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Posted 01/06/2017
On today’s episode, we welcome Katrin Eismann and Peter Krogh to our studio and, with a chance to speak to the “Photoshop Diva” and the man who wrote The DAM Book, you count your lucky stars and soak up as much insight from these experts as possible. Peter Krogh is a photographer, writer, consultant, and a foremost authority on digital asset management and workflow. His clients include top-tier photographers and the Library of Congress; he has served on the ASMP Board of Directors. A recent collaboration with PhotoShelter produced its Libris cloud-based asset management system, and his latest book is Organizing Your Photos with Lightroom. Katrin Eismann is a member of the Photoshop Hall of Fame, an Adobe MAX Master, and a Sony Artisan. She is founder and Chair of the Masters in Digital Photography Program at the School of Visual Arts and the author or co-author of several books, including Photoshop Masking & Compositing, The Creative Digital Darkroom, Photoshop: Restoration and Retouching and Real World Digital Photography. Our guests walk us through their capture and post-process workflow and we talk best practices for image management and storage. The conversation gets theoretical before we bring it back to the pragmatic with specific questions about noise reduction, curves, levels, and general Lightroom and Photoshop applications. Guests:  Katrin Eismann and Peter Krogh Katrin Eismann       Peter Krogh Peter Krogh, Allan Weitz, and Katrin Eismann DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 12/22/2016
Join us as we talk with two of our most regular and reliable guests about new cameras that were announced in 2016. We hesitate to use the phrase “best” cameras of the year because there a few cameras that we’re not all that crazy about, and a few we can only judge based on their announced specs, but there is plenty to talk about. Shawn Steiner and Levi Tenenbaum test and review cameras for the B&H Explora blog, and bring to this conversation not only extensive product knowledge, but a practical sense of which camera is right for specific photographers and applications. We discuss the new mirrorless medium format cameras announced by Fujifilm and Hasselblad, as well as several new DSLRs and mirrorless cameras, some the first from their respective manufacturers. We also mention a few favorite cameras sent in by listeners (see if you can tell which one we made up), talk industry trends and wrap up the show with a grab bag of favorite accessories. Guests: Levi Tenenbaum and Shawn Steiner Levi Tenenbaum, Shawn Steiner, Allan Weitz   DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 08/18/2016
While digital camera manufacturers are constantly looking for ways to improve and increase resolution, dynamic range, frame rate, ISO, and…everything, a very strong counter trend has emerged that is turning back to analog, mechanical, and film techniques.  Standing out amongst these “throwback” technologies is the rising popularity of instant film and instant film cameras. Fujifilm Instax has seen their sales soar but more interesting is the Impossible Project, who, in just a few years has become the go-to source for a wide variety of instant film and, recently, instant cameras, such as the new  I-1 Instant Film Camera. On todays’ episode we talk with Patrick Tobin from Impossible and photographer George Weiss, who incorporates instant film into his portrait and wedding work. We discuss how Impossible began by purchasing the last remaining Polaroid film factory, how they refurbish cameras for re-sale and how they continue to tweak their instant film chemistry.  Join us for an enlightening discussion on the intricacies of an upstart company that is finding success marketing “old” technology to new customers. Guests: Patrick Tobin and George Weiss         Photographs by George Weiss Impossible I-1 Instant Film Camera Impossible Instant Lab Universal Impossible Polaroid SX-70 Original Instant Film Camera Impossible Polaroid 600 Square Instant Camera   Patrick Tobin, Allan Weitz, and George Weiss Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play         Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/29/2016
Digital video is a huge a part of “photography” now. There are almost no digital cameras introduced without some kind of video capability and, in some cases, “still” cameras are the go-to choice for professional videographers. Recently, we have seen 4K video top 1080 as the standard, and many camera lines, from DSLR to smartphone, are now providing 4K capability, but is this level of quality really warranted or even effective in a point-and-shoot camera? Today’s episode of the podcast will take on this question and, in so doing, we will discuss the particulars of 4K, including what camera models offer this high-definition quality, how do sensor size and form factor affect image quality, what peripherals are needed to make videos of a quality that merit 4K, and what’s the point of recording 4K if you can’t screen 4K? Join us as two B&H experts help clear the air regarding 4K video in still cameras.   Shawn Steiner, Allan Weitz, and Josh Pomponio Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play       b Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/30/2016
