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Posted 02/11/2021
When we started the B&H Photography Podcast more than six years ago, the concept was “watercooler conversations” with photographers, about gear. Well, honestly, it hasn’t always turned out that way, but this episode with famed photojournalist David Burnett comes as close to that idea as any we have done; there’s barely an edit in the whole episode. Burnett joins us, and we just talk. We begin with his coverage of the recent presidential inauguration and his decision to use a 1930 Graflex 4 x 5 camera in addition to his Sony mirrorless with an FE 100-400mm lens. Burnett reflects on the reasons he incorporates vintage cameras and lenses into his workflow and the need to challenge your own point of view as a photographer. We discuss the motivations that bring a particular camera to his eye and his sense of “obligation to all that has come before.” In the second half of the show, we talk about using legacy glass on mirrorless cameras and the relentless (and at times “goofy”) experimentation that both Burnett (and Allan) enjoy. From aerial reconnaissance lenses to old Kodak cine lenses, there is nothing that can’t be adapted, and we go into the weeds to discuss some of the many, many lenses Burnett has not just tried, but used successfully for his professional assignments. We also ask about the new Sony Alpha 1, the benefits of customizable functions, and his preference for the Sony a9 II and a6600 cameras. Join us for this easy-going conversation. Guest: David Burnett Photograph © David Burnett A soldier with a letter from home, Lang Vei, Vietnam, 1971 © 2020 David Burnett/Contact Press Images Bob Marley, 1976 © 2020 David Burnett/Contact Press Images Al Gore on the presidential campaign trail, 2001 © David Burnett/ Contact Press Images John Kerry in the last days of the presidential campaign, Manchester, New Hampshire, 2004 © David Burnett /Contact Press Images Daniel Céspedes arrested by the Chilean military, 1973 © 2020 David Burnett/Contact Press Images Ayatollah Khomeini, spiritual leader of the Iran Revolution, 1979 © 2020 David Burnett/Contact Press Images Mary Decker looks on in pain after colliding with Zola Budd and falling during the 3000-meter race at the 1984 Olympics, in Los Angeles © 2020 David Burnett/Contact Press Images Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/19/2020
As an industry and as a hobby, the numbers indicate that drone flying and drone photography are still primarily the domain of men, but sustaining this disparity is ridiculous and it should and will change. Our two guests today are part of bringing about that change, and they do so by being good at their craft, by spreading the joy of flying, and teaching drone operation and photography to women and girls. Our first guest today is an Emmy Award-winning camerawoman for CBS News and F.A.A. licensed drone pilot Carmaine Means, who incorporates quadcopter footage into her news coverage and, of course, flies for fun. After a break, we are joined by Yasmin Tajik, a documentary photographer and F.A.A. licensed drone operator who is also the Brand Ambassador Director for the educational and advocacy group Women Who Drone. We get to know the work of each guest, asking Means how and when she decides to use aerial footage in a news segment, what her personal guidelines are for launching a drone, and what the planning stage is like with her producers. We also talk about the value of certain aerial shots in telling a story, about the equipment she uses, and handling the drones in various conditions. Currently, she flies with a DJI Phantom and an Inspire. With Yasmin Tajik, we mention the Federal Aviation Administration licensing process and she recommends the FAA Drone Zone as a good place to start. We also ask her about using drones in documentary work and some of the restrictions placed on flying in the U.S. and other countries. As a resident of Arizona, she discusses some of the advantages of flying in that state, as well as unique guidelines they have established. We also speak about how she learned to fly after initially being hesitant, the work done by Women Who Drone, and taking her Tello Quadcopter into schools and the interest it generates from the next generation of flyers. Tajik also points to the many industries and services that are incorporating drones and the growing opportunities available for licensed pilots, but we don’t forget to talk about the joy she gets by using her DJI Mavic 2 to provide a perspective on the world that our land-based cameras can never match. Join us for this enjoyable and inspirational conversation and if you are a female drone flyer, we’d love to hear your experiences and see your images. Guests: Carmaine Means and Yasmin Tajik Photograph © Yasmin Tajik​ © Yasmin Tajik © Yasmin Tajik © Yasmin Tajik © Yasmin Tajik © Yasmin Tajik © Yasmin Tajik © Yasmin Tajik Courtesy Yasmin Tajik © Carmaine Means © Carmaine Means © Carmaine Means Courtesy Carmaine Means Carmaine Means © Phillip Dembinsky Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 12/18/2019
