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Posted 09/30/2020
It is important to be reminded of the power of photography to educate and explore, and to be a vehicle of self-expression, even self-realization. Equally crucial—through process and through memory—photography’s ability to bring people together, to share and to collaborate, is vital. On this week’s episode of the B&H Photography Podcast, we welcome a photographer who has built her life’s work around this idea of education through creative collaboration. For more than forty years, Wendy Ewald has led documentary “investigations” and collaborative projects that encourage the participants to use cameras to examine their own lives, families, and communities, and to make images of their fantasies and dreams. During these projects, she also photographs—normally with a 4 x 5 camera—and then asks her students and subjects to manipulate her images and negatives, further engaging with the process and adding to the authorship of the final work. With support of the most prestigious fellowships, from universities, NGOs, even from camera and film manufacturers, Ewald has directed photography programs in South America, India, Africa, Canada and, most notably, in Appalachia. In the 1970s, Ewald worked with schools and the Appalshop media center to teach photography to children living in rural Kentucky and, in 1985, published the groundbreaking book Portraits and Dreams: Photographs and Stories by Children of the Appalachians. This book has been an inspiration to countless educators and community photographers and, this year, Mack Books has published an expanded edition, which includes updates on the lives of several of the original students. Ewald also has co-directed a documentary film on the project and the reunion with her former students, which recently aired on the PBS program POV. Join us as we speak with Ewald about teaching in Kentucky and elsewhere, about the power of collaboration and creative expression, and about reuniting with her former students and the making of her powerful documentary. Guest: Wendy Ewald Photograph © Wendy Ewald Russel Akemon: “I am lying on the back on my old horse,” from “Portraits and Dreams” by Wendy Ewald. Courtesy the artist and MACK Greg Cornett: Gary Crase and his mom and dad in front of their house on Campbells Branch,” from “Portraits and Dreams” by Wendy Ewald. Courtesy the artist and MACK Denise Dixon: “Self-portrait reaching for the Red Star sky,” from “Portraits and Dreams” by Wendy Ewald. Courtesy the artist and MACK Freddy Childers: “Self-portrait with the picture of my biggest brother, Everett, who killed himself when he came back from Vietnam,” from “Portraits and Dreams” by Wendy Ewald. Courtesy the artist and MACK Mary Jo Cornett: “Mamaw and my sister with the picture of my cousin that died,” from “Portraits and Dreams” by Wendy Ewald. Courtesy the artist and MACK. Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/25/2019
When one of the world’s most “followed” photographers is available for a conversation, you make the time to talk with him, and when that photographer is acclaimed adventure, landscape, travel, and surf photographer Chris Burkard, expect that conversation to include some serious insights into the passion and ambition it takes to create the beautiful images he makes. On this week’s episode of the B&H Photography Podcast, we speak with Burkard about a range of subjects—and this conversation does not disappoint. We get right into it by asking about his penchant for shooting in frigid locations, and how stubbornness and even persistence can be the enemy of good photography in sub-zero temperatures. We discuss the composition of his photographs and how that is indicative of his views on nature, and we dig into his “origin story” and why clients began to come to him for the kind of photography he creates. In general, however, we stick to the nuts and bolts of his photography. We learn why he prefers mirrorless cameras, specifically the Sony Alpha a7R IV, how he organizes his commercial workflow to make time for the adventures he craves, and how he sets time aside to be with his young family. After a break, we ask Burkard to walk us through the creation of a few of his best-known images. Not only does he offer insight into the photographic aspects, but he elaborates to give us a better understanding of the remote locations he finds and the teamwork needed. To quote Burkard, “to better understand how the Earth was made, we must look at it from new perspectives.” Join us for this eye-opening conversation. Guest: Chris Burkard Aleutian Islands, 2013 © Chris Burkard Westfjord, Iceland, 2016 © Chris Burkard Highlining in Joshua Tree with Garrison Rowland on Hall of Horrors formation during the Supermoon, 2016 © Chris Burkard Skógar, Iceland, 2014 © Chris Burkard Westfjord, Iceland, 2016 © Chris Burkard Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 04/17/2019
