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Posted 09/09/2021
What do the films Goodfellas, The Devil Wears Prada, Creed, Ocean’s 8, and Die Hard with a Vengeance have in common? The poster art, publicity, and behind-the-scenes photography for these and about one hundred other feature films were made by photographer Barry Wetcher, and we welcome Wetcher to this week’s episode of the B&H Photography Podcast. On-set still photography or, simply, “still photography” is one of the more unique jobs found under the big tent that is photography. The skills needed to excel in this work incorporate abilities from many photographic genres. Portraiture, documentary, news, action, and still life talents are all called upon to create the images needed for varied purposes, but perhaps the most important skill is the ability to understand the many moving parts and dynamic personalities of a film shoot and to find a way to be everywhere but nowhere at the same time. With Wetcher, we talk about the specific demands of the craft, about the evolution of gear from film to DSLR and, ultimately, to mirrorless (Nikon and FUJIFILM, in Wetcher’s case), and mostly about how to best navigate the world of producers, directors, cinematographers, and actors to create the seemingly ephemeral but truly indelible images of movie history. We also find time to ask Wetcher about some of the legendary actors and directors he has photographed over the years. Join us for this enjoyable and informative chat with Wetcher and, as it turns out, his “Brooklyn Brother,” host Allan Weitz. Guest: Barry Wetcher Photograph © Barry Wetcher Chadwick Boseman in “Marshall,” 2017 © Barry Wetcher/Open Road Films Human Green Screen from “I Am Legend,” 2007 © Barry Wetcher/Warner Bros. Pictures James Gandolfini in “Not Fade Away,” 2012 © Barry Wetcher/Paramount Vantage Joe Pesci in “GoodFellas,” 1990 © Barry Wetcher/ Warner Bros. Pictures Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 06/17/2021
Is the light in Chicago different than the light in New York? Can “street photography” set the subjects and control the scene? And just how long should you follow people carrying balloons to get a photograph? These are some of the questions we answer in this week’s episode of the B&H Photography Podcast. We welcome photographers Nina Welch Kling and Clarissa Bonet  to the program. Kling lives in New York and Bonet in Chicago, although both are from other places entirely. We talk a bit about the differences in each city’s visual makeup and what defines street photography, but we quickly turn toward the styles and workflow of our two guests. With Bonet we discuss how she constructs scenes using the language of street photography to tell internal stories. Her work is large scale, exacting, and utilizes the strong light, deep shadows, and geometries of the urban environment but, as we find out, she produces and casts her medium format photographs to get the exact image she wants, free of the disruption of the hustling crowd and uncooperative elements. We also ask about her incredible nightscape compositions called “Stray Light” and how they evolved to become large, collaged prints. After a break, we focus on the work of Nina Welch Kling and learn how she’s grown to understand the movement of light through the streets of New York. Kling also discusses positioning herself (“corralling”) and holding her camera to get the angles she needs, as well as to communicate her intention to potential subjects. In addition, we mention FUJIFILM cameras and the wide-angle lenses she prefers. We ask about her series “Duologue,” which pairs two photos together, and how that pairing can add or change meaning. We also dig into the classic themes of anonymity, isolation, and wonder in street photography and how quarantine redirected her practice a bit. Join us for this insightful and easygoing conversation. Guests: Clarissa Bonet and Nina Welch Kling Photograph © Nina Welch Kling © Nina Welch Kling © Nina Welch Kling © Nina Welch Kling © Nina Welch Kling © Nina Welch Kling © Nina Welch Kling “Glimpse” 2019 © Clarissa Bonet “Gust” 2018 © Clarissa Bonet “Zipper Effect” 2018 © Clarissa Bonet “Curated Landscape” 2019 © Clarissa Bonet “Open” 2020 © Clarissa Bonet “NYC” 2016 © Clarissa Bonet “Miami” 2020 © Clarissa Bonet “Chicago” 2017 © Clarissa Bonet Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 03/18/2021
