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Posted 08/26/2021
Even if you are not currently on your beach vacation, let’s take a little trip to Hawaii’s shores for today’s episode of the B&H Photography Podcast. Joining us is photographer Zak Noyle, who was born and raised in Hawaii and began publishing his surf photography while still in high school. Noyle has photographed the sport’s top surfers and events, has been published in Sports Illustrated and National Geographic, and has traveled the world for brands such as Billabong, Stussy, and Chanel. He also contracts commercial and editorial work (note our chat about photographing Michael Phelps) and has recently opened the Eleven17 Creative Agency. With Noyle we discuss how he started photographing simply to share his love for the ocean and surfing, but we learn that his father is a successful commercial photographer and we chat about the influence and support of family and friends. We also learn that Noyle was a state champion swimmer and how staying in top physical and mental shape is key to working in waves up to sixty feet high. We also discuss the techniques and gear he uses to work below and at the water’s surface, including the signature camera housing that he developed with Aquatech. In this pleasant and wide-ranging conversation, we get to understand how keeping a healthy balance between work and play can spark creativity and how preparation and experience lead to opportunity. Join us in “paradise.” Guest: Zak Noyle Photograph © Zak Noyle Photograph © Zak Noyle Photograph © Zak Noyle Photograph © Zak Noyle Photograph © Zak Noyle Photograph © Zak Noyle Photograph © Zak Noyle Photograph © Zak Noyle Photograph © Zak Noyle Photograph © Zak Noyle Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 02/18/2021
Has the Canon EOS R5 changed the conversation about using mirrorless cameras for bird and wildlife photography? This is the position of our guest, David Speiser, who, this summer, traded his Canon 1D X Mark III for the R system camera and lenses. But his colleague, fellow bird photographer and—for now—DSLR stalwart Grace Scalzo, is not quite ready to make that switch. Today’s episode of the B&H Photography Podcast focuses on the features of the Canon R5 and RF lenses that specifically benefit bird photographers. Speiser relates his decision to sell a treasure trove's worth of gear and reinvest in Canon’s mirrorless system. He notes the advanced eye focus, the customization features, in-body image stabilization, and new, sharp lenses as factors in his decision. Scalzo, however, is not ready to give up her rugged, fast, and ergonomically balanced DSLR with its broad selection of quality glass and an optical viewfinder. This is a fun-spirited and well-articulated debate between two shooters who really know their gear and their craft. In addition to the DSLR vs. mirrorless smackdown, we discuss 600mm lenses, adapters, gimbal heads, tripods, sharpening software, and even some land management and wildlife ethics issues. Join us for this vastly informative conversation, ideal for Canon photographers and wildlife shooters considering their next purchase. Also, please check out the Musea Gathering virtual photo conference, a wonderful two-day event on wedding and family photography. Guests: Grace Scalzo and David Speiser Photograph © David Speiser Black-chinned Hummingbird. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 1.4x teleconverter. 1/3200 second at ISO 1600 © Grace Scalzo Great Horned Owl. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 1.4x teleconverter. 1/125 second at ISO 1600 © Grace Scalzo Summer Tanager with Bug. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 2.0x teleconverter. 1/640 second at ISO 1600 © Grace Scalzo Gray Fox. Canon 1D X Mark II with 600mm f/4L IS III USM Lens. 1/500 second at ISO 3200 © Grace Scalzo Painted Lady on Thistle. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 2.0x teleconverter. 1/640 second at ISO 400 © Grace Scalzo Common Cuckoo, 2020. Canon R5 with adapter and 600mm f/4L IS III USM Lens and 2.0x teleconverter. 1/4000 second at ISO 1600 © David Speiser Barred Owl, NYC, 2020. Canon R5 with RF 100-500mm f/4.5 Lens. 300mm at 1/40 second, ISO 3200 © David Speiser Western Tanager, NYC, 2020. Canon R5 with RF 100-500mm f/4.5-7.1L IS USM Lens. 500mm at 1/320 second, ISO 2000 © David Speiser Atlantic Puffin, 2020. Canon R5 with adapter and 300mm f/2.8L IS II USM Lens and 2.0x teleconverter. 1/2500 second at ISO 800 © David Speiser Black Guillemot, 2020. Canon R5 with adapter and 300mm f/2.8L IS II USM Lens and 2.0x teleconverter. 1/2500 second at ISO 800 © David Speiser Ruby-throated Hummingbird, 2020. Canon R5 with adapter and 300mm f/2.8L IS II USM Lens and 2.0x teleconverter. 1/800 second at ISO 3200 © David Speiser Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 10/27/2017
