher/ Warner Bros. Pictures Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 01/15/2020
Imagine the privilege of being present at the creation of one of the “wonders of the world,” and then imagine being asked to document the magnitude—and the details—of that creation. Our guest on today’s episode of the B&H Photography Podcast has just that privilege and that responsibility and, as he puts it, this telescope may “change the way we understand our universe.” Chris Gunn has been a NASA contract photographer for almost twenty years but, for the past ten, he has dedicated himself to the James Webb Space Telescope and documenting the construction and eventual launch of this spacecraft, which will replace the Hubble as NASA’s most powerful telescope. We speak with Gunn about all aspects of his job and, specifically, about the gorgeous medium format images he creates that are made available to the public. Gunn is responsible for documenting the construction process, which includes portraits of scientists, as well as macro shots of screws, and he relates how he has “taken the extra step” to evolve as a photographer, incorporating medium format photography and detailed setups. Gunn must be prepared to shoot any style of photo and he discusses his daily responsibilities, how his gear has evolved over time, the lighting he chooses, and his interaction with the hundreds and technicians and scientists he works with regularly. We also discuss marketing yourself as a photographer and the specific challenges that make his job like no other, including working in giant “clean rooms,” accepting that your work is immediately in the public domain, and incorporating the aesthetics from science-fiction films. Sitting in on this recording is our own member of the B&H Space Force, writer Todd Vorenkamp. Join us for this fascinating episode in which we learn about this incredible spacecraft and the work that goes into documenting its creation and check out our 2016 episode, in which we speak with the imaging scientists from the  Hubble Telescope mission. Guest: Chris Gunn Above photograph © Chris Gunn Chamber A Door © Chris Gunn/NASA Blanket Inspection © Chris Gunn/NASA Wings Deployed © Chris Gunn/NASA Lights Out Inspection © Chris Gunn/NASA Container Doors © Chris Gunn/NASA Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/07/2019
At the B&H Depth of Field Wedding and Portrait Conference, being held this week in New York, we were fortunate to sit down with a straight-up legend— Albert Watson. It would be hard to overstate his accomplishments as a photographer, and his ability to master a range of photographic genres—from fashion and advertising to still life, fine art, and reportage—is uncanny. He has shot more than 100 Vogue covers, 40 covers for Rolling Stone, and created iconic images of Steve Jobs, Mick Jagger, Alfred Hitchcock, David Bowie, a nude Kate Moss, and a properly clothed Queen Elizabeth, who later bestowed upon Watson an Order of the British Empire (OBE) for “services to photography.” On this week’s episode of the B&H Photography Podcast, we present our conversation with Watson, which also serves as an intro to future episodes, which will present a sampling of conversations we held with other wedding and portrait photographers at the Depth of Field Conference. Join us for this inspiring conversation and subscribe on Apple Podcast, Google Podcast, Overcast, and Stitcher for all upcoming episodes.  Guest: Albert Watson Albert Watson on the B&H Photography Podcast © John Harris Albert Watson on the B&H Photography Podcast at the 2019 Depth of Field Conference © John Harris Allan Weitz and Albert Watson © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 10/19/2018
In less than an hour, this podcast will teach you everything you need to know about night photography. Seriously. While our show is not a tutorial, the conversation is so broad and so deep; it touches upon every aspect of the craft. Guests Gabriel Biderman and Todd Vorenkamp blanket this subject with an engaging and humorous tone—from the psychological predisposition common to night shooters and the science of rods and cones to cameras, gear, apps and a recipe for creating images of star trails. This is truly an episode for all levels of shutterbugs seeking to explore or master image making at night. Well done guys! Guests: Gabriel Biderman and Todd Vorenkamp To listen to this week’s episode: Listen to or download on  SoundCloud, or subscribe to the B&H Photography Podcast on  iTunes;  Stitcher;   SoundCloud; or via  RSS. Thank you for joining our journey into night photography! For more Visualizing the Night content, please click here: Visualizing The Night and share your enthusiasm for the art below in the comments section or reach out to us on social media using #visualizethenight. Thanks for reading!       Photos by Todd Vorenkamp www.trvphoto.com    Photos by Gabriel Biderman www.ruinism.com b Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/09/2018
