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Posted 03/11/2021
This is the second episode of the B&H Photography Podcast produced with the collaboration of Leica Camera, and we are pleased to welcome photographer Stella Johnson to the show. It is the “in-between moments of life” that Johnson describes as the subject of her work, work that includes books and documentary series made in Cameroon, Greece, Nicaragua, and Mexico. In this easygoing conversation, we discuss the nature of her long-term projects, and the motivations that return her to the same places year after year. We also talk about composing with rangefinder cameras, being at the eye level of your subject, and the weeks that go by without making pictures and the verbal and nonverbal communication necessary when you are invited as a photographer into a community or home, as Johnson has been. For her personal documentary work, Johnson has relied on Leica M cameras and a 35mm focal length lens. We discuss this focal distance in terms of a personal comfort zone and one that even felt safer during pandemic time. Johnson keeps her settings simple and concentrates on composition and the moment; she tends to find light and locations that she likes and waits for the images. Because Johnson’s compositions are so strong in black-and-white and her color work is minimal and adroit, we ask for her thoughts on how to work with both formats and if a fluidity between them is easy. Finally, in searching for a definition of documentary photography, we mulled over the effect of time, of returning to locations and subjects, of its distinction from photojournalism, as seeing “what life is like” and the stories of “just daily life.” Guest: Stella Johnson Photograph © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “RE-CREATIONS” © Stella Johnson Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C. Steiner
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Posted 10/22/2020
In the 1970s, under the aegis of the Great Society’s Model Cities Program, photographer Earlie Hudnall, Jr. began to document the predominantly African-American neighborhoods of Houston’s 3rd, 4th, and 5th wards, and for more than forty years he has continued to create an indelible portrait of life in these neighborhoods. To be sure, Hudnall has photographed all around the world, and worked for years as the photographer for Texas Southern University, but it is his images of the people of Houston that we discuss today, and that are included in his current exhibition at the Photographs Do Not Bend Gallery in Dallas, running through October 31, 2020. On this week’s episode of the B&H Photography Podcast, we talk with Hudnall about the relationship between the stories he tells with his images and those he grew up with in his native Mississippi; how the tradition, culture, and community of his youth reveal themselves in the faces and facades of modern Houston. We also talk about his organic approach to photography and how respect for his subjects informs his process, and how eye contact and body language are tools to connect with people on the street. Hudnall is old school—he works with digital cameras when needed—but his Hasselblad and Nikon film cameras are his primary tools and he discusses why he chooses one over the other to make a particular image. Hudnall also prints his photographs, so we talk about sourcing supplies, Ilford paper, and darkroom techniques. And while we do get into camera talk and a “sweet, sweet, sweet, soft Rolleiflex,” much of our conversation with Hudnall focuses on how memory and inspiration react in a moment to create a powerful image and how staying sensitive to your surroundings will serve your imaging. It is a joy to listen to Hudnall; please join us for this conversation. Guest: Earlie Hudnall, Jr. Photograph © Earlie Hudnall, Jr. Mr. Shine, 3rd Ward, Houston, 1988 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Girl with Flag, 3rd Ward, Houston, 1991 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Hip Hop, Galveston, TX, 1993 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Looking Out, 3rd Ward, Houston, TX, 1991 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Feeling the Spirit, 3rd Ward, Houston, TX, 1987 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Boy Eastern Star, 3rd Ward, Houston, TX, 1984, © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, T Roots, 1997 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 12/29/2017
