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Posted 09/02/2021
There is a vibrance, a joy, and a love for photography that one feels when speaking with Meryl Meisler. It’s also very cool that by day she was a high school art teacher in Brooklyn and, by night, dancing and photographing at legendary clubs like Studio 54. Anyway, that’s just how I see it. Of course, there’s a lot more to Meisler’s photography than just 1970s disco and 1980s Bushwick, and we talk about a wide range of subjects on this episode of the B&H Photography Podcast. Meisler’s latest book, New York PARADISE LOST Bushwick Era Disco, is a wonderful look back at two very different versions of New York. It juxtaposes images she took in the Brooklyn neighborhood of Bushwick and those in the clubs and discos of Manhattan. We speak about how photography starts conversations, and how we can feel more confident with a particular camera, whether medium format, FUJIFILM X series, or a Canon point-and-shoot. We also discuss editing and maintaining a large body of work over a period of decades, studying with Lisette Model, balancing a photography practice with a full-time job, and an upcoming exhibit of Meisler’s work to be held at the same public school at which she taught. Join us for this uplifting conversation and check out Meisler’s extended exhibition at The Center for Photography at Woodstock, through September 15, 2021. Guest: Meryl Meisler Photograph © Meryl Meisler Shirtless Man Wearing Hood and Jeans, Gates Avenue, Bushwick, Brooklyn, NY, June 1982 © Meryl Meisler, courtesy of ClampArt Potassa de la Fayette Poised on Grand Piano, the Copacabana, NY, NY, February 1977 © Meryl Meisler, courtesy of ClampArt Student Interviews 83rd Precinct Police Officers, Bushwick, Brooklyn, NY, June 1982 © Meryl Meisler, courtesy of ClampArt Five Fashionable Rejects (With JudiJupiter) Studio 54, NY, NY, October 1978 © Meryl Meisler, courtesy of ClampArt Nose Ring, Earring, Mustache and Hickey IS 291, Bushwick, Brooklyn, NY, April 1991 © Meryl Meisler, courtesy of ClampArt Turban and Brooch, La Farfalle, NY, NY, June 1978 © Meryl Meisler, courtesy of ClampArt Anklets and High Heels Hurrah, NY, NY, March 1978 © Meryl Meisler, courtesy of ClampArt Sneakers, IS 291, Bushwick, Brooklyn, NY, 1984 © Meryl Meisler, courtesy of ClampArt Magnolia Tree Gates Ave, Bushwick, Brooklyn, NY, May 1983 © Meryl Meisler, courtesy of ClampArt Teacher Carrying Math Books IS 291, Bushwick, Brooklyn, NY, 1984 © Meryl Meisler, courtesy of ClampArt Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 08/05/2021
The photos of David Rothenberg are some of the most exciting that we have seen in a while―condensed and entangled compositions of airplanes over urban housing and portraits of travelers, through plane windows, or bathed in a holy light at a train station. His work is provocative, playful, and compassionate and asks us to look at compositions and subjects carefully, addressing issues of isolation and hope. On this episode of the B&H Photography Podcast, we ask how a fine-art photographer works his way through the neighborhoods and transportation hubs of Queens, NY, making such insightful images. Rothenberg’s books, Landing Lights Park and Roosevelt Station, are wonderful series and, with him, we discuss the evolution of these projects, the gear and locations he chooses, how he interacts with subjects, and the editing and sequencing of the books. Guest: David Rothenberg Photograph (detail) © David Rothenberg From “Roosevelt Station” © David Rothenberg From “Roosevelt Station” © David Rothenberg From “Roosevelt Station” © David Rothenberg From “Roosevelt Station” © David Rothenberg From “Roosevelt Station” © David Rothenberg From “Landing Lights Park” © David Rothenberg From “Landing Lights Park” © David Rothenberg From “Landing Lights Park” © David Rothenberg From “Landing Lights Park” © David Rothenberg From “Landing Lights Park” © David Rothenberg Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 07/29/2021
Photographer Sally Davies embodies a beautiful creative spirit, and I think that spirit also resides in the homes of the 72 New Yorkers she photographed, who are included in her wonderful portrait book, appropriately titled, New Yorkers. If this spirit does not exist and Davies is not in tune with it, how could she have captured such wonderful stories of people and their places and done it so efficiently, in some cases in just minutes? We answer that question and many others as we welcome Davies to the B&H Photography Podcast to discuss the making of her new book. We are also joined by writer and photographer Jill Waterman, who recently produced an insightful interview with Davies. Our conversation gets to the heart of Davies’ loving project, and touches upon its themes of inclusiveness and of gentrification, but also digs into the process of making portraits in cramped quarters with little time, and of the surprisingly difficult task of getting people not to smile for a photo. We talk about Davies’ decision to eschew light stands for on-camera flash and to go with a Sony mirrorless camera and Zeiss 18mm lens. We also talk about