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Posted 05/13/2021
This week’s episode of the B&H Photography Podcast is an old-fashioned hands-on review, but in this case, made with six hands. Allan, Jason, and I were pleased to be loaned the Leica Q2 Digital Camera and the Leica Q2 Monochrom Digital Camera, and we use our consideration of these 47MP cameras as a springboard to talk about camera grips, and point-and-shoot cameras, and value. We also talk about macro photography and cropping and about how to create black-and-white images from color files. We begin the conversation mentioning the specs and features of these two incredible cameras and each of us offers our pros and cons regarding the features we liked best and those we felt lacking. Autofocus, body design, focal length, and responsiveness are mentioned. Other Leica cameras, such as the Leica M10-P, get discussed, too, as do the practical differences between rangefinders with removable lenses and point-and-shoots. Join us for this casual chat about photography and about how each of us, with our different workflows, aesthetics, and goals, found these cameras to be versatile, yet also challenged us to create better images. Guests: Allan Weitz, Jason Tables, John Harris Photograph © John Harris © Jason Tables © Jason Tables © Jason Tables © John Harris © John Harris © John Harris Leica Q2 Monochrom Digital Camera © John Harris © Allan Weitz © Allan Weitz © Allan Weitz Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 04/01/2021
This episode was first published in January 2018. The Canon sweepstakes mentioned in the episode has long since ended and is no longer valid. For some photographers, the phrase “run and gun” has a negative connotation, but when you’re Norman Reedus, that description takes on a much cooler meaning, one that is accurate to his style and a compliment to his ability to “sense a moment.” Reedus, most recognized for his acting work on the television series, “The Walking Dead” and “Ride with Norman Reedus,” is first and always an artist: a sculptor, a director, and author of the photography books, “The Sun’s Coming Up… Like a Big Bald Head” and his latest, “Portraits from the Woods,” which is a behind-the-scenes glimpse at the making of “The Walking Dead.” Both books are available at Big Bald Gallery. With the travel demands of working on films and television, Reedus’s photography becomes a way to engage with his locations and document his adventures but, through the eyes of an artist, his work is more than just famous locales and behind-the-scenes fun. He brings a personal vision, humorous and dark, to images he captures and does so with an experimenter’s touch, using a variety of cameras and styles. We talk with Reedus about his start in photography, his stylistic approaches, gear choices, and what he has learned from his time in front of a camera that helps with his work behind one. However, with a guest like Reedus—generous with his time and tales—you let the conversation flow, and we also discuss his series “Ride,” the influence of Laurie Anderson, fan selfies, his love of horror films, and a range of other topics. While recording this episode, the Tom Waits line, “I like beautiful melodies telling me terrible things,” kept popping into my head. I’m not sure this line best reflects Reedus’s work, but I am sure there is a Tom Waits line that does. This episode was a real treat for us at the B&H Photography Podcast, and we hope you feel the same in the listening. Allan Weitz and Norman Reedus, 2017 © John Harris Guest: Norman Reedus Photograph © Norman Reedus Cooks in the Kitchen with Kitten, Max Security Prison, Moscow © Norman Reedus Exercise, Max Security Prison, Moscow © Norman Reedus Tulum 2 © Norman Reedus Undecided Soldier © Norman Reedus San Diego © Norman Reedus Cover from “Portraits from the Woods,” 2020 © Norman Reedus Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 09/09/2020