For the B&H Photography Podcast, 2017 has been a wonderful year. We published our 100 th episode, surpassed one million downloads, and reached #1 on the iTunes podcast chart in the Visual Arts category. Achievements aside, we are simply pleased with the remarkable guests we have hosted on our show, the variety of subjects we have covered, and the consistently entertaining and intelligent conversations we have published. And honestly, we are proud to have maintained our production output—week in week out—and to still really enjoy what we do. With this in mind and with gratitude to our listeners, guests, co-workers, and the management at B&H, we have cobbled together a 2017 year-in-review episode in which we discuss our favorite shows from 2017 and play a few clips of the most interesting moments from these episodes. The highlights were many and hard to narrow down, but Allan Weitz chose our episode with photographer Lynn Goldsmith as his favorite, with a close second being our talk with Bellamy Hunt, aka the Japan Camera Hunter. He also mentioned our talks with Richard Drew on his photograph, referred to as “Falling Man,” and our episodes with photojournalists (and husband and wife) Ben Lowy and Marvi Lacar. As for Jason Tables, he pointed to History of Hip-Hop Photography and Night Photography—From Film into Digital, as his favorites. My list included a few of those mentioned above, as well as an episode on social documentary projects and the clip I chose from our serial segment, “Dispatch,” with Adriane Ohanesian, in which she recounts the story of a fatal attack she survived while covering a story in Congo. We discuss several more episodes during this end-of-year extravaganza and hope that the clips pique your interest and inspire you to subscribe to our show and check out programs from our catalog, which now includes more than 100 episodes. Thank you and happy New Year from Allan, Jason, and John. Guests: Lynn Goldsmith, Bellamy Hunt, Richard Drew, Ben Lowy, Marvi Lacar, Danny Hastings, Eric Johnson, Janette Beckman, Vicky Tobak, Chris Nicholson, Lance Keimig, Adriane Ohanesian   Jason Tables, Allan Weitz, and John Harris   Jolene Lupo, Penumbra Foundation DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/20/2017
We are living in a Golden Age of landscape photography. Digital cameras and improved software enable the kind of imaging that until recently was only possible via the budgets of large publications and the talents and ambitions of a few select photographers. Ambition and talent remain, and with enhanced dynamic range and color algorithms, higher sensitivity settings, simplified stitching and compositing software, and a network of websites to display work, impressive landscape photography is abundant; however,  there are new masters and the skill set of current practitioners includes not only those of the photographer, but also of the savvy digital graphic artist.  With the ability to pull details from shadows, augment colors, and combine distinct files into a single image now easier than ever, we must ask—is it acceptable to represent nature without natural characteristics, to merge photos from different focal lengths into one image, or add a blazing sunset to a foreground taken hours or days apart? Can images composed in such a way even be defined as photography and does an ethos, akin to that in photojournalism, apply to nature photography? These are some of the questions we pose to two incredible landscape photographers,  Adam Burton  and  Ryan Dyar. We spoke with them separately, but prepared a similar set of questions, and asked them to walk us through their in-camera workflow and post-process techniques. We spoke about their approach to a scene, their use of “grad-filters” and plug-ins, acceptable degrees of enhancement, and strove to understand if there is indeed an ethics to landscape photography. Guests:  Ryan Dyar and Adam Burton Unprocessed image (left) and post processed image (right) Adam Burton Adam Burton Adam Burton Adam Burton Adam Burton Adam Burton Unprocessed image (left) and post processed image (right) Ryan Dyar Ryan Dyar Ryan Dyar Ryan Dyar Ryan Dyar DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 12/02/2016
On this week’s episode, we return to our roots—and not just our photographic roots—but we return to our podcast’s original design of chatting about photography among B&H photographers and writers. We welcome back an original co-host of the podcast, Todd Vorenkamp, as we discuss the basics of photography—the control of light through aperture, shutter speed, and ISO sensitivity. Yes, this episode could be considered a Photo 101 course, and for those who are new to photography (or new to manual control of your imaging) this episode should be very helpful. We walk through the core concepts of how to expose your images to get the look you want and try to clarify the sometimes confusing nomenclature and camera settings. We talk depth of field, diffraction, motion blur, digital noise, “Sunny 16,” and the necessary balance between aperture, shutter speed, and ISO that is required for proper exposure. Photo veterans should tune in, too, because our conversation is by photographers for photographers, and will provide insights and anecdotes that may even improve your skills. Guest: Todd Vorenkamp Shallow depth of field can be created by opening up your lens to its maximum aperture.         John Harris High ISO settings enable sharp imaging in low light but can also produce “noise,” apparent in the sky. John Harris Even a shutter speed of less than 1 second can create blur or, in this case, a short light trail.     John Harris Utilizing a 30 second exposure with tripod, low ISO and a small (f/22) aperture, long light trails and intentional blur are created. An auto white balance setting facilitates the proper rendition of the many different color temperatures in this frame. Jason Tables   DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/03/2016
