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Posted 07/29/2021
Photographer Sally Davies embodies a beautiful creative spirit, and I think that spirit also resides in the homes of the 72 New Yorkers she photographed, who are included in her wonderful portrait book, appropriately titled, New Yorkers. If this spirit does not exist and Davies is not in tune with it, how could she have captured such wonderful stories of people and their places and done it so efficiently, in some cases in just minutes? We answer that question and many others as we welcome Davies to the B&H Photography Podcast to discuss the making of her new book. We are also joined by writer and photographer Jill Waterman, who recently produced an insightful interview with Davies. Our conversation gets to the heart of Davies’ loving project, and touches upon its themes of inclusiveness and of gentrification, but also digs into the process of making portraits in cramped quarters with little time, and of the surprisingly difficult task of getting people not to smile for a photo. We talk about Davies’ decision to eschew light stands for on-camera flash and to go with a Sony mirrorless camera and Zeiss 18mm lens. We also talk about the importance of creative freedom and rejecting preconceived expectations as you make portraits. Davies photographed a wide range of New Yorkers for this series and did not refuse one person who was suggested to her, but when it came to organizing a book, edits needed to be made, and we discuss this process, as well. Davies is well-known for her street photography and we mention her projects on neighborhood storefronts and vintage cars, but this series of interior portraits is as “New York” as it comes. Join us for this pleasant conversation and check out Jill Waterman’s interview with Davies. Guests: Sally Davies and Jill Waterman Photograph © Sally Davies Cover of “New Yorkers” by Sally Davies Marina Press, from “New Yorkers” Photograph © Sally Davies Laurie Anderson, from “New Yorkers” Photograph © Sally Davies Rachid Alsataf, from “New Yorkers” Photograph © Sally Davies Vicky Roman, from “New Yorkers” Photograph © Sally Davies Danny Fields, from “New Yorkers” Photograph © Sally Davies Frances Pilot, from “New Yorkers” Photograph © Sally Davies Margo and Lois, from “New Yorkers” Photograph © Sally Davies Liz Adams, from “New Yorkers” Photograph © Sally Davies Flloyd NYC, from “New Yorkers” Photograph © Sally Davies Sally Davies, from “New Yorkers” Photograph © Sally Davies Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 03/04/2021
On today’s episode of the B&H Photography Podcast, we welcome wedding and portrait photographer Kesha Lambert. We are excited to speak with Lambert about her approach to wedding photography on today’s show, but she is also speaking at the upcoming 4th annual Depth of Field Portrait, Wedding, and Event Photography Conference, which is a free virtual event to be held on March 7 – 8, 2021. The conference is hosted by B&H Photo and sponsored by Sony, Nikon, Canon, Godox, HP/NVIDIA, and others. The work of Kesha Lambert stands out for its ability to be both joyous and intimate. She deftly uses color and composition, as well as experience and intuition to tell unique and universal wedding day stories. Did I mention that Lambert is also a lawyer, mom to three boys, a member of the Wedding Photojournalist Association, and a Sony Artisan of Imagery? In our conversation, we discuss her business, intrapersonal, and photography skills to get a sense of how she runs her successful studio. Her website is a lesson in design and good business practices, and we discuss cameras and lenses, getting ahead of client expectations, contracts, and subjects as diverse as lighting kits and keeping large wedding parties focused and in frame. Join us for this insightful and enjoyable chat and register for Depth of Field 2021. Guest: Kesha Lambert Photograph © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 01/14/2021
On this week’s episode of the B&H Photography Podcast, photographer Matt Price describes skate photography as the “perfect blend between studio and sports photography” and, from our engaging conversation, this idea will be made clear. Price knows of what he speaks—in addition to an acclaimed freelance career, he has been a staff photographer and editor for The Skateboard Mag and is currently Brand Director at CCS Skateshop and creates the magazine, Golden Hours Skateboarding. Price has lost more than one lens to the rigors of his craft, and we talk with him about getting close to skateboarders with a fish-eye lens, as well as other shooting and lighting techniques. We also discuss how he fell in love with skating and, at a very young age, began to submit his work to forums and, ultimately, to editors. He admits to taking his lumps from online critics for his early work, but his passion for skating and desire to improve his photo craft provided the courage and commitment to keep going and, eventually, his “energy-based” photo style caught the eye of editors and brands who sent him around the world to cover the skate scene. We discuss many topics in this easygoing conversation, from skating techniques to the business of skateboard photography to the differences between the various skate publications. We also get into the relationship between skater and photographer and how such a niche photo style has grown to influence a range of disciplines. Finally, we talk about gear choices and what has worked for Price. Starting with a Canon Rebel that he purchased with money his grandmother helped him secure, Price has worked with Hasselblad and Sony systems, but is currently back where he started, shooting with a Canon EOS 5D Mark IV and the Canon EF 8-15mm f/4L lens. Guest: Matt Price Photographs © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/25/2019