This is a wonderful conversation for fans of mirrorless cameras, of classic lens design, of the venerable M-mount, and, really, of photography. The joy that our host Allan Weitz exudes while discussing a few of his current favorite lenses is as contagious as it is educational. And I feel that this episode provides a bolt of creative curiosity that might infuse my own photography. For this week’s episode of the B&H Photography Podcast, we asked Weitz to draw up a list of 10 favorite lenses from his personal collection. To be sure, these are not lenses sitting on a shelf or behind glass; these are accessible, affordable lenses that he incorporates regularly into his photography practice, but each has a certain signature or special feature that merits recognition. Most, like the Voigtländer VM 40mm f/2.8 Heliar Lens for Sony E-Mount or the 7Artisans Photoelectric 50mm f/1.1 Lens for Leica M can be purchased new, while some, such as the Zeiss Hologon T* 16mm f/8 lens, are still readily found in the used market. Others, like the Nikon NIKKOR 50mm f/1.2 lens, are perennial favorites, while the Voigtländer Nokton 75mm f/1.5 Aspherical Lens seems classic but is relatively new to the market. While discussing these lenses, we stumble upon a mound of good photography chatter, including practical uses for these optics, tips for using extension tubes and mount adapters, notes on camera history, and plain simple fun facts. Toward the end of the episode we talk about the B&H Used Department, and Jason Tables and I share our current favorite lenses, as well. Join us for this breezy but informative episode and let us know your favorite lenses in the Comments section, below. Photograph © Allan Weitz Nikon NIKKOR 50mm f/1.2 Lens © Allan Weitz Zeiss 16mm f/8 Hologon Lens © Allan Weitz Voigtländer Nokton 75mm f/1.5 Aspherical Lens © Allan Weitz ZEISS Biogon T* 25mm f/2.8 ZM Lens © Allan Weitz Voigtländer Heliar 50mm f/3.5 Lens Voigtländer VM 40mm f/2.8 Heliar Lens for Sony E-Mount Three Lenses © Allan Weitz Taken with Zeiss Biogon 25mm f/2.8 ZM using Leica OUFRO Extension Tube © Allan Weitz Taken with Zeiss Hologon T* 16mm f/8 lens © Allan Weitz Taken with Voigtlander Heliar 50mm f/3.5 lens © Allan Weitz Taken with Voigtlander Nokton 75mm f/1.5 lens © Allan Weitz Taken with the Nikon NIKKOR 50mm f/1.2 AI-S lens © Allan Weitz Taken with Nikon Reflex-NIKKOR 500mm f/5 lens © Allan Weitz Taken with Nikon Reflex-NIKKOR 500mm f/5 lens © Allan Weitz Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/14/2020
On this week’s episode of the B&H Photography Podcast, we discuss lighting gear from the best, with the best, Shar Taylor and Cliff Hausner, of Profoto. Taylor is a past guest on our show and Hausner is one of the most recognized people in the New York photo industry, having worked for a variety of companies and events, and being an established photographer in his own right. While we do talk specifically about Profoto’s latest light modifiers and AirX updates for iPhones, we also take a minute to get to know the work of our guests, including Hausner’s work lighting the annual team photo for the New York Giants football team and his biannual trip to Washington, D.C., to light the official photo of the U.S. House of Representatives. During the second half of our conversation, we really dig into the range of lighting options that Profoto has to offer for the professional studio photographer, including the Pro-10 Power Pack, and for the photographer who needs portable lighting solutions, such as the C1 Plus. Our guests also offer insights as to why Profoto’s emphasis on simple design and ease of use attracts new customers who might be timid venturing into the world of off-camera lighting, as well as seasoned professionals who recognize the value of a proven system. We discuss the incorporation of LED lighting into their systems, the advantages of TTL, and compatibility across lines. You can be sure that both the incredible B10 and B10 Plus Flash Heads are discussed, as is the D2i Industrial Monolight. Join us for this very informative and, at times, hilarious conversation. Guests: Cliff Hausner and Shar Taylor Profoto Air Remote TTL Profoto B10 OCF Flash Head Profoto C1 Plus Profoto D2i Industrial 1000Ws Monolight Profoto OCF II Grid and Gel Kit Profoto Pro-10 2400 AirTTL Power Pack Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 12/10/2019
