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Posted 04/08/2021
On today’s episode of the B&H Photography Podcast, we welcome B&H Senior Sales Trainer Kevin Rickert back to the program to discuss the latest cameras and lenses released over the past few months. For today’s episode, we have the support of Audio-Technica and are using its BP40 Large Diaphragm Dynamic Broadcast Microphone. We start with Sony’s new flagship camera, the Alpha A1 Mirrorless Digital Camera, and discuss its impressive features, as well some of the new lenses Sony has introduced, including the Sony FE 50mm f/1.2 GM Lens. We also talk about the new FUJIFILM GFX 100S Medium Format Mirrorless Camera and the FUJIFILM X-E4 Mirrorless Camera. The rest of the episode is dedicated to lenses and a quick look back at some camera releases from late 2020. We mention the incredible new Leica M-mount 35mm f/2 lens and the 28mm f/2 SL lens, a trio of  Pentax  "Limited" lenses, including the tiny 43mm f/1.9 lens, a 15mm Sunstar lens from NiSi, and several others. Cameras from late last year that get a mention are the Nikon Z6 II, the Olympus OM-D E-M10 III, and the Canon PowerShot ZOOM. Join us for this informative chat and start thinking about your spring and summer photography plans! Guest: Kevin Rickert Editor’s Note: Since this podcast was recorded, both Pentax and Sigma have announced new cameras. Both are substantial updates to existing models: Pentax announced the new APS-C flagship Pentax K-3 Mark III DSLR and Sigma introduced the modular fp L Mirrorless Digital Camera. Sony Alpha 1 Mirrorless Digital Camera FUJIFILM GFX 100S Medium Format Mirrorless Camera FUJIFILM X-E4 Mirrorless Digital Camera Sigma fp L Mirrorless Digital Camera Leica APO-Summicron-M 35mm f/2 ASPH. Lens Pentax HD Pentax-FA 43mm f/1.9 Limited NiSi 15mm f/4 Sunstar ASPH Lens Sony FE 50mm f/1.2 GM Lens Sigma 28-70mm f/2.8 DG DN Contemporary Lens Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 02/25/2021
Live event and concert photography have, obviously, been drastically impacted by the global pandemic and related shutdowns. Let’s give a shout-out to all the photographers, musicians, technicians, and crew who have struggled with the loss of that part of their income and craft, but also make time on the B&H Photography Podcast to talk about concert photography as we inch toward a hopeful return to live music and art performances. Today’s guest is Christie Goodwin, a premier concert and music photographer. She has been the tour photographer for the likes of Taylor Swift and Usher and has shot in venues around the world. She is also the house photographer for the famed Royal Albert Hall, in London. Her work is impeccable, and a quick glance at her website features some of the most recognized faces in contemporary music today. With Goodwin we speak on a range of topics, including her goals as a concert photographer based on the needs of the artist, the management team, the venue, or the fans. We also talk about life on tour, the trust necessary to work with musicians, shooting techniques learned from experience, and how she lets a concert “speak to her” as she decides her photographic approach. We also talk briefly about her Canon DSLR cameras and lenses, and about her side hustle, creating conceptual images for book covers, and how this primarily mirrorless endeavor is the yin to her concert photography yang. Join us for this insightful and practical conversation. Guest: Christie Goodwin Photograph © Christie Goodwin Celine Dion, Hyde Park, London, 2019 © Christie Goodwin Dream Theater, Wembley Arena, London, 2014 © Christie Goodwin Iggy Pop, Royal Albert Hall, London, 2016 © Christie Goodwin Marillion, Royal Albert Hall, London, 2017 © Christie Goodwin James Taylor backstage at Royal Albert Hall, London, 2014 © Christie Goodwin Sting backstage at Royal Albert Hall, London, 2015 © Christie Goodwin Photograph © Christie Goodwin Photograph © Christie Goodwin Photograph © Christie Goodwin Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 12/03/2020