Eye-catching and grotesque are words not often placed together, but those accurate descriptors are part of the charm and beauty in the still life and food photography of Emma Ressel. Ressel joins us on this episode of the B&H Photography Podcast to talk about her work, which takes inspiration from, among other things, Dutch Master paintings and her own upbringing in Maine. We discuss with Ressel the evolution of her work and how she attempts to balance the genres of food photography and still life. Many of her images contain aspects of decay and death, and in her personal fine art photography, food is one way to address these topics. She also is a commercial photographer of food, wine, and still life work commissioned by New York Magazine, Refinery29, and other publications and clients. Ressel works with both a 4 x 5" Toya medium format film camera and with a Nikon DSLR, and we find out how and why she chooses which system to utilize. We also talk about her varied lighting choices and how she came to food photography not knowing much about professional workflows and food stylists and how that may have helped her define her look. She is very hands-on with her work, and we discuss sourcing items as diverse as coral snakes and pig’s heads. We also consider issues of waste and overconsumption and how her work attempts to deal with those ideas within an industry that uses food for purposes not directly related to human sustenance. Ressel also tells us about an inspiring artists residency in which she tackled the subject of a decaying whale carcass. This is a very well-rounded conversation, at ease discussing the technical issues of using a view camera as easily as literary inspiration, and how to walk the fine line between working as a commercial food photographer and pushing the genre to uncomfortable new places. Join us for a listen and have a look at Ressel’s Artfare page to see her larger prints. Guest: Emma Ressel Photograph © Emma Ressel From “Trouble in the Garden” © Emma Ressel From “Trouble in the Garden” © Emma Ressel From “Trouble in the Garden” © Emma Ressel From “Olives in the Street” © Emma Ressel From “Olives in the Street” © Emma Ressel From “Olives in the Street” © Emma Ressel From “Insatiable Hunger and the Peacock’s Plume” © Emma Ressel Commission for New York Magazine © Emma Ressel Commission for Wines of Sicily/Refinery29 © Emma Ressel © Emma Ressel Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 12/17/2020
On this week’s episode of the B&H Photography Podcast, we welcome photographer Matthew Franklin Carter to the program. Like many photographers, Matt Carter wears a lot of hats. In his case, literally and figuratively, but his photography work blends documentary, editorial, and portrait work and reflects the place he calls home—Greenville, South Carolina. He shoots for regional and specialty magazines and does corporate work and portraits for local artists and businesses. He also assists other photographers and, of course, he has his personal projects. Family, food, fishing, hunting, drag racing, and dirt cars are depicted with humility and grace and a touch of humor. With Carter we discuss a range of topics, but keep our conversation focused on how to work comfortably in varied settings and with different communities of folk. Carter may be at home on the rivers shooting fly fishing, but he also has produced wonderful series at local car-racing tracks, a world with which he is much less familiar. We talk about these two racing projects—“Dirt” and “Glory”—and how he mingles with the drivers and crowd, as well as the gear he uses, from FUJIFILM to Mamiya, to create portraits and documentary-style images. We also discuss photographing hunting and fishing and the portrait work he does, in studio and on location, and the lighting he uses for each situation. We close on the topic of “finding your voice,” and for Carter how his latest project on local food production unites his many passions. Join us for this easygoing and informative conversation. Guest: Matthew Franklin Carter Above photograph © Matthew Franklin Carter From the series “Glory” © Matthew Franklin Carter From the series “Glory” © Matthew Franklin Carter From the series “Glory” © Matthew Franklin Carter From the series “Glory” © Matthew Franklin Carter From the series “Dirt” © Matthew Franklin Carter From the series “Dirt” © Matthew Franklin Carter © Matthew Franklin Carter © Matthew Franklin Carter © Matthew Franklin Carter © Matthew Franklin Carter © Matthew Franklin Carter Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/19/2020
