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Posted 09/16/2021
On this week’s episode of the B&H Photography Podcast, we welcome the founder and Executive Director of the Social Documentary Network, Glenn Ruga, and photographer Sofia Aldinio, who is the recipient of the 2021 ZEKE Award for Documentary Photography, presented by the Social Documentary Network. As should be clear, our conversation today revolves around the Social Documentary Network, or “SDN,” and we learn about this community of documentary photographers and its website on which more than three thousand documentary series have been uploaded and are available for viewing. Ruga tells of the evolution of the site since its 2008 inception, and how adding classes, awards, portfolio reviews, and, most important, the online and print magazine ZEKE has led to the growth of this platform, which is open to all photographers. Our chat also draws from Ruga’s photography work and thoughts on documentary, in general. In the second half of the show we speak with Aldinio, a past guest, about “Awake in the Desert Land,” her photo series that received the ZEKE prize. Aldinio tells of the circumstances that brought her to Baja California, Mexico, during 2020 and this intimate series on village communities affected by climate change. We also speak with Aldinio about her working methods, about shelving her normal Canon system for a more stealth FUJIFILM, about making relationships with subjects, and the feedback and support she received from her SDN workshop leaders. We wrap by previewing the Social Documentary Network events and exhibits at Photoville 2021 and Aldinio’s presentation on her award-winning series. Guests: Sofia Aldinio and Glenn Ruga Photograph © Sofia Aldinio The cover and two interior spreads from the upcoming Fall, 2021 issue of ZEKE Magazine. Courtesy The Social Documentary Network “The newest cemetery in San Jose de Gracia, Baja California, Mexico, January 17, 2021. The small community has at least four different cemeteries generationally identified. The town lost most of its population after Hurricane Lester in 1992, the biggest storm the community has faced in its history. Since 2006, the community has lost 60 members and has a population of 12 today. “Awake in the Desert Land” “Awake in the Desert Land” “Awake in the Desert Land” “Awake in the Desert Land” “Belonging” “Belonging” “Belonging” “Belonging” Previous Pause Next Sofia Aldinio Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 09/09/2021
What do the films Goodfellas, The Devil Wears Prada, Creed, Ocean’s 8, and Die Hard with a Vengeance have in common? The poster art, publicity, and behind-the-scenes photography for these and about one hundred other feature films were made by photographer Barry Wetcher, and we welcome Wetcher to this week’s episode of the B&H Photography Podcast. On-set still photography or, simply, “still photography” is one of the more unique jobs found under the big tent that is photography. The skills needed to excel in this work incorporate abilities from many photographic genres. Portraiture, documentary, news, action, and still life talents are all called upon to create the images needed for varied purposes, but perhaps the most important skill is the ability to understand the many moving parts and dynamic personalities of a film shoot and to find a way to be everywhere but nowhere at the same time. With Wetcher, we talk about the specific demands of the craft, about the evolution of gear from film to DSLR and, ultimately, to mirrorless (Nikon and FUJIFILM, in Wetcher’s case), and mostly about how to best navigate the world of producers, directors, cinematographers, and actors to create the seemingly ephemeral but truly indelible images of movie history. We also find time to ask Wetcher about some of the legendary actors and directors he has photographed over the years. Join us for this enjoyable and informative chat with Wetcher and, as it turns out, his “Brooklyn Brother,” host Allan Weitz. Guest: Barry Wetcher Photograph © Barry Wetcher Chadwick Boseman in “Marshall,” 2017 © Barry Wetcher/Open Road Films Human Green Screen from “I Am Legend,” 2007 © Barry Wetcher/Warner Bros. Pictures James Gandolfini in “Not Fade Away,” 2012 © Barry Wetcher/Paramount Vantage Joe Pesci in “GoodFellas,” 1990 © Barry Wetcher/ Warner Bros. Pictures Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 08/10/2021
We have been looking forward to this conversation for weeks. On today’s episode of the B&H Photography Podcast, we sit down with retired Detective 1 st Grade Michael Cunningham, of the New York City Police Department, to talk about crime-scene unit photography. Cunningham is an expert on crime-scene photography and forensics—in addition to his twenty-seven years with the NYPD, he has worked as a trainer for the Department of Homeland Security, authored a book on crime-scene management, and currently works for ShotSpotter Investigate, an investigative case management solution service. We discuss the various aspects of crime-scene photography, from camera and lens selection to shooting technique, along with storage, retrieval, and sharing of images. We compare the use of film and digital imaging and the challenges and benefits brought on by new technology. In addition, we talk about photos used for case solving and those of evidentiary value and the different photography departments within the NYPD. Cunningham walks us through the procedures and shot selection of a photographer when approaching a crime scene, and the protocols involved when documenting it. He also regales us with a few stories of his many investigations during his years on the force. We would like to hear from our listeners about the B&H Photography Podcast. Please take a minute to complete this simple survey about listening habits and potential topics. Thank you, from the B&H Podcast team. Guest: Michael Cunningham Photograph: Courtesy of Michael Cunningham Photograph: Courtesy of Michael Cunningham Michael Cunningham and Allan Weitz. Photograph © John Harris Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 03/04/2021