The first amateur photographic entity in the United States was the Amateur Photographic Exchange Club, New York City, which existed from 1861–1863. The oldest continuously extant camera club in the United States founded, at least in part, by amateurs is the Photographic Society of Philadelphia, founded in 1862. On today’s episode of the B&H Photography Podcast we talk about camera clubs and, specifically, the Coney Island School of Photography and Art, which, despite its pedagogic nomenclature, is an amateur camera club that takes the famed oceanfront community and amusement park in Brooklyn, New York, as its subject. For anyone who is familiar with Coney Island, it should be clear that photographing at this beach is less about sunsets and flamingoes and more about “polar bears,” freak shows, and street photography along the beach. We welcome three members of this camera club, Orlando Mendez, A.J. Bernstein, and Norman Blake, to discuss their personal photographic journeys, the benefits of having cohorts with whom to work and compare notes and, of course, the changing face of Coney Island itself. We also take time to talk about gear, technique, the different ways in which photographers will see the same subject, and the simple joy that photography can bring to our lives. Join us for this entertaining episode. Guests: A.J. Bernstein, Norman Blake, and Orlando Mendez © A.J. Bernstein © A.J. Bernstein © A.J. Bernstein © A.J. Bernstein © A.J. Bernstein © Orlando Mendez © Orlando Mendez © Orlando Mendez © Orlando Mendez © Orlando Mendez © Norman Blake © Norman Blake © Norman Blake © Norman Blake © Norman Blake © Norman Blake Filming of the 1979 movie, “The Warriors” © Norman Blake A.J. Bernstein, Allan Weitz, Orlando Mendez, and Norman Blake © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/13/2019
The wedding-photography business is very competitive, so to have a distinct client base and a way to stand out from the crowd is crucial—almost necessary. On this week’s episode of the B&H Photography Podcast, we discuss niche wedding photography with three photographers who have forged a career path by photographing the weddings of a specific niche demographic. To be clear, each of these photographers shoot weddings for all ilks, but they have been able to distinguish themselves by embracing a specific market. We discuss how each of them discovered their photographic specialty, the importance of understanding traditions while balancing demands of new generations, specific tips for photographing within their areas of expertise, and how incorporating and embracing their own life stories helped find their career path. In the first half of the show, we are joined by Charmi Peña and Petronella Lugemwa, with whom we spoke at the 2019 Depth of Field Wedding and Portrait Conference. Peña is a Nikon Ambassador and a wedding and portrait photographer who specializes in photographing Indian weddings. Lugemwa runs a New York-based, international wedding photography studio whose embrace of “multi-cultural weddings” echoes her personal celebration of her cultural identity. After a break, we speak with portrait and wedding photographer Steven Rosen, who is featured in our “What is Photography?” series. His impeccable portraiture informs his wedding work, and our conversation concentrates on Rosen’s work photographing same-sex weddings. Join us for this compelling episode, which blends personal motivations with practical tips. Guests: Charmi Peña, Petronella Lugemwa, Steven Rosen © Charmi Peña © Charmi Peña © Charmi Peña © Charmi Peña © Charmi Peña © Petronella Photography © Petronella Photography © Petronella Photography © Petronella Photography © Petronella Photography © Steven Rosen © Steven Rosen © Steven Rosen © Steven Rosen © Steven Rosen Charmi Peña © John Harris Petronella Lugemwa and Allan Weitz © John Harris Steven Rosen, outtake from “What is Photography?” © Cory Rice Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 08/24/2018