Today we welcome back to the B&H Photography Podcast  Pulitzer Prize-winning photojournalist and friend to the show, Salwan Georges. Georges joined us four years ago to talk about his documentary project centered around the Arabic communities in Michigan, but a great deal has changed since then, and today he joins us to discuss his work covering the 2020 presidential campaigns for the Washington Post. With Georges, we dig into the nuts and bolts of navigating a presidential election in the middle of a pandemic. We talk about press pools, political rallies, booking your own airfare, and making sure your hotel room is disinfected. We also discuss getting new angles to tell stories, prime versus zoom, switching to the Sony a9 II, and using an iPhone when that’s the only option. Georges also relates his experiences working with editors, having the backs of other photographers, and his additional work covering the opioid crisis and other painful stories of our time. Join us for this insightful conversation that we recorded in the days immediately following the 2020 U.S. Presidential Election. Guest: Salwan Georges Photograph © Salwan Georges Supporters of Democratic presidential candidate former Vice President Joe Biden listen outside of the Chase Center as he speaks during the Democratic National Convention, in Wilmington, Delaware on Thursday, August 20, 2020. Photograph © Salwan Georges/The Washington Post President Donald J. Trump listens to a question from a reporter during a news briefing in the James S. Brady Press Briefing Room at The White House, in Washington, D.C. on Sunday, September 27, 2020. Photograph © Salwan Georges/The Washington Post Sen. Bernie Sanders, I-Vt., 2020 Democratic Presidential Candidate, gives a victory speech after winning the New Hampshire Primary during Primary Night Celebration at SNHU Field House on Tuesday, February 11, 2020 in Manchester, New Hampshire. Photograph © Salwan Georges/The Washington Post President Donald J. Trump throws a hat to supporters during a “Make America Great Again Victory Rally,” in Waterford Township, Michigan on Friday, Oct. 30, 2020. Photograph © Salwan Georges/The Washington Post Democratic presidential candidate former Vice President Joe Biden, and his wife, Jill Biden, greet supporters with Democratic vice presidential candidate Sen. Kamala Harris and her husband, Doug Emhoff, outside of the Chase Center, the secondary location of the Democratic National Convention, in Wilmington, Delaware on Thursday, August 20, 2020. Photograph © Salwan Georges/The Washington Post The final presidential debate between President Donald Trump and Democratic nominee Joe Biden appears on screens during a flight from Detroit on Thursday, Oct. 22, 2020. Photograph © Salwan Georges/The Washington Post Nash Ismael, 20, places his arms around his sisters Nadeen, 18, left, and Nancy, 13, as they visit the gravesite of their parents on Father's Day at White Chapel Memorial Park Cemetery on Sunday, June 21, 2020, in Troy, MI. The Ismael children lost their parents within weeks to COVID-19. Photograph © Salwan Georges/The Washington Post Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/12/2020
Eight months ago, on the B&H Photography Podcast, we welcomed four photojournalists who were covering the beginning stages of the COVID-19 crisis in New York. We discussed their fears and the stories they hoped to cover; we also discussed safety precautions, limited access to subjects, and altered workflows. It was the beginning of a new reality. On today’s episode, we welcome back two of those photographers— Desiree Rios and Sarah Blesener —for a follow-up conversation on how their work has evolved since March. We first welcome Desiree Rios, who photographs for the New York Times and Wall Street Journal. We speak with Rios about her daily assignments covering the effects of the pandemic in New York, primarily in the Bronx. We talk about using her work as a support for the community, about building solidarity with the people she photographs, and about trying to tell deeper aspects of a story with daily news images. We also marvel over how attitudes about masks and PPE were so different in March. After a break, we speak with Sarah Blesener. She also works for the Times and WSJ, but thanks to a commission from the International Center for Photography and a grant from National Geographic, she was able to focus on a long-term project over these months. Specifically, she photographed her eighty-year-old landlady and how she, along with the neighborhood community she is a part of, came together to withstand the effects of the pandemic and shutdown. Blesener relates how she came to appreciate working in a less intimate and less spontaneous manner than normal, how she avoided risky assignments so as not to risk infecting her landlady, and how the project grew to involve the neighborhood and became a very optimistic story, despite the situation. This series is currently on exhibition at ICP. Join us for this topical and interesting conversation on the evolving role of photojournalism during 2020. Guests: Desiree Rios and Sarah Blesener Photograph © Sarah Blesener From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 Our Lady of Mount Carmel was open for private prayer in the Belmont neighborhood of The Bronx, New York on Sunday, May 24, 2020. © Desiree Rios for The New York Times Mercedes poses for a portrait with her daughter down the street from her apartment building in the Washington Heights neighborhood of Manhattan, New York on June 19, 2020. Mercedes, who has no income since her husband lost his construction job due to the pandemic, is unable to receive unemployment benefits because of their immigration status. © Desiree Rios for The New York Times Residents wear face masks while sitting on the stoop of their building in the Morrisania neighborhood of The Bronx, New York on April 14, 2020. © Desiree Rios for The New York Times Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/05/2020