As an industry and as a hobby, the numbers indicate that drone flying and drone photography are still primarily the domain of men, but sustaining this disparity is ridiculous and it should and will change. Our two guests today are part of bringing about that change, and they do so by being good at their craft, by spreading the joy of flying, and teaching drone operation and photography to women and girls. Our first guest today is an Emmy Award-winning camerawoman for CBS News and F.A.A. licensed drone pilot Carmaine Means, who incorporates quadcopter footage into her news coverage and, of course, flies for fun. After a break, we are joined by Yasmin Tajik, a documentary photographer and F.A.A. licensed drone operator who is also the Brand Ambassador Director for the educational and advocacy group Women Who Drone. We get to know the work of each guest, asking Means how and when she decides to use aerial footage in a news segment, what her personal guidelines are for launching a drone, and what the planning stage is like with her producers. We also talk about the value of certain aerial shots in telling a story, about the equipment she uses, and handling the drones in various conditions. Currently, she flies with a DJI Phantom and an Inspire. With Yasmin Tajik, we mention the Federal Aviation Administration licensing process and she recommends the FAA Drone Zone as a good place to start. We also ask her about using drones in documentary work and some of the restrictions placed on flying in the U.S. and other countries. As a resident of Arizona, she discusses some of the advantages of flying in that state, as well as unique guidelines they have established. We also speak about how she learned to fly after initially being hesitant, the work done by Women Who Drone, and taking her Tello Quadcopter into schools and the interest it generates from the next generation of flyers. Tajik also points to the many industries and services that are incorporating drones and the growing opportunities available for licensed pilots, but we don’t forget to talk about the joy she gets by using her DJI Mavic 2 to provide a perspective on the world that our land-based cameras can never match. Join us for this enjoyable and inspirational conversation and if you are a female drone flyer, we’d love to hear your experiences and see your images. Guests: Carmaine Means and Yasmin Tajik Photograph © Yasmin Tajik​ © Yasmin Tajik © Yasmin Tajik © Yasmin Tajik © Yasmin Tajik © Yasmin Tajik © Yasmin Tajik © Yasmin Tajik Courtesy Yasmin Tajik © Carmaine Means © Carmaine Means © Carmaine Means Courtesy Carmaine Means Carmaine Means © Phillip Dembinsky Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/01/2018
When you think of an image from your favorite movie, what comes to mind? Is it a well-edited sequence, a dramatic crescendo, or perhaps simply a static photo, maybe even the poster art itself? If it is a static image, chances are it’s a photo taken by an on-set “still” photographer. On today’s episode of the B&H Photography Podcast, we discuss this craft with two photographers who make their living  as still photographers, working on location and in-studio on television and film productions alongside the camera assistants, boom operators, grips, DPs and myriad crew members, who make the movie magic. Joining us are  JoJo Whilden, a fine art and still photographer who has worked on numerous films, including Silver Linings Playbook and The Fighter and television series such as Orange Is the New Black, and Homeland. Her clients include HBO, Netflix, CBS, Sony, and Killer Films. She is the 2018 recipient of The Society of Camera Operators Lifetime Achievement Award in Still Photography. Also joining us in the studio is David Giesbrecht, an editorial and still photographer with credits on The House of Cards, The Blacklist, Mr. Robot, Jessica Jones, and many other programs and films. We speak with Giesbrecht and Whilden about the specific photography skills required on-set, the working relationship within a film crew, their gear setup, and the changes that the profession has seen with the onset of digital streaming, cell phones, mirrorless cameras, social media, and the growth of the episodic television series. This is a very informative episode about a craft that is often overlooked and misunderstood. Guests: JoJo Whilden and David Giesbrecht  From “Orange is the New Black”, Photograph Courtesy JoJo Whilden From “Boardwalk Empire”, Photograph Courtesy JoJo Whilden From “Olive Kitteridge”, Photograph Courtesy JoJo Whilden From “A Late Quartet”, Photograph Courtesy JoJo Whilden From “The Fighter”, Photograph Courtesy JoJo Whilden John Turturro directing “Fading Gigolo”, Photograph Courtesy JoJo Whilden From “Jessica Jones”, Photograph Courtesy David Giesbrecht From “Jessica Jones”, Photograph Courtesy David Giesbrecht From “Luke Cage”, Photograph Courtesy David Giesbrecht From “House of Cards”, Photograph Courtesy David Giesbrecht Box art from “The Tick”, Photograph Courtesy David Giesbrecht JoJo Whilden and David Giesbrecht hamming it up in the podcast studio Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 10/25/2018