The B&H Photography Podcast wraps up 2019 expanding our minds, with the help of Swedish photographer Erik Johansson. Enabling his playful and slightly sinister imagination with a wealth of design and photographic talent, Johannsson makes images that toy with the veracity of a photo while using relatively basic photographic processes to create them. It is certainly worth viewing Johansson’s website or Instagram feed before (or while) listening to this episode to familiarize yourselves with the images we discuss and to gain a sense of his mastery of scale and narrative. Combining landscape photography, staged scenes with actors, oversized props, and the best of digital collage, Johansson creates images that seem to emanate directly from his dreamy imagination, but are undoubtedly the product of much real-world work, and he kindly takes the time to explain his process and workflow to us. A woman emerges from a shopping mall escalator to find herself in a dark forest, a man pulls a lonely country road across a field like a bed sheet, a house is tossed as verdant farmland turns into a violent tidal wave. These scenes, along with many others (and some with a decidedly MC Escher feel), have us wondering, “how does he do it?” Join us for our conversation with Johansson to find out the tools he uses (starting with his Hasselblad camera system) and the amount of time and production it takes to create each of these surrealistic vignettes. As we celebrate our 200th episode, chime in on our Facebook group with your all-time favorite episode or let us know a subject you’d like us to cover in 2020. Thanks! And have a great New Year. Guest: Erik Johansson Above photograph © Erik Johansson Above All, 2019 © Erik Johansson Just Visiting, 2019 © Erik Johansson Self-Supporting, 2017 © Erik Johansson Lifetime, 2017 © Erik Johansson Road Closed Unexpectedly, 2019 © Erik Johansson Office Escape, 2019 © Erik Johansson The Cover-Up, 2013 © Erik Johansson Let’s Leave, 2013 © Erik Johansson Daybreaker, 2018 © Erik Johansson Demand & Supply, 2017 © Erik Johansson Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/23/2018
If you follow photography industry news, two words that may have caught your attention recently are “Kodak” and “cryptocurrency,” and the fact that they were in the same sentence might just have caused you to sit up and click. There was an outburst of opinion filling the blogosphere after the January announcement that KODAK and WENN Digital had entered into a brand-licensing agreement to launch KODAKOne, an image rights management platform, and KODAKCoin, a photo-centric cryptocurrency. The worlds of cryptocurrency and blockchain, the distributed ledger technology supporting many cryptocurrencies, are arcane, but merging one of the most recognized brands in photography with these new platforms and adding into the mix a potential fix for the image licensing business brought not only a lot of opinion, but a good deal of confusion. On this episode of the B&H Photography Podcast, we hope to clear the air and to do so we sit with the principals behind KodakOne and experts on both blockchain technology and image-rights licensing. We welcome Jan Denecke, the CEO of KODAKOne, and Volker Brendel, their CTO, to this discussion. We are also joined by attorney Andrew Hinkes, a professor at New York University and author of more than twenty articles on blockchain technologies and virtual currency, and Maria Kessler, the former president of Digital Media Licensing Association and an expert in stock photography and digital-image licensing. Join us for this rousing conversation in which we get firsthand information on KODAKOne’s business plans, insight on how the blockchain will affect photographer’s interests, and a general sense of what we can buy with a KODAKCoin. Guests: Jan Denecke, Volker Brendel, Andrew Hinkes, and Maria Kessler Jan Denecke, Volker Brendel, Maria Kessler, Philipp Kohn, Allan Weitz, Jason Tables John Harris DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/16/2018
As Allan Weitz says in the introduction, when you see a Jeffrey Milstein photo, you know it. He has a distinctive style, which is not an easy accomplishment for an aerial photographer. But, of course, not all his images are taken from high above—he also has an incredible series shot from underneath airplanes. All kidding aside, Milstein’s work—aerial or otherwise—is infused with the complexity of observation and with the fascination of how similar forms repeat themselves in distinctive ways. On this episode of the B&H Photography Podcast, we speak with Jeff Milstein about his photography, with an emphasis on his aerial photography and the process, gear, and technique he uses to capture these stunning images. We discuss his previous career as an architect and the influence that carries into his work, the medium format and 35mm format digital camera he prefers, and his lens choices. Along with Weitz, who also has much aerial photography experience, we discuss using a gyro stabilizer and the advancements made in in-camera stabilization systems. We also chat about communication with pilots and how to plan a helicopter aerial shoot. Milstein also discusses the post-production techniques used to create his geometric compositions and the large format prints he makes, many of