Edvard Munch noted that “colors live a remarkable life of their own after they have been applied to the canvas” and, on today’s episode of the B&H Photography Podcast, we dip our brushes into the palette of art and color theory and, then, we explore practical (and beautiful) applications of color through the eyes of a documentarian and a fashion photographer. We start our conversation with photographer/artist/explorer Adam Marelli, who muses on color theory from a painter’s and a photographer’s point of view and endures our novice questions on the subject. We discuss a few basic terms, learn about Michel Chevreul, and then get into questions about his use of color, about film color compared to digital, printing, and Marelli’s understanding that colors are never static, and should not be considered such when creating images—look for the color between colors, he suggests. In the second half of the show, we welcome Natasha Wilson, a Los Angeles-based fashion and lifestyle photographer who imbues her work with the colors that dreams are made of. Whether bold and bright or with a muted palette, when you see her work, there will be no doubt why we thought of Wilson for this conversation. We ask her about her process, both behind a lens and in front of a monitor, and we discuss how she finds locations, picks her teams, and finds the balance between foreground and background colors—and between her artistic imagination and the client’s needs. Her laid-back approach belies the intensity of her vision. Guests: Adam Marelli and Natasha Wilson © Natasha Wilson © Natasha Wilson © Natasha Wilson © Natasha Wilson © Natasha Wilson © Natasha Wilson © Natasha Wilson © Natasha Wilson © Natasha Wilson © Adam Marelli © Adam Marelli © Adam Marelli © Adam Marelli © Adam Marelli © Adam Marelli Adam Marelli © John Harris Adam Marelli and Allan Weitz © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 08/10/2018
There is no doubt that a film photography renaissance is in full swing… just ask anyone under the age of 25. And to be fair, there are many wonderful artists—of all ages—who have never stopped using film as their primary photographic format. To anyone who grew up shooting film and then made the transition to digital, it’s a bit curious to see such a resurgence in a medium that has long been listed as “critical,” if not simply dead. At the B&H Photography Podcast, we still shoot with film cameras and enjoy the processes involved, but the guests on today’s episode are putting money (and time and energy) where their mouths are and have opened up a physical store (in addition to their online business) selling film and film cameras. Brooklyn Film Camera, located in Bushwick, Brooklyn, sells film and film cameras—from 35mm to medium format, disposables to underwater, pinholes to Polaroid. They are one of a few shops in the world to offer expert restoration services for Polaroid SX-70 and SLR 680 camera systems. They have a brisk online business but are also a local hub, offering repairs, photo tours, and a home base for a burgeoning community of film shooters. We speak with Kyle Depew and Julien Piscioneri about their company’s origin as an outgrowth of the Impossible Project, and about the services they provide, but we also discuss the who, why, and where of the analog renaissance and whether this is a trend, or if film and digital will co-exist peacefully. We are also joined by Michael Armato, of the B&H Used Department, and former proprietor of Armato Cameras, in Queens, NY. Armato brings his insight from running a camera store for more than forty years and sheds light on which film cameras and formats are most in demand at the used counter. Join us for this enjoyable chat. Guests: Kyle Depew, Julien Piscioneri, and Michael Armato Courtesy of Brooklyn Film Camera Courtesy of Brooklyn Film Camera Courtesy of Brooklyn Film Camera B&H Photography Podcast © John Harris Michael Armato keeps 'em laughing © John Harris Julien Piscioneri ©John Harris Kyle DePew © John Harris Michael Armato © John Harris Julien Piscioneri, Michael Armato, Kyle DePew, and Allan Weitz © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/28/2017
If inspiration is what you are looking for, the story of how Eric Kruszewski became a photographer should supply you with plenty of it. Of course, it all starts with a personal desire but, planning, networking, hard work, and even a simple Google search like the eponymic one above, all go into the recipe for success. Photographs © Eric Kruszewski Taking up photography as a hobby in your thirties seems a commonplace occurrence, but deciding to change careers and become a working photographer is another story altogether. Join us as we speak with travel, editorial, and documentary photographer Eric Kruszewski about his journey from newbie to National Geographic. We talk about the value of workshops, mentors, cold calls, and persistence, and trace Eric’s career from its inauspicious beginnings through long-term personal projects, one-off jobs, artistic setbacks, learning new skills and, ultimately, a satisfying career—paying the bills by doing what he loves. Guest: Eric Kruszewski At India’s Jaisalmer Fort, a street performer walks a tightrope in a unique way—on her knees (with a metal plate) while pushing herself along only with her toes and balancing a vase of water on her head. Cowboys from across America gather