On today’s episode of the B&H Photography Podcast, we welcome wedding and portrait photographer Kesha Lambert. We are excited to speak with Lambert about her approach to wedding photography on today’s show, but she is also speaking at the upcoming 4th annual Depth of Field Portrait, Wedding, and Event Photography Conference, which is a free virtual event to be held on March 7 – 8, 2021. The conference is hosted by B&H Photo and sponsored by Sony, Nikon, Canon, Godox, HP/NVIDIA, and others. The work of Kesha Lambert stands out for its ability to be both joyous and intimate. She deftly uses color and composition, as well as experience and intuition to tell unique and universal wedding day stories. Did I mention that Lambert is also a lawyer, mom to three boys, a member of the Wedding Photojournalist Association, and a Sony Artisan of Imagery? In our conversation, we discuss her business, intrapersonal, and photography skills to get a sense of how she runs her successful studio. Her website is a lesson in design and good business practices, and we discuss cameras and lenses, getting ahead of client expectations, contracts, and subjects as diverse as lighting kits and keeping large wedding parties focused and in frame. Join us for this insightful and enjoyable chat and register for Depth of Field 2021. Guest: Kesha Lambert Photograph © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 02/18/2021
Has the Canon EOS R5 changed the conversation about using mirrorless cameras for bird and wildlife photography? This is the position of our guest, David Speiser, who, this summer, traded his Canon 1D X Mark III for the R system camera and lenses. But his colleague, fellow bird photographer and—for now—DSLR stalwart Grace Scalzo, is not quite ready to make that switch. Today’s episode of the B&H Photography Podcast focuses on the features of the Canon R5 and RF lenses that specifically benefit bird photographers. Speiser relates his decision to sell a treasure trove's worth of gear and reinvest in Canon’s mirrorless system. He notes the advanced eye focus, the customization features, in-body image stabilization, and new, sharp lenses as factors in his decision. Scalzo, however, is not ready to give up her rugged, fast, and ergonomically balanced DSLR with its broad selection of quality glass and an optical viewfinder. This is a fun-spirited and well-articulated debate between two shooters who really know their gear and their craft. In addition to the DSLR vs. mirrorless smackdown, we discuss 600mm lenses, adapters, gimbal heads, tripods, sharpening software, and even some land management and wildlife ethics issues. Join us for this vastly informative conversation, ideal for Canon photographers and wildlife shooters considering their next purchase. Also, please check out the Musea Gathering virtual photo conference, a wonderful two-day event on wedding and family photography. Guests: Grace Scalzo and David Speiser Photograph © David Speiser Black-chinned Hummingbird. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 1.4x teleconverter. 1/3200 second at ISO 1600 © Grace Scalzo Great Horned Owl. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 1.4x teleconverter. 1/125 second at ISO 1600 © Grace Scalzo Summer Tanager with Bug. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 2.0x teleconverter. 1/640 second at ISO 1600 © Grace Scalzo Gray Fox. Canon 1D X Mark II with 600mm f/4L IS III USM Lens. 1/500 second at ISO 3200 © Grace Scalzo Painted Lady on Thistle. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 2.0x teleconverter. 1/640 second at ISO 400 © Grace Scalzo Common Cuckoo, 2020. Canon R5 with adapter and 600mm f/4L IS III USM Lens and 2.0x teleconverter. 1/4000 second at ISO 1600 © David Speiser Barred Owl, NYC, 2020. Canon R5 with RF 100-500mm f/4.5 Lens. 300mm at 1/40 second, ISO 3200 © David Speiser Western Tanager, NYC, 2020. Canon R5 with RF 100-500mm f/4.5-7.1L IS USM Lens. 500mm at 1/320 second, ISO 2000 © David Speiser Atlantic Puffin, 2020. Canon R5 with adapter and 300mm f/2.8L IS II USM Lens and 2.0x teleconverter. 1/2500 second at ISO 800 © David Speiser Black Guillemot, 2020. Canon R5 with adapter and 300mm f/2.8L IS II USM Lens and 2.0x teleconverter. 1/2500 second at ISO 800 © David Speiser Ruby-throated Hummingbird, 2020. Canon R5 with adapter and 300mm f/2.8L IS II USM Lens and 2.0x teleconverter. 1/800 second at ISO 3200 © David Speiser Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/31/2019