the importance of creative freedom and rejecting preconceived expectations as you make portraits. Davies photographed a wide range of New Yorkers for this series and did not refuse one person who was suggested to her, but when it came to organizing a book, edits needed to be made, and we discuss this process, as well. Davies is well-known for her street photography and we mention her projects on neighborhood storefronts and vintage cars, but this series of interior portraits is as “New York” as it comes. Join us for this pleasant conversation and check out Jill Waterman’s interview with Davies. Guests: Sally Davies and Jill Waterman Photograph © Sally Davies Cover of “New Yorkers” by Sally Davies Marina Press, from “New Yorkers” Photograph © Sally Davies Laurie Anderson, from “New Yorkers” Photograph © Sally Davies Rachid Alsataf, from “New Yorkers” Photograph © Sally Davies Vicky Roman, from “New Yorkers” Photograph © Sally Davies Danny Fields, from “New Yorkers” Photograph © Sally Davies Frances Pilot, from “New Yorkers” Photograph © Sally Davies Margo and Lois, from “New Yorkers” Photograph © Sally Davies Liz Adams, from “New Yorkers” Photograph © Sally Davies Flloyd NYC, from “New Yorkers” Photograph © Sally Davies Sally Davies, from “New Yorkers” Photograph © Sally Davies Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 07/01/2021
Beginning with an iPhone and an “a-ha moment” in the beautiful San Francisco City Hall, photographer Arthur Drooker began a project that would last five years and take him across the United States to photograph the most impressive and interesting city halls in the nation. The project culminated with his wonderful book, City Hall: Masterpieces of American Civic Architecture, from Schiffer Publishing, and it brings him to the B&H Photography Podcast to discuss photographing architecture, civic pride, research and interviews, book publishing, zoom and tilt-shift lenses, and a host of other subjects related to his photography. Join us for this practical and insightful episode. “To me, the best city halls are not just office buildings to administer services, they also use architecture and design to express something about civic pride, civic virtue, and democratic engagement.” —Arthur Drooker Guest: Arthur Drooker Photograph © Arthur Drooker San Francisco City Hall rotunda © Arthur Drooker Buffalo City Hall council chamber © Arthur Drooker Cincinnati City Hall © Arthur Drooker Philadelphia City Hall © Arthur Drooker Detail of William Penn statue atop Philadelphia City Hall © Arthur Drooker San Jose City Hall interior reflections © Arthur Drooker “City Hall” book cover © Arthur Drooker “American Ruins” book cover © Arthur Drooker “Conventional Wisdom” book cover © Arthur Drooker “Pie Town Revisited” book cover © Arthur Drooker Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 06/17/2021
Is the light in Chicago different than the light in New York? Can “street photography” set the subjects and control the scene? And just how long should you follow people carrying balloons to get a photograph? These are some of the questions we answer in this week’s episode of the B&H Photography Podcast. We welcome photographers Nina Welch Kling and Clarissa Bonet  to the program. Kling lives in New York and Bonet in Chicago, although both are from other places entirely. We talk a bit about the differences in each city’s visual makeup and what defines street photography, but we quickly turn toward the styles and workflow of our two guests. With Bonet we discuss how she constructs scenes using the language of street photography to tell internal stories. Her work is large scale, exacting, and utilizes the strong light, deep shadows, and geometries of the urban environment but, as we find out, she produces and casts her medium format photographs to get the exact image she wants, free of the disruption of the hustling crowd and uncooperative elements. We also ask about her incredible nightscape compositions called “Stray Light” and how they evolved to become large, collaged prints. After a break, we focus on the work of Nina Welch Kling and learn how she’s grown to understand the movement of light through the streets of New York. Kling also discusses positioning herself (“corralling”) and holding her camera to get the angles she needs, as well as to communicate her intention to potential subjects. In addition, we mention FUJIFILM cameras and the wide-angle lenses she prefers. We ask about her series “Duologue,” which pairs two photos together, and how that pairing can add or change meaning. We also dig into the classic themes of anonymity, isolation, and wonder in street photography and how quarantine redirected her practice a bit. Join us for this insightful and easygoing conversation. Guests: Clarissa Bonet and Nina Welch Kling Photograph © Nina Welch Kling © Nina Welch Kling © Nina Welch Kling © Nina Welch Kling © Nina Welch Kling © Nina Welch Kling © Nina Welch Kling “Glimpse” 2019 © Clarissa Bonet “Gust” 2018 © Clarissa Bonet “Zipper Effect” 2018 © Clarissa Bonet “Curated Landscape” 2019 © Clarissa Bonet “Open” 2020 © Clarissa Bonet “NYC” 2016 © Clarissa Bonet “Miami” 2020 © Clarissa Bonet “Chicago” 2017 © Clarissa Bonet Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 05/13/2021