at the Pendleton Roundup to prepare for its annual rodeo. From the series, “American Rodeo.” It is quite common that families travel together with the Davis Carnival. In camp, one woman observes her neighbors—a mother and daughter—through the window. From the series, “Behind the Ferris Wheel.” Richmond Shepard, a mime based in New York City, poses for a portrait in his studio. During the annual Military Tattoo in Edinburgh, Scotland, a motorcycle stunt driver takes off amongst fireworks. The performance is held for about three weeks, with the Edinburgh Castle as a backdrop. A woman walks through a mirror maze, part of the Camera Obscura and World of Illusions exhibits in Edinburgh's Old Town. Chris Turner poses for a portrait in his childhood neighborhood of Northeast Washington, D.C. Chris was one of several people accused of the murder of Catherine Fuller in 1984. He served 26 years in prison and maintains his innocence. At the Elephant Conservation Center in Laos, a mahout (elephant trainer) jumps between two elephants. He stuck the landing. Andreas Georgiou, a Greek economist, poses for a portrait in his United States home A young girl dons a costume inside the Angkor Wat Temple in Cambodia. She dresses in costume to pose for photos with visitors. Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/08/2017
The title “The Falling Man” has been acknowledged as the name of the photograph of a man falling from the north tower of the World Trade Center during the attacks of September 11, 2001. The image depicts a lone figure falling headfirst against the backdrop of the vertical lines of the twin towers. As an image, it is a striking composition and the casual position of the man’s body bisecting the two towers, has even been described as graceful. These visual elements mask the horror of its immediate context and perhaps add to the upsetting response that often accompanies this image. Unlike other photographs from that day, this image does not explicitly depict carnage and destruction, but it is this image that has been often singled-out as too disturbing to view, too galling to publish. In fact, the image was published by many newspapers on the day following the attacks and was received with such recoil that editors were called to apologize for its inclusion and almost immediately, it fell under a shroud of obscurity, which in the sixteen years since 9/11, has been slowly lifted. On today’s episode of the B&H Photography Podcast, we welcome veteran Associated Press photojournalist Richard Drew who took this now iconic photograph. We talk with Drew about his experiences on September 11, 2001, about media self-censorship and about how this photo, which is simultaneously peaceful and deeply painful, had been received, rejected and perhaps now, accepted as part of the whole story and a symbol of all that was lost that day. Guest: Richard Drew Editor’s Note: We have decided to not use “The Falling Man” photograph in our blog post because of its painful depiction, but we feel the conversation we hold has educational, emotional and historical value, especially as we approach the sixteenth anniversary of 9/11. We produced it and present it with the utmost of respect for those whose lives has been affected by the attacks of September 11, 2001, particularly the survivors, the victims and their families, the first-responders and the journalists, who also risked their lives that horrible morning. Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Muhammad Ali watches as defending world champion George Foreman goes down to the canvas in the eighth round of their WBA/WBC championship match in Kinshasa, Zaire, on October 30, 1974. (AP Photo/Richard Drew) Frank Sinatra escorts Jackie Onassis to the '21' Club on September 17, 1975 after she attended his concert at the Uris theater (AP Photo/Richard Drew) President Richard Nixon attends a baseball game at Yankee Stadium after his term in office (AP Photo/Richard Drew) Andy Warhol (AP Photo/Richard Drew) Texas billionaire Ross Perot laughs in response to reporters asking when he plans to formally enter the Presidential race. New York City, May 5, 1992 (AP Photo/Richard Drew) Britain’s Prince Charles, during a charity polo match in Mexico City’s Chapultepec Park. February 17, 1993 (AP Photo/Richard Drew) Cuban President Fidel Castro at a special commemorative meeting of the U.N. General Assembly, October 22, 1995. (AP Photo/Richard Drew) Specialist Anthony Rinaldi is reflected in a screen at his post on the floor of the New York Stock Exchange, April 19, 2017. (AP Photo/Richard Drew) Richard Drew at the B&H Photography Podcast. Photograph: John Harris Allan Weitz and Richard Drew. Photograph: John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/01/2017