Can you imagine a better perspective? On today's episode of the B&H Photography Podcast, we welcome two shooting buddies who, perhaps not so coincidentally, happen to be talented and inspirational landscape photographers. Ryan Dyar and Miles Morgan are both well recognized for their gorgeous "land-based" landscape photography and post-production skills, but over the past few years, both have incorporated drone photography into their workflow. Our show today is a discussion of their aesthetic approach, and of the techniques and gear Dyar and Morgan use to make their stylized landscape images using drones. The topics we discuss are the differences between aerial photography and drone photography (Morgan is also a pilot) and, of course, composing from a tripod as opposed to a monitor image relayed from a few hundred feet in the air. We also talk about camera settings, long-exposure photography, drone choices, flying techniques, how to handle inclement weather, scouting locations, and the legal restrictions on drone operation. It is quite an informative episode, but, what also becomes clear is the camaraderie between Dyar and Morgan and how their friendship not only informs when and where they photograph but also how they work, how they view photography as a practice and, certainly, the influence each has upon the other in terms of their shooting styles. Join us for this enjoyable conversation. Guests: Miles Morgan and Ryan Dyar Photograph © Miles Morgan © Ryan Dyar © Ryan Dyar © Ryan Dyar © Ryan Dyar © Ryan Dyar © Ryan Dyar © Ryan Dyar © Miles Morgan © Miles Morgan © Miles Morgan © Miles Morgan © Miles Morgan © Miles Morgan Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/06/2018
The spot where still photography, video, animation, and drawing on your shoes meet is where you can find Sam Cannon and Matthias Brown. They may not always be together at that spot, but they’re sure to be within shouting distance. On today’s episode of the B&H Photography Podcast, we discuss the role that still photography plays in their work and how they see the distinctions between still and moving images, as well as between old and new technologies. Matthias Brown is also TraceLoops, an “animation experiment centered around hand-drawn, physical animations that experiments with the creation and perception of movement.” He specializes in hand-drawn, stop-motion, black-and-white animation and his work has been commissioned by Converse, MTV, Purina, Warby Parker, and others, and his fine art work has been displayed at the Tate Modern. Sam Cannon is an artist and director who works between still photography and video and focuses on the “manipulation of time, space, and the female form.” Whichever format the final image takes—still, video, GIF—her works asks us to explore the “never-ending” moment. She has produced commercial assignments for Nike, Samsung, and H&M, editorial and fashion pieces, and her fine art work has been exhibited extensively, including at MANA Contemporary, in Jersey City. True multi-disciplinarians, Cannon and Brown are comfortable with a variety of techniques and art forms; we discuss rotoscopes and oscilloscopes, After Effects and Dragonframe, projection pieces and soap sculptures. We also talk briefly on camera gear, self-portraiture, William Kentridge and, once and for all, we resolve the pronunciation of GIF. Join us for this enjoyable conversation. Guests: Sam Cannon and Matthias Brown Animation © Sam Cannon Animation © Sam Cannon Animation © Sam Cannon Animation © Sam Cannon Photo © Sam Cannon Photo © Sam Cannon Animation © Matthias Brown Animation © Matthias Brown Animation © Matthias Brown Animation © Matthias Brown Photo © Matthias Brown Photo © Matthias Brown Previous Pause Next NOTE: Please click to view animated images. Sam Cannon & Matthias Brown provided four animated images, and two still photos. DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/16/2018