This week’s episode of the B&H Photography Podcast is an old-fashioned hands-on review, but in this case, made with six hands. Allan, Jason, and I were pleased to be loaned the Leica Q2 Digital Camera and the Leica Q2 Monochrom Digital Camera, and we use our consideration of these 47MP cameras as a springboard to talk about camera grips, and point-and-shoot cameras, and value. We also talk about macro photography and cropping and about how to create black-and-white images from color files. We begin the conversation mentioning the specs and features of these two incredible cameras and each of us offers our pros and cons regarding the features we liked best and those we felt lacking. Autofocus, body design, focal length, and responsiveness are mentioned. Other Leica cameras, such as the Leica M10-P, get discussed, too, as do the practical differences between rangefinders with removable lenses and point-and-shoots. Join us for this casual chat about photography and about how each of us, with our different workflows, aesthetics, and goals, found these cameras to be versatile, yet also challenged us to create better images. Guests: Allan Weitz, Jason Tables, John Harris Photograph © John Harris © Jason Tables © Jason Tables © Jason Tables © John Harris © John Harris © John Harris Leica Q2 Monochrom Digital Camera © John Harris © Allan Weitz © Allan Weitz © Allan Weitz Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 03/25/2021
What is street photography? Is it an urban exercise? Is it black-and-white or color? Is it collaborative or solitary? Can it be an intimate portrait or a long-term project? These are some of the questions we ask of our guest on today’s episode of the B&H Photography Podcast. And Gulnara Samoilova does not take the bait. Samoilova is interested in expanding street photography, not limiting it with a definition. To her, and as is represented beautifully by the new book she edited, street photography is all of the above—it can happen anywhere, and it is simply “unplanned photos taken in public places.” In addition to be being an editor and curator and the founder of the @womenstreetphotographers Instagram feed, Samoilova is an accomplished photographer herself, and we spend the first half of the show talking street photo practices and how she uses verbal and nonverbal communication to interact with subjects, how she holds the camera, and how a location may affect the style of a photo. She also mentions that she has been a FUJIFILM X  shooter for some time. In the second half of the show, we focus on Women Street Photographers, the new book edited by Samoilova, which profiles one hundred street photographers from around the world, and we find out how this book was edited and produced and about some of the photographers included. Join us for this insightful discussion. Guest: Gulnara Samoilova Photograph © Gulnara Samoilova Myanmar © Gulnara Samoilova New York City © Gulnara Samoilova Ufa, Bashkiria © Gulnara Samoilova © Gulnara Samoilova Cover, Women Street Photographers edited by Gulnara Samoilova © Prestel Verlag, Munich London New York, 2020. “Untitled”; From Women Street Photographers, © Nina Welch-King, 2018 “A Dance of Joy”; From Women Street Photographers, © Regula Tschumi, 2019 “Tokyo Smokers”; From Women Street Photographers, © Hazel Hankin, 2007 “A Night Bus in Kolkota, India”; © Emily Garthwaite, 2017 “The Serpentine”; From Women Street Photographers, © Efrat Sela, 2007 “Sleeping Beauty”; From Women Street Photographers, © Elena Alexandra, 2019 “Materic Water #1”; From Women Street Photographers, © Bruna Rotunno, 2011 Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 01/14/2021
On this week’s episode of the B&H Photography Podcast, photographer Matt Price describes skate photography as the “perfect blend between studio and sports photography” and, from our engaging conversation, this idea will be made clear. Price knows of what he speaks—in addition to an acclaimed freelance career, he has been a staff photographer and editor for The Skateboard Mag and is currently Brand Director at CCS Skateshop and creates the magazine, Golden Hours Skateboarding. Price has lost more than one lens to the rigors of his craft, and we talk with him about getting close to skateboarders with a fish-eye lens, as well as other shooting and lighting techniques. We also discuss how he fell in love with skating and, at a very young age, began to submit his work to forums and, ultimately, to editors. He admits to taking his lumps from online critics for his early work, but his passion for skating and desire to improve his photo craft provided the courage and commitment to keep going and, eventually, his “energy-based” photo style caught the eye of editors and brands who sent him around the world to cover the skate scene. We discuss many topics in this easygoing conversation, from skating techniques to the business of skateboard photography to the differences between the various skate publications. We also get into the relationship between skater and photographer and how such a niche photo style has grown to influence a range of disciplines. Finally, we talk about gear choices and what has worked for Price. Starting with a Canon Rebel that he purchased with money his grandmother helped him secure, Price has worked with Hasselblad and Sony systems, but is currently back where he started, shooting with a Canon EOS 5D Mark IV and the Canon EF 8-15mm f/4L lens. Guest: Matt Price Photographs © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 12/24/2020