When one of the world’s most “followed” photographers is available for a conversation, you make the time to talk with him, and when that photographer is acclaimed adventure, landscape, travel, and surf photographer Chris Burkard, expect that conversation to include some serious insights into the passion and ambition it takes to create the beautiful images he makes. On this week’s episode of the B&H Photography Podcast, we speak with Burkard about a range of subjects—and this conversation does not disappoint. We get right into it by asking about his penchant for shooting in frigid locations, and how stubbornness and even persistence can be the enemy of good photography in sub-zero temperatures. We discuss the composition of his photographs and how that is indicative of his views on nature, and we dig into his “origin story” and why clients began to come to him for the kind of photography he creates. In general, however, we stick to the nuts and bolts of his photography. We learn why he prefers mirrorless cameras, specifically the Sony Alpha a7R IV, how he organizes his commercial workflow to make time for the adventures he craves, and how he sets time aside to be with his young family. After a break, we ask Burkard to walk us through the creation of a few of his best-known images. Not only does he offer insight into the photographic aspects, but he elaborates to give us a better understanding of the remote locations he finds and the teamwork needed. To quote Burkard, “to better understand how the Earth was made, we must look at it from new perspectives.” Join us for this eye-opening conversation. Guest: Chris Burkard Aleutian Islands, 2013 © Chris Burkard Westfjord, Iceland, 2016 © Chris Burkard Highlining in Joshua Tree with Garrison Rowland on Hall of Horrors formation during the Supermoon, 2016 © Chris Burkard Skógar, Iceland, 2014 © Chris Burkard Westfjord, Iceland, 2016 © Chris Burkard Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/05/2019
Do you have undeveloped rolls of film that have been sitting around forever? Maybe you don't even realize that you have unprocessed rolls from the "good ol' days of analog" in an old camera bag or a dresser drawer. Now is the time to look into this matter and have the chance to explore and share your memories, perhaps even rediscover events and people that memory has left behind. On this week's episode of the B&H Photography Podcast, we welcome the directors of Lost Rolls America, Ron Haviv and Lauren Walsh. Inspired by Haviv's own The Lost Rolls book, they have initiated this project to create a national archive of lost, yet now found, images "to form a collective memory that prioritizes the role of photos in constructing our personal and shared pasts. In revisiting the past, this project also encourages contemplation of how the present and future will be remembered." The idea is simple, but one look at the growing archive and the memories shared, and it becomes clear how powerful this project can be. With Haviv and Walsh, we recount the genesis of the project, how PhotoShelter, PhotoWings, and FUJIFILM came onboard as partners, and they offer insight on the future plans for the project. They also discuss a few of the more interesting images and recollections submitted, how the submission process works and, of course, they encourage our listeners to submit lost rolls. Above Photograph © Mette Lampcov/Lost Rolls America Lost Rolls America: What kind of memories does this photo bring back? Valentina Zavarin: I was leaving alone to America. Time for adventure away from my mother and siblings. I remember how excited I was for this new life ahead after World War II. Everyone is smiling but I remember they were in a shock that they were left behind. Valentina Zavarin/Lost Rolls America, 1950 Lost Rolls America: Does this photo bring back any memories? Debra Miller: Yes. Sadness, horror, shock. Debra Miller/ Lost Rolls America, 2001 Lost Rolls America: Is this what you expected to see? Elizabeth Kamir: No. The old roll of Tri-X that had taken up residence in my drawer for nearly 30 years always dared me to imagine. I never planned to develop it. I assumed if there was anything on the roll, it would either be something innocuous, like pictures of my grandmother or something embarrassing, like theatrical, nude self-portraits. I might have taken pictures like that back then. Elizabeth Kamir/Lost Rolls America, 1990 Lost Rolls America: What kind of memories does this photo bring back? Mette Lampcov: It makes me think of how much I used to laugh my head off with her (Tracy). It makes me miss London and old friends, especially people who have a wicked sense of humor- and seeing her head float in the back garden is a perfect reminder of her beautiful funny madness. Mette Lampcov/Lost Rolls America, 2002 Lost Rolls America: How does this old photo make you feel? Michael Starensic: I feel a sense of accomplishment that I was able to capture the times and emotions as the country swayed from crisis to crisis. This was the last interlude- "coming up for air" I called it- between the major tumult of the Kosovo War two months earlier and the start of renewed opposition that month. We soon headed back to the capital and events were intense for the next 14 months. Nevena and I married 2 months later in Belgrade in the