Our guest on this week’s episode of the B&H Photography Podcast is Sam Hurd. While he is primarily a wedding photographer, I have no doubt that he could photograph anything and make it look interesting. Hurd is also a portrait photographer, he dabbles in landscape work, and is a passionate photo educator. A few minutes listening to this episode and it becomes clear that he can articulate his process as well as he can execute it. He offers “deconstructions” of his images for his Patreon followers and teaches his style, technique, and gear, but today we focus on his “side hustles,” on the methods and platforms he uses to engage with clients and make extra money from the wedding photography he is already doing. We start by discussing his Patreon platform and how he uses his wedding photography images and insights to build a following of “patrons,” who pay monthly subscriptions to follow his tutorials. We then jump to Stocksy, and how his well-curated set of stock images, mostly taken at weddings, creates an additional revenue flow. He also speaks of DVLOP, which is a site that markets presets that he has created while processing his wedding work. Of course, each of these ancillary platforms flows into and out of each other not only to gain him clients but to improve his photography. He mentions several times how the challenge of producing interesting tutorials has forced him to be more inventive. Despite a very simple kit when shooting weddings, Hurd is also a self-described gearhead, and he and Allan bond over their love for vintage glass and discuss recent purchases, including the Hasselblad 907X 50C  and the Canon R6. Finally, we touch on Hurd’s first professional gig, as the staff photographer for the National Press Club, some of the famous faces he photographed, and the odd but practical practice techniques he developed to practice his portraiture. Join us for this very informative episode. Guest: Sam Hurd Photograph © Sam Hurd © Sam Hurd Photography © Sam Hurd Photography © Sam Hurd Photography © Sam Hurd Photography © Sam Hurd Photography © Sam Hurd Photography © Sam Hurd Photography © Sam Hurd Photography George Clooney at the National Press Club © Sam Hurd Photography Mariska Hargitay at the National Press Club © Sam Hurd Photography Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/23/2020
For the headline of this week’s episode of the B&H Photography Podcast, we lifted a line from our guest’s own Instagram bio. It would have been too easy to call a show with Walter Iooss Jr. “Sports Photography Legend” or some such, but that pigeonholes Iooss too easily, and does not recognize the scope of his engagement with photography and with the creative process. Yes, Walter Iooss Jr. is sports photography. He has more than 300 Sports Illustrated covers to his name, his first professional gig was at age 17, and for six decades he has photographed several Hall of Fames’s worth of athletes, including names like Arnold, Mary Lou, Muhammad, and Tiger, and his work with Michael Jordan is unparalleled. Also—every Super Bowl. But he has also photographed rock stars, models, fashion and commercial assignments, portraits, and documentary series. And he tells us of his love for music and that if not for a twist of fate, he might have been a musician. The man is a creator for life, a photographer for life. With Iooss, our conversation takes a leisurely approach, touching on a few of his more memorable photos and some of the interesting lesser knowns; the breadth of his work alone could keep us talking for hours. Along the way, we learn a little about his upbringing, the love for music, his mentors, and the time he shot for Atlantic Records. We discuss how he builds a composition, whether it be an action shot during a game or a complicated portrait setup. We also talk about using a giant Polaroid camera, the coming of autofocus, and Canon DSLRs. Join us for this pleasant conversation that is sure to interest not only fans of sports, but fans of photography. Guest: Walter Iooss Jr. Photograph © Walter Iooss Jr. Andy Samberg, 2011 © Walter Iooss Jr. Muhammad Ali and Joe Frazier, 2003 © Walter Iooss Jr. Emmet Ashford, 1968 © Walter Iooss Jr. Tony Scott and Gary Templeton, 1979 © Walter Iooss Jr. Greg Louganis, 1984 © Walter Iooss Jr. Dave Parker and Grant Jackson, 1980 © Walter Iooss Jr. Jack Nicklaus, 1967 © Walter Iooss Jr. The Blue Dunk, Michael Jordan, 1987 © Walter Iooss Jr. The Corner, Havana, Cuba, 1999 © Walter Iooss Jr. Leipzig, East Germany, 1976 © Walter Iooss Jr. Lee Trevino, 1991 © Walter Iooss Jr. Willis Reed, 1973 © Walter Iooss Jr. Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/30/2020