The oft-quoted line paraphrased for our headline, and notably used in reference to Oskar Schindler and Chiune Sugihara, can also be applied to industrialist and Leica camera manufacturer Ernst Leitz II, who used his influence to help many Jews and other subjugated people avoid persecution, maintain their jobs, or even escape Germany during the 1930s and 1940s. Like any story drawn from a terrible era of oppression, heroes are painted with shades of gray, and humanitarianism can be found in small gestures, but historian Frank Dabba Smith creates a narrative derived from primary source research. Our other guest, photographer Jill Enfield, recounts her family’s direct relationship with this chapter of Jewish, German, American, and photographic history. Join us for this engaging conversation. Guests: Frank Dabba Smith and Jill Enfield To listen to this week’s episode: Listen to or download on  SoundCloud, or subscribe to the B&H Photography Podcast on  iTunes;  Stitcher;   SoundCloud; or via  RSS. Frank Dabba Smith From the book, Ernst Leitz II- Ich entscheide hiermit: Es wird riskiert Jill Enfield, Frank Dabba Smith, and Allan Weitz Photos by Jill Enfield b Host: Allan Weitz Producer: John Harris Engineer: Jason Tables Executive Producers: Bryan Formhals, Mark Zuppe
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Posted 03/03/2016
We run a little long on this episode, but when you have guests of this caliber, it’s well worth the extra time. Today we welcome the legendary Associated Press Photo Editor Hal Buell and Time LightBox Photo Editor Olivier Laurent. Bringing distinctive cultural and generational perspectives to the table, our two guests discuss the idea of an iconic photograph. We start with an attempt to define an iconic photo and, along the way, we talk about the editing process, war photography, mobile technology, photo manipulation, important photos from 2015 and many, many of the greatest photos ever taken. For working professionals, photo historians and anyone interested in how photography impacts our life, this is an episode for you.    Guests: Hal Buell and Olivier Laurent To listen to this week’s episode: Listen to or download on  SoundCloud, or subscribe to the B&H Photography Podcast on  iTunes;  Stitcher;   SoundCloud; or via  RSS. Hal Buell and AP staffer Jim Palmer work with Leafax transmitter at the Atlanta Democratic National Political Convention in 1988. It was the first time digital scanning was used on a major news story. Hal Buell edits film at the Los Angles 1984 Olympic games. Hal Buell, far left, poses with other judges at a World Press Photo session in Amsterdam in the early 1960s. Hal Buell, Allan Weitz, Olivier Laurent, and John Harris b Host: Allan Weitz Producer: John Harris Engineer: Jason Tables Executive Producers: Bryan Formhals, Mark Zuppe
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Posted 01/21/2016
Anyone, I mean, anyone can submit their photos for sale in the stock-photography market. (Are you a foaper?) But the question remains: is it worth it? No doubt, the industry has been transformed by corporate conglomeration and digital technology but, while some decry the devaluation of the image, others see huge opportunity and a bright future. Join us as industry expert Paul Melcher and former Getty executive and now independent photographer and boutique agency owner Rana Faure relate their experiences in the stock-photo business. We’ll ask them to explain the various types of agencies, what makes a good stock shot, and we’ll get to the truth behind the myth of the “lottery” photo. Guests: Rana Faure and Paul Melcher To listen to this week’s episode: Listen to or download on  SoundCloud, or subscribe to the B&H Photography Podcast on  iTunes;  Stitcher;   SoundCloud; or via  RSS. Photographs by Rana Faure, Mother Image.  ranafaure.com Screenshot from Thoughts of a Bohemian melchersystem.com Screenshot from kaptur.co b Host: Allan Weitz Producer: John Harris Engineer: Jason Tables Executive Producers: Bryan Formhals, Mark Zuppe
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Posted 11/11/2015
Five years ago, you could buy a quality 35mm film camera for the song playing in your head. Used medium format film cameras collected dust on store shelves. Today, if a Mamiya, Hasselblad, or Rolleiflex become available, they don’t last long before being snatched up by a zealous photographer. And those who regularly shoot digital SLRs know that buying older models does not diminish the quality of your work, and it can save you hundreds of dollars, especially if you use them as roughly as some professionals do. Whether film or digital, the used camera market is alive and well and we will talk with photographer and camera collector Jason Wallace, and member of the B&H Used Department, Chris Koentje on what is new in used gear. From the cameras that are hot in Argentina, to what to inspect when buying a used lens, and to just how important trust is between buyer and seller, we will touch on all aspects of the used camera market in this spirited conversation between industry veterans. Guests: Jason Wallace and Chris Koentje To listen to this week’s episode: Listen to or download on  SoundCloud, or subscribe to the B&H Photography Podcast on  iTunes;  Stitcher;   SoundCloud; or via  RSS. Jason Wallace Chris Koentje   Items from B&H Used Department Camera Museum b Host: Allan Weitz Producer: John Harris Engineer: Jason Tables Executive Producers: Bryan Formhals, Mark Zuppe
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