The B&H Photography Podcast was very fortunate to be invited to the 29th Eddie Adams Workshop this year. The annual workshop, officially sponsored by Nikon, with support from B&H, is a unique and inspiring event, bringing together 100 young photographers with some of the world’s most recognized photojournalists and editors, including thirteen Pulitzer Prize winners, for four intense days of photographic presentation and collaboration. Tim Rasmussen, Director of Digital and Print Photography at ESPN, joined us for a chat in our improvised studio in the fabled barn on the Eddie Adams farm. Prior to ESPN, Rasmussen was the Assistant Managing Editor of Photography and Multimedia at the Denver Post and under his lead, their photo department earned three Pulitzer Prizes. Tim is also a member of the Board of Directors at the Eddie Adams Workshop and, in addition to having been a team leader, producer and editor at the workshop, he was a student in its very first year—1988. Our conversation with Rasmussen revolves around the workshop—how he came to attend the first-ever workshop, why it has become a breeding ground and “sanctuary” for two generations of talented photojournalists and, of course, around Eddie Adams himself. We also talk with Rasmussen about his own career, transition from photographer to editor, and how he ended up at ESPN. Within this relaxed conversation there is much to learn—about the threads of life and the nature of commitment, about the practice of photojournalism and, particularly for young photographers, about what an editor looks for when hiring a photographer. Photograph above © Tim Rasmussen Guest: Tim Rasmussen Eddie Adams. Photograph by ©Tim Rasmussen The Board of Directors of the Eddie Adams Workshop, 1992. Photo Courtesy Tim Rasmussen The first Black Team at the workshop recreates Joe Rosenthal’s famous Iwo Jima image with Rosenthal in attendance. Photo Courtesy Tim Rasmussen Gregory Heisler at the first ever Eddie Adams Workshop, 1988. Photo courtesy Tim Rasmussen From the 2016 Eddie Adams Workshop Photographer Carol Guzy preparing for her talk at the barn Photographer Adrees Latif with student at 11:30 Club portfolio review Tim Rasmussen editing student’s work Photographer Marco Grob during his talk in the barn Editor Jim Colton offers advice to a student Photographer Nick Ut running for “president” at the 2016 Eddie Adams Workshop Students check out each other’s work at 11:30 Club   DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/14/2016
Are dance and photography natural enemies? Well, of course not, but one art form is about the still, captured moment, and the other about choreographed movement and fluidity. However, anyone who truly understands photography knows the importance of timing, grace, and harmony, and a dancer must also recognize the relevance of rest and static. Sculpture, or gesture perhaps, is their common bond and our two guests know well the significance of gesture and the conflicting and compatible characteristics of dance and photography. They join us to talk about their distinct work and shooting styles. Lois Greenfield is one of the recognized masters of the craft, having developed a singular style sought by the world’s most renowned dance companies, and Omar Z Robles, an official Fujifilm X-Photographer, brings a fresh take, blending aspects of documentary and street photography. Enjoy this episode as we discuss improvisation, inspiration, dodging taxis and, of course, lighting systems and camera and lens choices. Guests: Lois Greenfield and Omar Z. Robles   Photographs by ©  Lois Greenfield Photographs by ©  Omar Z. Robles   Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play           Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/03/2016
Despite poking a little fun with this episode’s title, we are big fans of photography websites and camera blogs, and if you are reading this, you probably are, too. On this week’s podcast, we are fortunate to have Kevin Raber and Jason Hermann, proprietors of Luminous Landscape and SonyAlphaLab, respectively. Have you ever wondered how sites like these operate, are funded, get gear to review and deal with the, shall we say “experts,” who populate the comment sections? In this very animated, on-point conversation, Raber and Hermann talk specifically about their sites, the proliferation of gear chat, and the camera industry in general. Guests: Kevin Raber and Jason Hermann To listen to this week’s episode: Listen to or download on  SoundCloud, or subscribe to the B&H Photography Podcast on  iTunes;  Stitcher;   SoundCloud; or via  RSS.   Photos by  Kevin Raber   Photos by Jason Hermann b Host: Allan Weitz Producer: John Harris Engineer: Jason Tables Executive Producers: Bryan Formhals, Mark Zuppe
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