This week on the B&H Photography Podcast, we welcome two old friends of the podcast to talk about the latest gear from their respective companies. First up is Rudy Winston, Technical Advisor at Canon USA, and then we welcome Marc Farb, Technical Rep from Sigma. Both Winston and Farb are breaking records with this, their fifth visit to our show. With Rudy Winston, we discuss a few cameras that were released last year or earlier in 2020, such as the Canon EOS 6D Mark II DSLR and the EOS 1D X Mark III DSLR, to get a sense of how they are being received, and then we briefly discuss what may be the most-anticipated camera of 2020, the upcoming EOS R5 Mirrorless Digital Camera. In addition, we talk about the latest Rebel T8i DSLR, CF Express memory cards, and the incredible RF 50mm f/1.2L USM Lens. After a short break, we start our conversation with Marc Farb, discussing the impressive Sigma fp Mirrorless Camera, which was announced almost a year ago but has become the latest big deal for those wanting a compact full frame camera that can be the basis of both a complete photo or cine system. From there, we talk lenses. Sigma continues to produce incredible lenses in all categories and for most major camera systems, including the 100-400mm f/5-6.3 DG DN OS Lens for the Sony E system and the just-announced 16mm f/1.4 DC DN and 30mm f/1.4 DC DN for L-mount systems. After a quick mention of Sigma’s adapters and its new UD-11 USB Dock for Leica L-mount lenses, Farb relates an all-time favorite lens of his that is ideal for sports, wedding, and concert photographers, among others: the Sigma 120-300mm f/2.8 DG OS HSM Sports Lens. Join us for this informative and practical discussion of the most interesting new gear from Canon and Sigma. Guests: Rudy Winston and Marc Farb Canon EOS 6D Mark II DSLR Camera Body with Accessory Kit Canon EOS 1D X Mark III DSLR Camera Canon EOS Rebel T8i DSLR Camera Canon RF 50mm f/1.2L USM Lens Sigma fp Mirrorless Digital Camera Sigma 16mm f/1.4 DC DN Contemporary Lens Sigma 100-400mm f/5-6.3 DG DN OS Contemporary Lens for Sony E-mount Sigma 120-300mm f/2.8 DG OS HSM Sports Lens Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/12/2020
On this week’s episode of the B&H Photography Podcast, we welcome intellectual property attorney David Deal back to the program to discuss issues regarding copyright infringement, particularly as they involve three high-profile cases in which he is involved. Deal spoke with us last year about a case he had just litigated, Brammer vs Violent Hues Productions, in which he successfully argued to reverse a lower court’s decision, thus protecting his client’s photograph from copyright infringement. While it was a relatively small case, the decision carried positive ramifications for photographers and should stand as precedent going forward. Deal provides a summary of why that case is so important to photographers. He also brings us up to speed on a high-profile case in which he represents many possible heirs to the copyright of Vivian Maier’s photo catalogue. On the second half of our show, we will speak with Deal about the current case in which he is involved, regarding the estate of noted rural portrait photographer Mike Disfarmer  1884–1959). This conversation will serve as an introduction to a serial segment we will record with David Deal over the coming months about the Disfarmer images. Disfarmer’s work is well known and sought after in the art world, but the question remains as to who are the rightful heirs of his work and whether they have been properly compensated. Because his images have been reproduced and sold for many years by various vendors, the case is complicated, and Deal walks us through the issues surrounding this fascinating photographer and case, which involves heroes and villains from small-town Arkansas to big-city New York. Keep your eyes (and ears) open for the future segments of this series as Deal and his team work through the many layers of research and legal briefs, hopefully to sort out the legal entanglements and set the record straight. Guest: David Deal Photograph © Mike Disfarmer All photos in this carousel © Mike Disfarmer Previous Pause Next Mike Disfarmer Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/26/2019