On today’s episode of the B&H Photography Podcast, we continue our exploration of photographic collaboration with photojournalists Ben Lowy and Marvi Lacar. In addition to sharing a vocation, they also share two children and a life together. Photojournalism is a decidedly independent, at times dangerous, career, certainly not one known for a routine home life, but when domestic responsibilities and children enter the picture, how does a couple balance craft and career with the need to earn a living and the time needed to nurture relationships? More so, when both people are working in the same field, how does bolstering one career cross the line into debilitating the other and how do the individuals comprising a creative couple find ways to support each other’s efforts? Lowy and Lacar bring an animated humor and a willingness to talk about the difficult moments from their lives and careers, and explain how they have come to recognize their best personal and professional attributes, bringing those strengths into a working relationship that continues to evolve. Guests: Marvi Lacar and Ben Lowy From the series "Melting Pot," Marvi Lacar From the series "Melting Pot," Marvi Lacar From the series "U.S. Bases," Marvi Lacar From the series "U.S. Bases," Marvi Lacar From “This Is a Love Story,” Marvi Lacar From “This Is a Love Story,” Marvi Lacar 2004 Democratic National Convention, Ben Lowy Protest at 2004 Republican National Convention, Ben Lowy Iraq Perspectives #1, Ben Lowy Iraq perspectives, #2, Ben Lowy Wounded soldier, Iraq, Ben Lowy Ski Jumper, Sochi, 2014, Ben Lowy Speed Skater, Sochi, 2014, Ben Lowy Great White Shark, 2016, Ben Lowy Seal, 2016, Ben Lowy Ben Lowy and Marvi Lacar at B&H Photography Podcast, John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/30/2017
Many photographers begin their careers wanting to “make a difference” with their photography, to bring some good to the world, or at least to the people they photograph. It’s one of the greatest aspects of the craft and its adherents, but can a photo really bring about long-term change? This is an increasingly relevant question, and one that dogs even the most experienced and socially conscious photographers. Despite this dilemma, many photographers forge ahead, shining a light on horrors and glories with the hope that their images have a positive influence and perhaps, because of this dilemma, some photographers have found ways to use their art, labor, contacts, experiences, and insight to raise money specifically for organizations that are “making a difference.” Salem Krieger is an experienced editorial and portrait photographer who had a seemingly simple realization in 2015: he could sell prints of his work and give a portion of the revenue to a non-profit organization of his choice. From this grew Art is Helping, his system for putting artists and art buyers together and letting the buyers determine how much they spend and which organization they support. In a short time, the roster of artists has grown, as has the varied list of non-profits that benefit from the transactions. Alison Wright is an accomplished documentary photographer and author whose work has taken her to every corner of the world. Her latest book,  Human Tribe,  is available through Amazon and Barnes & Noble. In 2000, a tragic, near-death accident on a jungle road in Laos and a remarkable story of heroism and recovery brought a heightened perspective to the strength and spirit that pushes people to help one another—even to risk their lives to help complete strangers. With the resolve and empathy born from suffering, Wright rebuilt her life and career and founded Faces of Hope, a fund that provides medical care and education, especially to women and children in crisis around the world. The first act of Faces of Hope was to return to the village in Laos—and the people who saved her life—with five doctors and $10,000 worth of medical supplies. We speak with these two photographers about their work and about the mechanisms they have created to bring assistance to those who need it, while continuing to do the photography they love. Guests: Alison Wright and Salem Krieger “Tibet Girl” 2005. Photograph by Alison Wright Malagan Ceremonial Mask, Papua New Guinea, 2010. Photograph by Alison Wright Cover of Alison Wright’s latest book, “Human Tribe” “NYC News Stand” by Salem Krieger, from Art is Helping “42nd St. Alien” by Antonio Mari, from Art is Helping “Shadows” by Cynthia Karalla, from Art is Helping “VSH #4” by Julie Gross, from Art is Helping “Beetle” by Jose Maximiliano Sinani Paredes Shezchez, from Art is Helping “Auto America: New Mexico” by Salem Krieger, from Art is Helping Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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