I think most photographers have tried to document their experience during the COVID-19 shutdown, but none have done it quite like Neil Kramer. Kramer is riding out the pandemic in a two-bedroom apartment in Queens, New York, with his 86-year-old mother and his ex-wife. Did I mention that this is the apartment in which he grew up…and that he is living with his mother and his ex-wife? Kramer has become the star of his own drama and aptly describes the process of creating this series as “part art, part desperation.” Perfectly fitting. Kramer is primarily a street and portrait photographer with a healthy Instagram following and editorial or assignment gigs, but when the streets emptied in early March, he turned to his unlikely living situation for inspiration. Initially, there was humor and novelty in his images; he enlisted his “roommates” as players, and eventually as collaborators, in these one-shot dramas. As the weeks and months passed, his diaristic Instagram feed went from funny shots of faux-fights and crowded bathrooms to more introspective and isolated posts, complete with tender and insightful commentary. On this week’s episode of the B&H Photography Podcast, we speak with Kramer about developing this project, about “learning to take a photo when I’m not behind the camera,” about tethering, lighting, and bribing his “cast and crew” with doughnuts. Join us for this Seinfeldian chat, which might just help us keep our humor and creative spirit alive during the most difficult of situations. Guest: Neil Kramer Photograph © Neil Kramer Quarantine in Queens, Day 11. © Neil Kramer Quarantine in Queens, Day 12. © Neil Kramer Quarantine in Queens, Day 26. © Neil Kramer Quarantine in Queens, Day 49. © Neil Kramer Quarantine in Queens, Day 70. © Neil Kramer Quarantine in Queens, Day 85. © Neil Kramer Quarantine in Queens, Day 133. © Neil Kramer Quarantine in Queens, Day 158. © Neil Kramer Quarantine in Queens, Day 222. © Neil Kramer Quarantine in Queens, Day 263. © Neil Kramer Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 10/22/2020
In the 1970s, under the aegis of the Great Society’s Model Cities Program, photographer Earlie Hudnall, Jr. began to document the predominantly African-American neighborhoods of Houston’s 3rd, 4th, and 5th wards, and for more than forty years he has continued to create an indelible portrait of life in these neighborhoods. To be sure, Hudnall has photographed all around the world, and worked for years as the photographer for Texas Southern University, but it is his images of the people of Houston that we discuss today, and that are included in his current exhibition at the Photographs Do Not Bend Gallery in Dallas, running through October 31, 2020. On this week’s episode of the B&H Photography Podcast, we talk with Hudnall about the relationship between the stories he tells with his images and those he grew up with in his native Mississippi; how the tradition, culture, and community of his youth reveal themselves in the faces and facades of modern Houston. We also talk about his organic approach to photography and how respect for his subjects informs his process, and how eye contact and body language are tools to connect with people on the street. Hudnall is old school—he works with digital cameras when needed—but his Hasselblad and Nikon film cameras are his primary tools and he discusses why he chooses one over the other to make a particular image. Hudnall also prints his photographs, so we talk about sourcing supplies, Ilford paper, and darkroom techniques. And while we do get into camera talk and a “sweet, sweet, sweet, soft Rolleiflex,” much of our conversation with Hudnall focuses on how memory and inspiration react in a moment to create a powerful image and how staying sensitive to your surroundings will serve your imaging. It is a joy to listen to Hudnall; please join us for this conversation. Guest: Earlie Hudnall, Jr. Photograph © Earlie Hudnall, Jr. Mr. Shine, 3rd Ward, Houston, 1988 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Girl with Flag, 3rd Ward, Houston, 1991 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Hip Hop, Galveston, TX, 1993 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Looking Out, 3rd Ward, Houston, TX, 1991 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Feeling the Spirit, 3rd Ward, Houston, TX, 1987 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Boy Eastern Star, 3rd Ward, Houston, TX, 1984, © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, T Roots, 1997 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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