On today’s episode of the B&H Photography Podcast, we welcome California-based advertising, sports, dance, and fashion photographer (and director), Alexis Cuarezma, who packs a considerable amount of practical and creative insight into our hour-long conversation. Ostensibly, Cuarezma was joining us to talk about his lighting techniques and, while he does dive deep into lighting schemes, we discuss so much more. Cuarezma is generous with is thoughts on production, composition, models, gear, self-promotion, and marketing really anything that he understands to help him in his burgeoning photo business. Just a glance at his work, and one will realize why Cuarezma is here to discuss lighting techniques, he has shot for Sports Illustrated (including six covers), Fortune magazine, Ring magazine, the New York Times, and his clients include Nike. Cuarezma emphasizes his belief that getting it right “in-camera” is the key to his success, not just for the sake of the final image, but for his creative process. Researching, planning, arriving early, being hands-on in every phase of the work, and understanding that your vision, when properly executed, will win over a client, is the other key to his success. With Cuarezma we discuss his decision-making process when creating a portrait; each of the small problems that needs to be solved to create the desired look that works best for his particular subject. While comfortable renting the needed gear to fulfill each project, he also discusses the gear he owns and uses, including Profoto B1 lights, Rosco Gels, and his Canon 5DS. Join us for this insightful and very educational episode. Guest: Alexis Cuarezma Photograph © Alexis Cuarezma © Alexis Cuarezma © Alexis Cuarezma © Alexis Cuarezma © Alexis Cuarezma Christine Shevchenko, American Ballet Theater © Alexis Cuarezma © Alexis Cuarezma © Alexis Cuarezma Hunter Strickland © Alexis Cuarezma Chris Paul © Alexis Cuarezma John Harris, Allan Weitz, Alexis Cuarezma, and Jason Tables © Jason Tawiah Previous Pause Next
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Posted 07/17/2019
On this week’s episode of the B&H Photography Podcast, we welcome photographer Ashok Sinha, who talks about his forthcoming book, Driver-full City: The Unique Architecture of Car Culture in Greater Los Angeles, and discusses the Cartwheel Initiative, a nonprofit that he founded, which works with displaced and refugee youth, using photography and multimedia tools to inspire these youth to find their voice through art and creative thinking. Above photograph © Ashok Sinha Before we get into our conversation with Sinha, however, we want to let you know about an opportunity we are offering our listeners. We will be giving away forty free tickets to a private screening of the film, Jay Myself, directed by photographer Stephen Wilkes, about the photographer Jay Maisel. Wilkes will be in attendance for a Q/A session after the screening. Many of you may remember when Maisel and Wilkes joined us to talk about the making of this movie, and we are excited to extend this offer to the first forty listeners who request a ticket. This screening will be in New York City, on August 4, so if you cannot be in New York on that date, please do not request a ticket, which are limited to two per person. If you would like to attend the screening and meet the filmmakers, send a request to podcast@bhphoto.com or join our B&H Photography Podcast Facebook Group and comment on the post regarding the free screening. Screening details are in the post and we look forward to meeting you. Ashok Sinha is a complete photographer and filmmaker, able to make a living from his architecture and interior design photography, but also adept at large-scale landscapes, human-interest editorial stories, and portraiture. His photographs have been widely published by editorial outlets such as The New York Times, TIME, Interior Design, and exhibited by The Museum of the City of New York, the International Center of Photography, and The Royal Photographic Society. And, as mentioned, Sinha has found a wonderful way to use photography to give back to the youth most in need of a helping hand. Join us for this inspiring episode and request your free tickets to Jay Myself. Guest: Ashok Sinha “Driver-full City” © Ashok Sinha “Driver-full City” © Ashok Sinha “Driver-full City” © Ashok Sinha “Driver-full City” © Ashok Sinha “Driver-full City” © Ashok Sinha Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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