Bird photography is a big deal around B&H, and we’re not just talking about the lenses needed to get those wonderful close-ups of warblers, herons, gulls, and raptors. Bird photography is a passion that grabs pros and amateurs alike and seems to not let go; there are very few photographers as dedicated to their craft (and gear) as bird photographers. We are fortunate to have two photographers with us to discuss the gear, technique, and protocols necessary to capture pleasing images of our feathered friends. David Speiser is a member of the Board of Directors of New York City Audubon and has been an avid bird photographer for more than twenty years. He has an incredible body of work that includes birds of all varieties, and brings not only technical excellence to his photographs, but a birder’s meticulousness to his archive. Klemens Gasser is a visual artist who became enthralled with birding several years ago and turned his fixation into an exhibit of bird photographs enlarged to 72 inches across. He brings an artist’s spirit to his bird photography and humor to our discussion, and clearly loves the thrill of the chase. We speak with these two photographers about the gear and apps they use, their shooting styles, favorite locations, and how digital technology has transformed bird photography. Join us for some very practical advice and a fun conversation. Guests: David Speiser and Klemens Gasser Baltimore oriole, photograph © David Speiser Blackburnian warbler, photograph © David Speiser Canada warbler, photograph © David Speiser Great gray owl, photograph © David Speiser Prairie warbler, photograph © David Speiser Red-shouldered hawk, photograph © David Speiser Red-tailed hawk, photograph © David Speiser Snowy owl, photograph © David Speiser Spruce grouse, photograph © David Speiser Upland sandpiper, photograph © David Speiser Common grackle, photograph © Klemens Gasser American bittern, photograph © Klemens Gasser Snowy owl I, photograph © Klemens Gasser Glaucous gull, photograph © Klemens Gasser Saltmarsh sparrow, photograph © Klemens Gasser Franklin’s gull, photograph © Klemens Gasser Painted bunting, photograph © Klemens Gasser Snowy owl II, photograph © Klemens Gasser Snowy owl III, photograph © Klemens Gasser Klemens Gasser, Allan Weitz, David Speiser, photograph © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/09/2017
Underwater photography does not have to include sharks, whales, or seals and, for that matter, does not even have to utilize scuba equipment or be near the ocean. Our second episode on underwater photography profiles two photographers who have found their niche shooting wedding, portrait, fashion, and dance themes beneath the surface. Jenna Martin walked away from a career in psychiatry, built her own underwater housing and began using friends and models local to her home in Billings, Montana, to shoot portrait and fine art images. Surprisingly, Martin doesn’t use scuba gear or a wetsuit when shooting in pools, lakes, and oceans—she often utilizes props and, most notably, the texture and flow of fabric to create her sensuous and imaginative photos. Jenna Martin Adolfo Maciocco started as a dive instructor and eventually turned to underwater photography while working in the Red Sea and Thailand. Upon his return to his native Sardinia, Italy, he began to combine his day job as a wedding photographer with his passion for the water, and specializes in underwater wedding photography. He has also collaborated with ballet dancers and free divers in a series of images shot undersea, then flipped upside down to create a wonderful, disorienting effect. from the series, Liquid Dreams Adolfo Maciocco We speak with these two photographers about their technique and gear, and focus on their DIY approach, as well as on issues regarding safety, working with non-professional divers, and the differences between shooting in a pool and in open water. Be sure to chcek out our previous podcast on underwater photography, Black and White and Blue—Fine Art Underwater Photography. Guests: Jenna Martin and Adolfo Maciocco Jenna Martin Adolfo Maciocco DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/02/2017
It’s a short week here at the B&H Photography Podcast, so we thought we’d take care of some cleaning that we have put off all winter. Unless one is a full-time pro or serious enthusiast, most of one’s photography is done in the fairer months of spring and summer, whether that be on family vacations, at sporting events, weekend picnics, or just working out that macro lens in the garden. So, it’s time to pull the camera bag from the closet and give our gear a quick once-over to make sure everything is in working order. In this episode, we discuss little ways to maintain cameras and lenses, and things to do to prepare them for the shooting season. From firmware upgrades to mode settings to dust and grease removal, there is a lot you can do in a short time to better understand your camera and to keep it functioning smoothly. In the second half of the show, we continue our serial “Dispatch,” with Adriane Ohanesian. This ongoing segment takes an inside look at the life and work of a freelance photojournalist working in East Africa. In this episode, Ohanesian updates us on her coverage of the conflict in Somalia as she spends time embedded with