This week, we welcome two photographers who know the joys of spending a late afternoon waiting for super cells to form, or that perfect lightning strike to appear, as well as the perils of rising waters, golf-ball-sized hail, and projectile debris in flight. Our topic today is extreme-weather photography, and we welcome photographers from two different continents to tell us about their shooting styles, safety precautions, gear, and their general thoughts on weather, social media, and the photography business. We are joined first by photographer and filmmaker Jim Reed, who is a represented by National Geographic Image Collection. His work has been published in National Geographic magazine, the New York Times, Scientific American, and The Guardian, and has been featured on the Weather Channel, Discovery Network, and the Oprah show. He is the author of the critically acclaimed 2007 photo book, “Storm Chaser: A Photographer's Journey.” With Reed, we discuss his minimal gear setup, safety precautions, useful apps, and how his client base has shifted during his thirty-year career. After a short break, we welcome Jordan Cantelo, from the Western Australian town of Jurien Bay. Cantelo is a local wildfire officer who began photographing weather during long stints in the bush. With Cantelo, we speak about the specific weather and storm types in Western Australia, his use of lightning triggers, his preference for medium format cameras, landscape compositions, and how he follows weather systems to get the shots he is after. For many photographers, being a “storm chaser” seems like a thrilling way to earn a living, so tune in to the B&H Photography Podcast for our conversation with two seasoned weather and landscape photographers to get a better understanding of the dos, the don’ts, and the practical side of extreme-weather photography. Guests: Jim Reed and Jordan Cantelo Above photograph © Jim Reed Professional storm chasers monitor an approaching tornado in western Kansas on May 8, 2008 © Jim Reed Concurrent Tornadoes at Night, 2012 © Jim Reed A Bolt from the Gray, 2004 © Jim Reed A severe thunderstorm brings much needed rain to a drought-stricken farm near Roswell, New Mexico, 2013. © Jim Reed Cloud-to-ground lightning bolts strike a field in eastern Wyoming, 2011. © Jim Reed Waves explode over a seawall and into Galveston, Texas as Hurricane Ike approaches, on September 12, 2008. © Jim Reed Ominous Skies © Jordan Cantelo Dowerin Evening Lightning © Jordan Cantelo Microburst- Between Beacon and Wialki © Jordan Cantelo Electric Skies – Beacon © Jordan Cantelo Kimberley Wet Season Skies © Jordan Cantelo Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 04/10/2019
This is one of the more informative and hands-on practical episodes of the B&H Photography Podcast that we have produced in some time. Obviously, it helps if you are “practicing” car photography, but the insights provided in this episode are useful for a wide range of photo disciplines, and touch on techniques for making better images of moving objects, reflective and non-reflective products, tight interiors, and how to photograph large items in a studio or on location. For this wealth of information, we must thank photographer Nate Hassler, who joined us to talk about his extensive work photographing cars, whether for advertising, editorial, or for personal projects, a.k.a. fun. Hassler is accomplished in each of these areas, and his advertising clients include Toyota, Honda, Lexus, and Mercedes. He is also a respected motorsport photographer, with work appearing regularly in Road & Track magazine. We find out that Hassler grew up around photography, helping in his parents’ photo studio, but developed a love for cars all on his own and seems to have found the perfect career that blends his two passions. We learn a bit about the automobile advertising business, but mostly we discuss capture technique, including the rigs and gear he prefers, shooting moving vehicles, stabilization, bracketing, back-lighting, lens distortion, and post-process. This truly is an educational and entertaining episode, and check out the B&H Photography Podcast Facebook Group for an image of Hassler’s “Franken-Instax” camera that he created to make instant photos with a Schneider lens. Guest: Nate Hassler Photograph © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler “Franken-Instax” camera © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/15/2018
We tried something new for this episode of the B&H Photography Podcast —we ventured into the B&H SuperStore to interview camera shoppers, fans of the podcast, and attendees of the Panasonic Lumix Day Event. We coordinated with our marketing team and organized a sweepstakes to give away a Lumix DMC-GX85 Mirrorless camera with a 12-32mm lens and a 45-150mm lens. We became acquainted with our audience a bit better by asking people two simple questions and chatting with them about photography. The first question was: “Which is the favorite photo you have ever taken?” and the second question was, “How would winning a GX85 change your photography?” The answers were as varied and entertaining as one would expect, and we include several of these short conversations in this episode. When we finished our recordings, we randomly picked a winner of the sweepstakes, and the winner will also be announced toward the end of the show. Because we were recording as part of the Lumix Day event, several interesting photographers and videographers, each a Lumix ambassador, were speaking at the B&H Event Space. After their talks, they joined us for a brief chat, and we include these conversations with documentary filmmaker Griffin Hammond, lifestyle photographer Jeff Carpenter and wedding and travel photographer William Innes. Each brings insight to his respective disciplines, and the engagement with shoppers and fans is not to be missed.  