midst of mounting protest and turmoil. Michael Starensic/Lost Rolls America, 1999 Lost Rolls America: How does this old photo make you feel? Bruce Lampcov: Very nostalgic. I miss the days when my children were young and together we discovered new places, new cultures. Bruce Lampcov/Lost Rolls America, 2004 Lost Rolls America: What kind of memories does this photo bring back? Tamika Jancewicz: Just how huge I was when I was pregnant! I think I felt that way when I took the picture as well. Tamika Jancewicz/Lost Rolls America, 2007 Lost Rolls America: What are we looking at here? Russell Gontar: This is my friend, Linda. We spent an afternoon taking pictures at the beach and old amusement park. I asked her to close her eyes in an attempt to be "arty". Russell Gontar/Lost Rolls America, 1977 Lost Rolls America: How does this old photo make you feel? Jennifer Mitchell: As all the kiddos in the picture are my nieces and nephew, it makes me feel amazingly proud. One is in the Air Force Academy, one is a wedding planner in a Colorado Rocky Mountain resort, and one just got accepted into a PhD program for Astrophysics. I bet my sister (who is reading to them) thinks that she might have had a little something to do with it.:) When I showed her the picture, she sighed and said, "Oh, that was always one of my favorite things to do with those kids!" Jennifer Mitchell/Lost Rolls America, 2004 Lost Rolls America: How does this old photo make you feel? Keith Munger: Like One Of The Miraculous Few That Loves His Wife As Much Now As In 1969. I Am A Very Lucky Guy! Keith Munger/Lost Rolls America, 1969 Guests: Lauren K. Walsh and Ron Haviv Ron Haviv is a is an Emmy nominated, award-winning photojournalist and co-founder of the photo agency VII, dedicated to documenting conflict and raising awareness about human rights issues around the globe. He has worked in more than one hundred countries and published four critically acclaimed collections of photography. His work has been featured in numerous museums and galleries, including the Louvre, the United Nations, and the Council on Foreign Relations. Lauren Walsh is a professor and writer who teaches at The New School and NYU, where she is the Director of NYU Gallatin's Photojournalism Lab. She is editor of Macondo, a photo book documenting the long-term conflict in Colombia, and coeditor of the collection, The Future of Text and Image, as well as the Millennium Villages Project, a photography book about efforts to relieve extreme poverty in sub-Saharan Africa. She has appeared on CNN as a scholar of photography and digital culture, as well as in the documentary 9/11: Ten Years Later. Ron Haviv, Allan Weitz, and Lauren Walsh John Harris   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/28/2019
On this week’s episode of the B&H Photography Podcast, we welcome representatives from SanDisk, Lexar, and B&H writer John-Paul Palescandolo to discuss memory cards, storage solutions, and best practices for capturing and storing digital images. We have also officially launched our B&H Photography Facebook Group and invite our listeners to join. Follow the link above to the group page and request to join—it’s as simple as that. We have added a small incentive: we will be giving away SanDisk 64GB Extreme PRO UHS-I SDXC Memory Cards. Everyone who joins our Facebook group by March 13 will be eligible to win, and we will draw two winners at random to receive a card, generously provided by SanDisk. We start our conversation today with Pete Isgrigg, from the Channel Marketing team at Western Digital. Western Digital is the parent company of G-Technology and SanDisk, and we speak with Isgrigg about the products they offer, as well as some basic best practices for memory card and hard drive usage.  After our conversation with Isgrigg, we welcome Andrew Nahmias, from NTI sales, representing Lexar. Nahmias provides further insight into which cards are best for your workflow and how to keep your image files safe and retrievable. We spoke with Isgrigg and Nahmias at the 2019 Depth of Field Wedding and Portrait Photography Conference, but after a short break, we’re joined in our studio by John-Paul Palescandolo to discuss other brands of memory cards sold by B&H, and to answer some general questions on the subject. Join us for this very informative episode—and don’t forget to join the B&H Photography Podcast Facebook Group. Guests: Pete Isgrigg, Andrew Nahmias, and John-Paul Palescandolo   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/01/2017
On today’s episode of the B&H Photography Podcast, we continue our exploration of photographic collaboration with photojournalists Ben Lowy and Marvi Lacar. In addition to sharing a vocation, they also share two children and a life together. Photojournalism is a decidedly independent, at times dangerous, career, certainly not one known for a routine home life, but when domestic responsibilities and children enter the picture, how does a couple balance craft and career with the need to earn a living and the time needed to nurture relationships? More so, when both people are working in the same field, how does bolstering one career cross the line into debilitating the other and how do the individuals comprising a creative couple find ways to support each other’s efforts? Lowy and Lacar bring an animated humor and a willingness to talk about the difficult moments from their lives and careers, and explain how they have come to recognize their best personal and professional attributes, bringing those strengths into a working relationship that continues to evolve. Guests: Marvi Lacar and Ben Lowy From the series "Melting Pot," Marvi Lacar From the series "Melting Pot," Marvi Lacar From the series "U.S. Bases," Marvi Lacar From the series "U.S. Bases," Marvi Lacar From “This Is a Love Story,” Marvi Lacar From “This Is a Love Story,” Marvi Lacar 2004 Democratic National Convention, Ben Lowy Protest at 2004 Republican National Convention, Ben Lowy Iraq Perspectives #1, Ben Lowy Iraq perspectives, #2, Ben Lowy Wounded soldier, Iraq, Ben Lowy Ski Jumper, Sochi, 2014, Ben Lowy Speed Skater, Sochi, 2014, Ben Lowy Great White Shark, 2016, Ben Lowy Seal, 2016, Ben Lowy Ben Lowy and Marvi Lacar at B&H Photography Podcast, John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/28/2017