African Union troops and travels north, to photograph the effects of the ongoing drought in Puntland. She discusses being contracted by the International Rescue Committee to document the refugees “flowing” from war-torn South Sudan to settlement camps in Uganda and, finally, analyzes the risks and expenses freelance photographers take on while working in conflict zones—and the often adverse objectives of news organizations and NGOs. Guests: Todd Vorenkamp and Adriane Ohanesian Click here if you missed Episode 1 of "Dispatch." Photographs © Adriane Ohanesian Mohamed Abdi Bare, age 4, stares at the line of people inside of the waiting area at the Department of Refugee Affairs office in Shauri Moyo, Nairobi, Kenya, January, 2017. Ugandan African Union armored personnel carriers at dusk along the Afgooye road outside of Mogadishu, Somalia, February, 2017. The Ugandan African Union Special Forces wait inside of an armored personnel carrier during a night patrol in Mogadishu, Somalia, February, 2017. The shelters of nearly 400 pastoralists families who have lost a majority of their livestock due to drought, have set up camp along the road in search of food and water in Uusgure, Puntland, Somalia, February, 2017. Severely malnourished, Farhiyah, age 2, lies on the floor of her family’s hut where she stays with her three siblings and mother who came to the area in search of food and water in Uusgure, Puntland, Somalia, February, 2017. The remains of dead goats lie next to the road in Puntland, Somalia, February, 2017. South Sudanese gather to collect their belongings that were transported to the Imvepi settlement for South Sudanese refugees who have fled to northern Uganda. March, 2017. Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/26/2017
Today we welcome two photographers from two distant parts of the globe, but both share a sense of a serene underwater world that they envision mostly in black-and-white. Perhaps, surprisingly, Hengki Koentjoro and Christian Vizl claim Ansel Adams as a prime influence on their work, and we talk with them about not only about their artistic influences but about their choice of gear, shooting styles, post-process techniques and safety concerns. We start our episode with Hengki Koentjoro, who is based in Indonesia, and whose work on land and sea is simply stunning. His black-and-white compositions of sea creatures and the interplay between sun and water are more still life than wildlife, as they explore the textures, lines, and shapes found in the waters of his native archipelago. Koentjoro speaks with us about the simple set of tools with which he captures his images and his uncomplicated approach to exploring the waters he knows so well. Hengki Koentjoro Christian Vizl brings a similar perspective to his relationship with the sea, although the creatures he normally photographs tend to be much bigger and faster-moving, and the waters he explores extend across the planet. A life-long diver, Vizl has recently received well-deserved attention for his black-and-white images of rays, sharks, and whales, including a 2017 Sony World Photography Award. His approach places experience before image and his respect for the sea and its animals is evident in all he does and says. Christian Vizl Stay tuned to the end of this show, when we announce a promo code for a 10% discount on all Ikelite camera housings, and, specifically for this episode, we encourage you to visit our podcast landing page to see examples of the images created by these two supremely talented photographers. Guests: Hengki Koentjoro and Christian Vizl Photograph by Hengki Koentjoro Photograph by Hengki Koentjoro Photograph by Christian Vizl Photograph by Christian Vizl Photograph by Christian Vizl DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/14/2016
Are dance and photography natural enemies? Well, of course not, but one art form is about the still, captured moment, and the other about choreographed movement and fluidity. However, anyone who truly understands photography knows the importance of timing, grace, and harmony, and a dancer must also recognize the relevance of rest and static. Sculpture, or gesture perhaps, is their common bond and our two guests know well the significance of gesture and the conflicting and compatible characteristics of dance and photography. They join us to talk about their distinct work and shooting styles. Lois Greenfield is one of the recognized masters of the craft, having developed a singular style sought by the world’s most renowned dance companies, and Omar Z Robles, an official Fujifilm X-Photographer, brings a fresh take, blending aspects of documentary and street photography. Enjoy this episode as we discuss improvisation, inspiration, dodging taxis and, of course, lighting systems and camera and lens choices. Guests: Lois Greenfield and Omar Z. Robles   Photographs by ©  Lois Greenfield Photographs by ©  Omar Z. Robles   Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play           Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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