Join us for this fast-paced and entertaining episode. Guests: Jeff Carpenter, William Innes, Griffin Hammond, B&H SuperStore Shoppers William Innes © John Harris Griffin Hammond © John Harris Jeff Carpenter © John Harris Panasonic Lumix DMC-GX85 Mirrorless Micro Four Thirds Digital Camera Lumix G Vario 12-32mm f/3.5-5.6 Lens Lumix G Vario 45-150mm f/4-5.6 Lens B&H customer Vivian speaks with Allan Weitz © John Harris B&H customer Joseph speaks with the podcast team © John Harris B&H customer Katia speaks with the podcast team © John Harris B&H customer Jenny speaks with the podcast team © John Harris B&H customer Stanley speaks with the podcast team © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/12/2018
If you are a regular listener to the B&H Photography Podcast, you’ve probably heard us talk a lot recently about our milestone 100 th episode and a camera sweepstakes that we were eventually going to announce. Well, that day is here, and if you follow this link, you will be directed to the page that describes the contest and the methods of entry. No purchase is necessary, and entering on Twitter or Facebook is quite easy. As the episode title should indicate, the sweepstake’s grand prize is a Canon EOS 5D Mark IV DSLR camera, but that prize also includes a 50mm f/1.8 lens —and there is a second prize: the Canon EOS 80D DSLR with a 50mm f/1.8 lens. Each of these items was supplied to us by our friends at Canon USA and, with that in mind, we invited Canon Product Specialist Rudy Winston to our studio to discuss the gear Canon has announced over the past year. We also talk about the two “prize” cameras offered in our sweepstakes and we take some time to ask Winston his thoughts on what changes we can expect to see in cameras and lenses in the future. We talk about ISO range, image processors, memory card formats, lens technology, connectivity, and the fate of the point-and-shoot. More than just a promotion for our sweepstakes, this episode is an informative chat on the state of the camera gear industry. With much gratitude to our listeners—both newbies and long-timers—we present this sweepstakes, so stay tuned to the end of the show when we will explain how to enter. In the meantime, enjoy the conversation, tell your friends about the sweepstakes, SUBSCRIBE, and thank you so much for tuning in. Guest: Rudy Winston DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/17/2017
For this week’s episode of the B&H Photography Podcast, we replace the camera in our hand with a game controller, but if artistic interpretation of your surroundings is the goal, is there any difference between the two? Today, we talk gaming and photography and, specifically, the practice of in-game or virtual photography. While grabbing a screenshot of your high score is nothing new, using a gaming system’s increasingly advanced photo tools to capture images of the gaming world in which you are immersed is becoming a discipline unto itself. For sure, some gamers are still looking to show off their accomplishments and share them with fellow gamers, but others approach it as a landscape photographer, documentarian or combat photographer might, utilizing light and exposure controls to create dramatic images that showcase or even surpass those created by the game itself. We are joined today by our in-house gaming expert, Akeem Addy, as well as Tobias Andersson, Senior Producer of the Hunter: Call of the Wild, by Avalanche Studios, and two gamers who have explored in-game photography from distinctive perspectives, photographer Leo Sang and artist Eron Rauch. We also take time to talk a bit about the history of in-game photography and suggest games with some of the strongest photo tools. The debate about whether this is “real” photography will rage on. However, our guests are over that, not only creating beautiful and interesting photos, but elevating the dialogue to create images that question the relationship between the virtual and the “work-a-day” world. Join us for this multi-faceted episode and let us know your thoughts on gaming and photography—and even share with us your best images on Twitter @BHPhotoVideo with #BhPhotoPodcast. Guests: Akeem Addy, Tobias Andersson, Leo Sang, and Eron Rauch © Battlefield 1 Image by Leo Sang © Battlefield 1 Image by Leo Sang © Ghost Recon: Wildlands Image by Leo Sang © Grand Theft Auto V Image by Leo Sang Made with NVIDIA Ansel Image by Leo Sang From the series A Land to Die In by Eron Rauch From the Series A Land to Die In by Eron Rauch From the series A Land to Die In by Eron Rauch From the series Arcana by Eron Rauch From the series Valhalla Nocturnes by Eron Rauch © theHunter: Call of the Wild, courtesy Avalanche Studios © theHunter: Call of the Wild, courtesy Avalanche Studios © theHunter: Call of the Wild, courtesy Avalanche Studios © theHunter: Call of the Wild, courtesy Avalanche Studios Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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