On this month’s Gear Podcast, we take a look at wide-aperture, wide-angle lenses. With our guest, Neil Gershman, a lens expert from the B&H SuperStore, we touch upon the history of wide-angle lenses, their design and general applications, and then we discuss some pros and cons of wide-angle lenses with maximum apertures wider than f/2. Given the market demand and the technical capability, lens manufacturers have been introducing wide-angle prime and even zoom lenses with maximum apertures designed for better performance in low light and greater control of depth of field. We will discuss many of these newest lenses from Sigma, Nikon, and Canon and provide a run-down of all the fast aperture wide-angle lenses available from B&H. Join us for this educational episode. Guest: Neil Gershman Allan Weitz and Neil Gershman Click here if you missed our episode “Photographing the 2017 Solar Eclipse” DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/09/2017
Underwater photography does not have to include sharks, whales, or seals and, for that matter, does not even have to utilize scuba equipment or be near the ocean. Our second episode on underwater photography profiles two photographers who have found their niche shooting wedding, portrait, fashion, and dance themes beneath the surface. Jenna Martin walked away from a career in psychiatry, built her own underwater housing and began using friends and models local to her home in Billings, Montana, to shoot portrait and fine art images. Surprisingly, Martin doesn’t use scuba gear or a wetsuit when shooting in pools, lakes, and oceans—she often utilizes props and, most notably, the texture and flow of fabric to create her sensuous and imaginative photos. Jenna Martin Adolfo Maciocco started as a dive instructor and eventually turned to underwater photography while working in the Red Sea and Thailand. Upon his return to his native Sardinia, Italy, he began to combine his day job as a wedding photographer with his passion for the water, and specializes in underwater wedding photography. He has also collaborated with ballet dancers and free divers in a series of images shot undersea, then flipped upside down to create a wonderful, disorienting effect. from the series, Liquid Dreams Adolfo Maciocco We speak with these two photographers about their technique and gear, and focus on their DIY approach, as well as on issues regarding safety, working with non-professional divers, and the differences between shooting in a pool and in open water. Be sure to chcek out our previous podcast on underwater photography, Black and White and Blue—Fine Art Underwater Photography. Guests: Jenna Martin and Adolfo Maciocco Jenna Martin Adolfo Maciocco DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/26/2017
Today we welcome two photographers from two distant parts of the globe, but both share a sense of a serene underwater world that they envision mostly in black-and-white. Perhaps, surprisingly, Hengki Koentjoro and Christian Vizl claim Ansel Adams as a prime influence on their work, and we talk with them about not only about their artistic influences but about their choice of gear, shooting styles, post-process techniques and safety concerns. We start our episode with Hengki Koentjoro, who is based in Indonesia, and whose work on land and sea is simply stunning. His black-and-white compositions of sea creatures and the interplay between sun and water are more still life than wildlife, as they explore the textures, lines, and shapes found in the waters of his native archipelago. Koentjoro speaks with us about the simple set of tools with which he captures his images and his uncomplicated approach to exploring the waters he knows so well. Hengki Koentjoro Christian Vizl brings a similar perspective to his relationship with the sea, although the creatures he normally photographs tend to be much bigger and faster-moving, and the waters he explores extend across the planet. A life-long diver, Vizl has recently received well-deserved attention for his black-and-white images of rays, sharks, and whales, including a 2017 Sony World Photography Award. His approach places experience before image and his respect for the sea and its animals is evident in all he does and says. Christian Vizl Stay tuned to the end of this show, when we announce a promo code for a 10% discount on all Ikelite camera housings, and, specifically for this episode, we encourage you to visit our podcast landing page to see examples of the images created by these two supremely talented photographers. Guests: Hengki Koentjoro and Christian Vizl Photograph by Hengki Koentjoro Photograph by Hengki Koentjoro Photograph by Christian Vizl Photograph by Christian Vizl Photograph by Christian Vizl DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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