It’s that time of year again at the B&H Photography Podcast. Now firmly established as a tradition, with the end of the year in sight and gifting season in full swing, we take an episode to talk about the most interesting—dare I say, best—cameras of the year. Our guests include podcast regular Levi Tenenbaum and B&H SuperStore camera expert Georgina Diaz. This year, we start with an overview of mirrorless cameras announced in 2019, including the new full-frames from Panasonic, Sony, Leica and Sigma. We also mention the new APS-C and Micro Four Thirds format cameras such as the FUJIFILM X-Pro 3, the Sony Alpha a6600, the Nikon Z50, and the Olympus OM-D E-M1X Mirrorless Digital Camera. Perhaps most interesting are the mirrorless medium format high-resolution cameras that were introduced, including the FUJIFILM GFX 100 and Hasselblad X1D II 50C. Jumping ahead to DSLR cameras, we see that Nikon and Canon updated their flagship models, Canon offering the EOS-1D X Mark II DSLR and Nikon, the D6 DSLR Camera. Canon also announced its compact mirrorless full frame, the Canon EOS RP. High-end point-and-shoots from Sony and Canon were released, as were three new waterproof tough cameras from Ricoh, FUJIFILM, and Olympus. After a break, we take on the subject of lenses and accessories and highlight a few lenses that caught our attention, such as the FUJIFILM XF 16-80mm f/4 R OIS WR, the Sony FE 200-600mm f/5.6-6.3 G OSS, the Nikon NIKKOR Z 58mm f/0.95 S Noct lens, and several others. We wrap up the episode with a discussion of lights, tripods, drones, and other accessories. Our guests bring their expertise to this conversation as we compare new cameras to their predecessors, discuss specs, and get insight from the SuperStore floor regarding what have been the hot items from 2019. Join us for this timely and educational episode. Guests:  Georgina Diaz and Levi Tenenbaum   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/06/2019
On today’s episode of the B&H Photography Podcast, we welcome photojournalist and sports photographer Nick Didlick to our show. Didlick has been a freelance shooter, a staff photographer, an agency photographer for Reuters and UPI and, while covering the world news, was nominated for two Pulitzer Prizes. He also is an accomplished videographer, editor, and producer, and has served as Photo Chief for the 2010 Vancouver Winter Olympics and as Director of Photography at the Vancouver Sun, where he oversaw the staff change from film to digital photography. As a photographer, Didlick has always been ahead of the technological curve, willing to try new cameras and transmission systems and push existing technology to its limits. He joins us to discuss his technical evolution as a sports photographer and the features that he considers important to balance technological advances with age-old experience of craft. We ask Didlick to look back on his career and discuss important steps in the evolution of his kit, including autofocus features, compact lenses, telephoto extenders, remote control, wireless transmission and, of course, the development of digital photography. We also look ahead to improvements in metadata and artificial intelligence and his overarching philosophy that all advances should be embraced if they are needed to improve your workflow. Throughout the episode, Didlick pokes fun at my “old” DSLR technology in favor of his Sony Alpha a9 II Mirrorless camera but, in doing so, he underscores his point, that as photographers, the hardest part of advancing your skill set is “un-learning” what you considered fundamental and embrace the changes that can improve your photography. Join us for this rollicking and enjoyable episode. Guest: Nick Didlick Above Photograph © Nick Didlick Wayne Gretzky © Nick Didlick Ronald Reagan and Mikhail Gorbachev © Nick Didlick Remnants of Pan Am Flight 103, Lockerbie, Scotland © Nick Didlick Tiger Woods © Nick Didlick 2019 NCAA Final Four © Nick Didlick Lindsey Vonn © Nick Didlick Rodeo © Nick Didlick Usain Bolt stumbles and falls during race © Nick Didlick IAAF World Athletics Championship, 2019 © Nick Didlick Venus Williams © Nick Didlick Sloane Stephens with U.S. Open trophy, 2018 ©Nick Didlick Aibo dogs from Sony © Nick Didlick Nick Didlick and Allan Weitz © John Harris Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/25/2019
When one of the world’s most “followed” photographers is available for a conversation, you make the time to talk with him, and when that photographer is acclaimed adventure, landscape, travel, and surf photographer Chris Burkard, expect that conversation to include some serious insights into the passion and ambition it takes to create the beautiful images he makes. On this week’s episode of the B&H Photography Podcast, we speak with Burkard about a range of subjects—and this conversation does not disappoint. We get right into it by asking about his penchant for shooting in frigid locations, and how stubbornness and even persistence can be the enemy of good photography in sub-zero temperatures. We discuss the composition of his photographs and