As Allan Weitz says in the introduction, when you see a Jeffrey Milstein photo, you know it. He has a distinctive style, which is not an easy accomplishment for an aerial photographer. But, of course, not all his images are taken from high above—he also has an incredible series shot from underneath airplanes. All kidding aside, Milstein’s work—aerial or otherwise—is infused with the complexity of observation and with the fascination of how similar forms repeat themselves in distinctive ways. On this episode of the B&H Photography Podcast, we speak with Jeff Milstein about his photography, with an emphasis on his aerial photography and the process, gear, and technique he uses to capture these stunning images. We discuss his previous career as an architect and the influence that carries into his work, the medium format and 35mm format digital camera he prefers, and his lens choices. Along with Weitz, who also has much aerial photography experience, we discuss using a gyro stabilizer and the advancements made in in-camera stabilization systems. We also chat about communication with pilots and how to plan a helicopter aerial shoot. Milstein also discusses the post-production techniques used to create his geometric compositions and the large format prints he makes, many of which are currently on exhibit at the Benrubi Gallery, in New York. Guest: Jeffrey Milstein Boeing 757-200, Photograph © Jeffrey Milstein Airbus A340-300, Photograph © Jeffrey Milstein Boeing 737-700, Photograph © Jeffrey Milstein Boeing 747-400, Photograph © Jeffrey Milstein Caribbean Princess, Photograph © Jeffrey Milstein Carnival Sensation, Photograph © Jeffrey Milstein Carnival Victory at Night, Photograph © Jeffrey Milstein 5th Ave. Midtown, New York, NY, Photograph © Jeffrey Milstein Park La Brea, Los Angeles, CA, Photograph © Jeffrey Milstein Stuyvesant Town, New York, NY, Photograph © Jeffrey Milstein Coney Island, Photograph © Jeffrey Milstein Disneyland, Photograph © Jeffrey Milstein Gatwick Airport, Photograph © Jeffrey Milstein LAX Airport, Photograph © Jeffrey Milstein Jeffrey Milstein, Photograph © John Harris Jeffrey Milstein and Allan Weitz, Photograph © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/17/2017
For this week’s episode of the B&H Photography Podcast, we replace the camera in our hand with a game controller, but if artistic interpretation of your surroundings is the goal, is there any difference between the two? Today, we talk gaming and photography and, specifically, the practice of in-game or virtual photography. While grabbing a screenshot of your high score is nothing new, using a gaming system’s increasingly advanced photo tools to capture images of the gaming world in which you are immersed is becoming a discipline unto itself. For sure, some gamers are still looking to show off their accomplishments and share them with fellow gamers, but others approach it as a landscape photographer, documentarian or combat photographer might, utilizing light and exposure controls to create dramatic images that showcase or even surpass those created by the game itself. We are joined today by our in-house gaming expert, Akeem Addy, as well as Tobias Andersson, Senior Producer of the Hunter: Call of the Wild, by Avalanche Studios, and two gamers who have explored in-game photography from distinctive perspectives, photographer Leo Sang and artist Eron Rauch. We also take time to talk a bit about the history of in-game photography and suggest games with some of the strongest photo tools. The debate about whether this is “real” photography will rage on. However, our guests are over that, not only creating beautiful and interesting photos, but elevating the dialogue to create images that question the relationship between the virtual and the “work-a-day” world. Join us for this multi-faceted episode and let us know your thoughts on gaming and photography—and even share with us your best images on Twitter @BHPhotoVideo with #BhPhotoPodcast. Guests: Akeem Addy, Tobias Andersson, Leo Sang, and Eron Rauch © Battlefield 1 Image by Leo Sang © Battlefield 1 Image by Leo Sang © Ghost Recon: Wildlands Image by Leo Sang © Grand Theft Auto V Image by Leo Sang Made with NVIDIA Ansel Image by Leo Sang From the series A Land to Die In by Eron Rauch From the Series A Land to Die In by Eron Rauch From the series A Land to Die In by Eron Rauch From the series Arcana by Eron Rauch From the series Valhalla Nocturnes by Eron Rauch © theHunter: Call of the Wild, courtesy Avalanche Studios © theHunter: Call of the Wild, courtesy Avalanche Studios © theHunter: Call of the Wild, courtesy Avalanche Studios © theHunter: Call of the Wild, courtesy Avalanche Studios Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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