which are currently on exhibit at the Benrubi Gallery, in New York. Guest: Jeffrey Milstein Boeing 757-200, Photograph © Jeffrey Milstein Airbus A340-300, Photograph © Jeffrey Milstein Boeing 737-700, Photograph © Jeffrey Milstein Boeing 747-400, Photograph © Jeffrey Milstein Caribbean Princess, Photograph © Jeffrey Milstein Carnival Sensation, Photograph © Jeffrey Milstein Carnival Victory at Night, Photograph © Jeffrey Milstein 5th Ave. Midtown, New York, NY, Photograph © Jeffrey Milstein Park La Brea, Los Angeles, CA, Photograph © Jeffrey Milstein Stuyvesant Town, New York, NY, Photograph © Jeffrey Milstein Coney Island, Photograph © Jeffrey Milstein Disneyland, Photograph © Jeffrey Milstein Gatwick Airport, Photograph © Jeffrey Milstein LAX Airport, Photograph © Jeffrey Milstein Jeffrey Milstein, Photograph © John Harris Jeffrey Milstein and Allan Weitz, Photograph © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/06/2017
On today’s episode, we welcome Katrin Eismann and Peter Krogh to our studio and, with a chance to speak to the “Photoshop Diva” and the man who wrote The DAM Book, you count your lucky stars and soak up as much insight from these experts as possible. Peter Krogh is a photographer, writer, consultant, and a foremost authority on digital asset management and workflow. His clients include top-tier photographers and the Library of Congress; he has served on the ASMP Board of Directors. A recent collaboration with PhotoShelter produced its Libris cloud-based asset management system, and his latest book is Organizing Your Photos with Lightroom. Katrin Eismann is a member of the Photoshop Hall of Fame, an Adobe MAX Master, and a Sony Artisan. She is founder and Chair of the Masters in Digital Photography Program at the School of Visual Arts and the author or co-author of several books, including Photoshop Masking & Compositing, The Creative Digital Darkroom, Photoshop: Restoration and Retouching and Real World Digital Photography. Our guests walk us through their capture and post-process workflow and we talk best practices for image management and storage. The conversation gets theoretical before we bring it back to the pragmatic with specific questions about noise reduction, curves, levels, and general Lightroom and Photoshop applications. Guests:  Katrin Eismann and Peter Krogh Katrin Eismann       Peter Krogh Peter Krogh, Allan Weitz, and Katrin Eismann DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/03/2016
We run a little long on this episode, but when you have guests of this caliber, it’s well worth the extra time. Today we welcome the legendary Associated Press Photo Editor Hal Buell and Time LightBox Photo Editor Olivier Laurent. Bringing distinctive cultural and generational perspectives to the table, our two guests discuss the idea of an iconic photograph. We start with an attempt to define an iconic photo and, along the way, we talk about the editing process, war photography, mobile technology, photo manipulation, important photos from 2015 and many, many of the greatest photos ever taken. For working professionals, photo historians and anyone interested in how photography impacts our life, this is an episode for you.    Guests: Hal Buell and Olivier Laurent To listen to this week’s episode: Listen to or download on  SoundCloud, or subscribe to the B&H Photography Podcast on  iTunes;  Stitcher;   SoundCloud; or via  RSS. Hal Buell and AP staffer Jim Palmer work with Leafax transmitter at the Atlanta Democratic National Political Convention in 1988. It was the first time digital scanning was used on a major news story. Hal Buell edits film at the Los Angles 1984 Olympic games. Hal Buell, far left, poses with other judges at a World Press Photo session in Amsterdam in the early 1960s. Hal Buell, Allan Weitz, Olivier Laurent, and John Harris b Host: Allan Weitz Producer: John Harris Engineer: Jason Tables Executive Producers: Bryan Formhals, Mark Zuppe
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Posted 01/21/2016
Anyone, I mean, anyone can submit their photos for sale in the stock-photography market. (Are you a foaper?) But the question remains: is it worth it? No doubt, the industry has been transformed by corporate conglomeration and digital technology but, while some decry the devaluation of the image, others see huge opportunity and a bright future. Join us as industry expert Paul Melcher and former Getty executive and now independent photographer and boutique agency owner Rana Faure relate their experiences in the stock-photo business. We’ll ask them to explain the various types of agencies, what makes a good stock shot, and we’ll get to the truth behind the myth of the “lottery” photo. Guests: Rana Faure and Paul Melcher To listen to this week’s episode: Listen to or download on  SoundCloud, or subscribe to the B&H Photography Podcast on  iTunes;  Stitcher;   SoundCloud; or via  RSS. Photographs by Rana Faure, Mother Image.  ranafaure.com Screenshot from Thoughts of a Bohemian melchersystem.com Screenshot from kaptur.co b Host: Allan Weitz Producer: John Harris Engineer: Jason Tables Executive Producers: Bryan Formhals, Mark Zuppe
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