how that is indicative of his views on nature, and we dig into his “origin story” and why clients began to come to him for the kind of photography he creates. In general, however, we stick to the nuts and bolts of his photography. We learn why he prefers mirrorless cameras, specifically the Sony Alpha a7R IV, how he organizes his commercial workflow to make time for the adventures he craves, and how he sets time aside to be with his young family. After a break, we ask Burkard to walk us through the creation of a few of his best-known images. Not only does he offer insight into the photographic aspects, but he elaborates to give us a better understanding of the remote locations he finds and the teamwork needed. To quote Burkard, “to better understand how the Earth was made, we must look at it from new perspectives.” Join us for this eye-opening conversation. Guest: Chris Burkard Aleutian Islands, 2013 © Chris Burkard Westfjord, Iceland, 2016 © Chris Burkard Highlining in Joshua Tree with Garrison Rowland on Hall of Horrors formation during the Supermoon, 2016 © Chris Burkard Skógar, Iceland, 2014 © Chris Burkard Westfjord, Iceland, 2016 © Chris Burkard Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/29/2019
On this week’s episode of the B&H Photography Podcast, we welcome four “makers” who have designed and built impressive imaging tools with their own vision and hands. Their locations, the formats, the materials, and the final products all differ wildly, but the D.I.Y. spirit of the engineer, the tinkerer, the photographer, and the entrepreneur are shared by our four guests. We get a sense of how each came to their product, developed it, and are trying to market it. First, we speak with Sam Cornwell, inventor of The Solarcan, a unique camera designed to produce “extreme time exposures” that capture the sun’s path across the sky; and yes, it is a can. Cornwell offers his love of photography, astronomy, and repurposing household objects as the seeds for this pinhole camera, which comes with its own piece of Ilford 5 x 7" photo paper already inside. After a successful Kickstarter campaign and a lot of work, his fully packaged invention is available for purchase from B&H. Next, we are joined by Steve Lloyd of Chroma Cameras, who liked large format field cameras so much he went and designed one of his own. His are the first field cameras made of laser-cut acrylic. Appropriately available in a choice of unconventional colors, Chroma cameras feature interchangeable film backs that attach to the camera using magnets, which make it possible to switch quickly between 4 x 5" film to roll-film backs. After a short break, Filippo Nishino, of the Swiss company I’m Back, discusses the invention created by his partner, Samuel Mello Medieros, which can capture digital images with a 35mm film camera body. Available in a universal model or numerous customized covers, the back attaches physically to your film camera, enabling high-res digital image capture. Many years in development, the I’m Back is available to the public and on sale at B&H. Our final guest is Ethan Moses, of Cameradactyl, which is his company and his passion. Cameradactyl, along with its “subsidiary,” Butter Grip, makes 3D printed cameras, parts, and accessories, including his incredible CAMERADACTYL 4 x 5 Field Camera and X-Pin 35mm Pinhole Camera Kit. He also sells a wide range of practical and colorful grips and camera accessories, and might make something for your needs, if you ask nicely enough. Guests: Sam Cornwell, Steve Lloyd, Filippo Nishino, and Ethan Moses Solarcan with Red Packaging Solarcan mounted for extended exposure Solarcan sample image Chroma Camera Folded Chroma Camera Large 4 x 5 Field Chroma Camera I’m Back universal digital back I’m Back cover for Canon AE-1/A-1 cameras I’m Back cover for Leica M1 – M4 cameras Cameradactyl Blue Field Camera Cameradactyl ButterMeter Cameradactyl Butter Grip – Red Cameradactyl 4 x 5 Hand Camera Family Portrait Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/20/2019