Murray Fredericks considers his landscape photography series, "Vanity," as just one aspect of a larger body of work, a project for which he has spent fifteen years shooting in southern Australia's remote Kati Thanda–Lake Eyre. However, this part of the larger series has one aspect that the others do not—a large mirror placed in the lake bed, reflecting other angles of the land and sky. This seemingly simple idea transforms not only the vista but our visual understanding of this singular place, and I think it's fair to say that there is nothing comparable to these large color photographs that attempt to represent the "overwhelming emptiness and powerful emotional resonance of remote land and sky." For this episode of the B&H Photography Podcast, we took our mics to the Robert Mann Gallery, in New York, to speak with Murray Fredericks and gallery owner Robert Mann on the opening day of Fredericks’s first solo exhibit in the United States. We walked through the gallery, soaking up the sublimity of these images and discussing the challenges of the project, the gear, the prints, and all aspects of the collaboration between artist and gallery. Join us for this extraordinary conversation. Stay tuned toward the end of the show, when we chat with the two winners of our Canon 5D Mark IV Sweepstakes and hear their reactions to winning and how they will be using their new cameras. Guests: Murray Fredericks and Robert Mann; Canon Sweepstakes winners Hillary Dunning and Tim Couch Mirror 8, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 12, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 7, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 14, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 16, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 18, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 19, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 21, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Installation view of “Vanity”, courtesy Robert Mann Gallery Murray Fredericks and the B&H Podcast team © Todd Vorenkamp Robert Mann, Allan Weitz, Murray Fredericks © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/21/2017
When you get a chance to speak with an expert, you take advantage. At this year’s OPTIC 2017 Conference, when Lance Keimig and Chris Nicholson passed by our mobile studio, we did just that. Keimig is an author, instructor, and above all, a photographer who specializes in night photography. Well before digital technology made photographing the Milky Way an easy endeavor, Keimig was experimenting with film stock and developing processes to create long-exposure images. He is currently an instructor at National Parks at Night and along with Nicholson, offers workshops in night photography at many US National Parks. On today’s episode, we speak with Keimig and Nicholson about the differences between creating night photography with film and with digital cameras. There are obviously many modes and functions on a digital camera that make night photography simpler, but at the heart of the enterprise, is the process the same? We ask this question and discuss techniques used with film and the advantages that accompany digital cameras. We also ask, “What is night photography?” and “What are the charms that keep these two photographers interested in this specific discipline?” Listen as Keimig provides insight into the history of night photography and Nicholson discusses his shooting methods and ideas on composition that he applies while working in national parks. Guests: Lance Keimig and Chris Nicholson Click here if you missed our episode,  Night Photography—Exploring the Creative Possibilities. Click here for Jill Waterman’s article on Lance Keimig’s switch from Canon to Nikon equipment. Film photograph, Lance Keimig Film photograph, Lance Keimig Film photograph, Lance Keimig Film photograph, Lance Keimig Film photograph, Lance Keimig Digital photograph, Lance Keimig Digital photograph, Lance Keimig Blue Ridge Parkway, Chris Nicholson Cape Cod National Seashore, Chris Nicholson Death Valley National Park, Chris Nicholson Joshua Tree National Park, Chris Nicholson Mount Rainier National Park, Chris Nicholson Olympic National Park, Chris Nicholson Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/10/2017
Today’s episode broadens our normal photographic sphere as we discuss ophthalmic photography and how the eye’s own optical system is used in conjunction with camera equipment—some techniques very common, some not so—to examine the interior of the eye and to diagnose illnesses that go far beyond problems with vision. We are joined by Mark Maio, clinical medical and ophthalmic photographer and developer of the first high-resolution digital imaging system in ophthalmology. We talk with Maio about his early interest in social justice photography, working as a “jack-of-all-trades” photographer for a hospital, and how his eventual concentration in ophthalmic photography led to early adoption of digital technology and the development of a tool that helped to transform the industry. Throughout this conversation, we learn about the use of analog and digital photography in the biomedical field and how fundus cameras and other specialized gear are used to diagnose optical and systemic maladies. When the pupil is dilated, they eye becomes a portal into the body, and with the proper tools, we can see inside our corporeal system without cutting. Maio is also an accomplished fine art and documentary photographer, and we will also discuss how these various disciplines have intersected throughout his career and resulted in the workshops he leads on ophthalmic imaging, documentary, and landscape photography on the beautiful Isle of Skye. Guest: Mark Maio From the series Saving Sight-- The Flying Eye Hospital From the series Against the Grain – Buffalo Grain Industry From the series, Isle of Skye Previous Pause Next All photographs by Mark Maio DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/16/2016