We’re not even two months into 2019 and there have already been several announcements for new cameras, lenses, and even a new format for a major camera manufacturer. On this week’s episode of the B&H Photography Podcast, we list the many new announcements and, along with our guests, Shawn Steiner and Andrea Ortado, offer any insights we have in terms of specs, hands-on comparisons, and general opinions. We begin with the new Canon EOS RP Mirrorless Digital Camera and mention a few of the many lenses on the road map for this new full-frame mirrorless series. We also discuss the new Nikon lenses for its full-frame mirrorless Z-mount camera, including the NIKKOR Z 14-30mm f/4 S lens and the NIKKOR Z 24-70mm f/2.8 S lens. From Canon and Nikon, we move on to Panasonic, and the huge announcement of its full-frame mirrorless cameras, the Lumix DC-S1 Mirrorless Digital Camera and the Lumix DC-S1R Mirrorless Digital Camera, as well as the company's L-Mount Alliance with Sigma and Leica, and new lenses such as the Lumix S 24-105mm f/4 Macro O.I.S. lens, the Lumix S PRO 70-200mm f/4 O.I.S. lens, and the Lumix S PRO 50mm f/1.4 lens. We also highlight the impressive new Olympus flagship camera, the OM-D E-M1X Mirrorless Digital Camera. After a break, we discuss the new Sony Alpha a6400 Mirrorless Digital Camera and the reasons it will appeal to vloggers, and the new FUJIFILM X-T30 Mirrorless Digital Camera. FUJIFILM also announced a new XF 16mm f/2.8 R WR lens and the FUJIFILM GF 100-200mm f/5.6 R LM OIS WR lens for its medium format GFX cameras. We continue with a brief chat on new point-and-shoot cameras, including the Ricoh GR III Digital Camera, the Panasonic Lumix DC-FZ1000 II Digital Camera, and the FUJIFILM FinePix XP140 Digital Camera. Finally, we close with a brief comment on firmware, accessories such as the Wacom Cintiq 16HD Creative Pen Display, and thoughts on the new full-frame mirrorless cameras. Join us for this very informative episode. Guests: Andrea Ortado and Shawn Steiner Allan Weitz, Shawn Steiner, and Andrea Ortado John Harris   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/09/2019
On this week's episode of the B&H Photography Podcast, we welcome two artists whose work blurs the line between street photography, documentary, installation and digital art, while cultivating a contemporary interpretation of the art and craft of collage. Both artists utilize photography-based processes and take urban architecture and street scenes as their subject, but from there, the work goes in very different directions. Jennifer Williams creates large, often site-specific collages that inspect but distort the architectural scenes she documents. As she has stated, “The rectilinear shape that is the traditional photograph never fulfilled my desire to show everything in space," and that will be immediately clear upon seeing her work. Layering images of buildings upon one another, she creates angular and abstract collages while still providing a path for the viewer to connect the image she creates with the neighborhood or street that she photographed. Williams speaks about her process, including the original imaging, her manipulation in post-process, and her large-scale installations, often made on Photo Tex media. Tommy Mintz wrote a software program that creates "automated digital collages" and he has experimented over the years how he (and the program) composes the street scenes he photographs. The tools he uses for image capture and computation have evolved and become more powerful, but unlike the painstaking control Williams exercises over her collages, the key element in Mintz's process is the random arrangement and layering of images that the software creates. This is not to say that his images are out of control—after all, he wrote the program. He selects scenes to photograph and he does adjust the final product in Photoshop, but the software-generated placement of images creates layers, unexpected shadows, multiple exposures and even seeming glitches that add up to an intriguing and whimsical take on street photography. Join us as we learn about the conceptualizations and processes of these two visual artists and hear how they integrate Nodal Ninja, Epson 24" printers, and the Sigma dp2 Quattro Digital Camera into their workflow. Guests: Jennifer Williams and Tommy Mintz City of Tommorow- Manhatten: Billionaire's Row (57th Street) © Jennifer Williams Blacksburg Unfurled (Virginia Tech, Blacksburg, Virginia) © Jennifer Williams Surveying Liberty (Newbugrh, NY) © Jennifer Williams The High Line Effect: Approaching Hudson Yards © Jennifer Williams Ladders (Installed at Robert Mann Gallery) © Jennifer Williams © Tommy Mintz © Tommy Mintz © Tommy Mintz © Tommy Mintz © Tommy Mintz Jennifer Williams, Tommy Mintz, and Allan Weitz © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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