The OPTIC 2016 Imaging Conference provided numerous opportunities to talk with some of the most respected nature and landscape photographers working today, but the highlights of our two days at OPTIC had to be our chat with Michael Kenna, the event’s keynote presenter, and our conversation with Paul and John Paul Caponigro. It is unnecessary to summarize the work of these three photographers in any quick description but, suffice it to say, each is a master of his craft. While their work is distinctive and unique, it was wonderful to hear of their common vision, approach—and yes, spirituality—and for this reason, we present their conversations together. With Kenna we spoke of process, why he sticks with medium format film photography and what motivates and inspires his work. With the Caponigros, we touched upon the spirit of art, how to communicate with nature and, with Father’s Day in mind, how to let a child discover his or her own path to artistic expression. Join us for these two inspirational conversations. Photographs © Paul Caponigro (left) and John Paul Caponigro  Guests:  Michael Kenna (1:30-30:05), Paul and John Paul Caponigro (31:00-57:10)   Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play. Michael Kenna, Jason Tables, Allan Weitz John Harris Paul Caponigro, John Paul Caponigro, Jason Tables, Allan Weitz, John Harris Dana Glidden b Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producers: Bryan Formhals, Lawrence Neves
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Posted 06/10/2016
Every year, B&H hosts the OPTIC Imaging Conference, a four-day event showcasing the best nature, landscape, and travel photography. The 2016 edition was a stellar outing, with presentations from some of the most interesting photographers working in those fields. It also serves as a chance for participants to put their hands on the latest cameras, lenses, and gear from all the major manufacturers.  To hear the segment of a particular manufacturer, go to any of these marks in the timeline: • Sigma: 2:10 • Fujifilm: 10:18 • Canon: 16:40 • Lensbaby: 24:40 • Sony: 35:20 • Panasonic: 45:35 • Tiffen: 54:12 • Tamron: 61:17 • Nikon: 68:46 OPTIC is a wonderful opportunity to embrace photography, interact with incredible photographers, and play with the latest tools of the trade. This year, legends such as Michael Kenna and Paul Caponigro spoke and presented work, and we will be sharing our conversations with them and other photographers in future episodes, but today we feature a collection of our talks with representatives of the major camera and lens makers. And while we tried to have them divulge secrets for their as-of-yet-unannounced marvels waiting for us on the designer’s tables, we had to settle for updates on their newest cameras, lenses, filters, and adapters. We also snuck in some chat about the current and future state of the camera industry, and a few laughs to boot.  Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play. Guests: Marc Farb, Michael Bulbenko, Rudy Winston, Ken Mitchell, Amy Klotsman, Tom Curley, Michael Cassara, K.T. Leung, Lindsay Silverman b Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producers: Bryan Formhals, Lawrence Neves
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Posted 04/07/2016
Pulitzer Prize and Cannes Lions award winner Vincent LaForet has accomplished so much in still and motion photography, yet he continues to push himself to create images he has “never seen before” and this drive has led to his most recent passion project on high-altitude night photography and the incredible book, AIR. LaForet joins us for an in-depth conversation on the thrills, as well as the logistical, technical, and physical challenges of creating the images for this book. From lessons taught to him by his father, to combat and sports photography, to the pressure of self-funding a project, to gear and technical advice, LaForet regales us with wonderful stories from his career and the making of AIR. To see footage of LaForet in action and the making of AIR, check out this B&H Prospectives Video. Guest: Vincent LaForet To listen to this week’s episode: Listen to or download on  SoundCloud, or subscribe to the B&H Photography Podcast on  iTunes;  Stitcher;   SoundCloud; or via  RSS. Thank you for joining our journey into night photography! For more Visualizing the Night content, please click here:  Visualizing The Night  and share your enthusiasm for the art below in the comments section or reach out to us on social media using #visualizethenight. Thanks for reading! Berlin Chicago Las Vegas Miami New York Sydney Photographs © Vincent LaForet (Left to right): Todd Vorenkamp, Vincent LaForet, Allan Weitz   b Host: Allan Weitz Producer: John Harris Engineer: Jason Tables Executive Producers: Bryan Formhals, Mark Zuppe
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