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Posted 03/11/2021
This is the second episode of the B&H Photography Podcast produced with the collaboration of Leica Camera, and we are pleased to welcome photographer Stella Johnson to the show. It is the “in-between moments of life” that Johnson describes as the subject of her work, work that includes books and documentary series made in Cameroon, Greece, Nicaragua, and Mexico. In this easygoing conversation, we discuss the nature of her long-term projects, and the motivations that return her to the same places year after year. We also talk about composing with rangefinder cameras, being at the eye level of your subject, and the weeks that go by without making pictures and the verbal and nonverbal communication necessary when you are invited as a photographer into a community or home, as Johnson has been. For her personal documentary work, Johnson has relied on Leica M cameras and a 35mm focal length lens. We discuss this focal distance in terms of a personal comfort zone and one that even felt safer during pandemic time. Johnson keeps her settings simple and concentrates on composition and the moment; she tends to find light and locations that she likes and waits for the images. Because Johnson’s compositions are so strong in black-and-white and her color work is minimal and adroit, we ask for her thoughts on how to work with both formats and if a fluidity between them is easy. Finally, in searching for a definition of documentary photography, we mulled over the effect of time, of returning to locations and subjects, of its distinction from photojournalism, as seeing “what life is like” and the stories of “just daily life.” Guest: Stella Johnson Photograph © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “RE-CREATIONS” © Stella Johnson Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C. Steiner
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Posted 10/22/2020
In the 1970s, under the aegis of the Great Society’s Model Cities Program, photographer Earlie Hudnall, Jr. began to document the predominantly African-American neighborhoods of Houston’s 3rd, 4th, and 5th wards, and for more than forty years he has continued to create an indelible portrait of life in these neighborhoods. To be sure, Hudnall has photographed all around the world, and worked for years as the photographer for Texas Southern University, but it is his images of the people of Houston that we discuss today, and that are included in his current exhibition at the Photographs Do Not Bend Gallery in Dallas, running through October 31, 2020. On this week’s episode of the B&H Photography Podcast, we talk with Hudnall about the relationship between the stories he tells with his images and those he grew up with in his native Mississippi; how the tradition, culture, and community of his youth reveal themselves in the faces and facades of modern Houston. We also talk about his organic approach to photography and how respect for his subjects informs his process, and how eye contact and body language are tools to connect with people on the street. Hudnall is old school—he works with digital cameras when needed—but his Hasselblad and Nikon film cameras are his primary tools and he discusses why he chooses one over the other to make a particular image. Hudnall also prints his photographs, so we talk about sourcing supplies, Ilford paper, and darkroom techniques. And while we do get into camera talk and a “sweet, sweet, sweet, soft Rolleiflex,” much of our conversation with Hudnall focuses on how memory and inspiration react in a moment to create a powerful image and how staying sensitive to your surroundings will serve your imaging. It is a joy to listen to Hudnall; please join us for this conversation. Guest: Earlie Hudnall, Jr. Photograph © Earlie Hudnall, Jr. Mr. Shine, 3rd Ward, Houston, 1988 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Girl with Flag, 3rd Ward, Houston, 1991 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Hip Hop, Galveston, TX, 1993 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Looking Out, 3rd Ward, Houston, TX, 1991 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Feeling the Spirit, 3rd Ward, Houston, TX, 1987 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Boy Eastern Star, 3rd Ward, Houston, TX, 1984, © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, T Roots, 1997 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/02/2018
This week’s episode of the B&H Photography Podcast posits the notion that we are in a new “Golden Age” of landscape photography, and a fundamental attribute of this landscape photography is its embracing of digital and mobile technologies. From soaring ISO capabilities and improved dynamic range to stacking and correction software to weather, mapping, and pre-production apps, the willing photographer can plan and execute landscape images that would have been impossible to create only a few short years ago. We also suggest that the Pacific Northwest, with its proximity to the cradle of the tech industry and a spectrum of natural wonders, is the hub of this progressive landscape photography movement. Veteran photographers have adopted new technologies and created a movement, and a younger generation is following suit, certain to take landscape photography into a future that includes drones, VR, and imaging technologies yet to be imagined. We also discuss the influence of photo-sharing platforms and new career models that enable photographers to distribute their work and travel to destinations that editorial assignments would never cover. We welcome to our conversation two preëminent landscape photographers, Erin Babnik and Sean Bagshaw, who discuss their work and the use of the high-tech gear and applications in the creation of their photography. In addition to the obligatory Q and A about camera and lens choices, we discuss location and weather apps, post-process plug-ins, and even the latest foul-weather gear, all of which enable them to create the stunning work for which they are known. Both photographers are members of Photo Cascadia, and have a wide following of supporters and students. Their workshops sell out months in advance. After hearing their insights and seeing their imagery, there will be no doubt as to why. Also, at the end of today’s episode, we announce the winners of our Canon 5D Mark IV sweepstakes. Guests: Erin Babnik and Sean Bagshaw The Lost Ark © Erin Babnik Enigma © Erin Babnik Kairos © Erin Babnik Rhapsody in Blue © Erin Babnik Requiem © Erin Babnik Catching Air © Erin Babnik Wood and Stone © Sean Bagshaw The Gift Tree © Sean Bagshaw Summer Seclusion © Sean Bagshaw Mostnica Autumn © Sean Bagshaw Okshornan Peaks © Sean Bagshaw Bohinj Woods © Sean Bagshaw Lineage © Sean Bagshaw Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/23/2017
On August 21, 2017 there will be a total solar eclipse passing across the United States from the northwest to the southeast. While the path of totality will be in the center of the country, at least 60% obscuration will be seen throughout the U.S. and into Canada and Mexico. This is a historic event and millions of people will be viewing and photographing it. On today’s episode, we will discuss the what, when, and where of the eclipse and concentrate on the best and safest ways to view and photograph it. Joining us for this discussion are Senior Staff Writer Christopher Witt, our in-house telescope and optics expert, and B&H Photography Podcast veteran Todd Vorenkamp, who will explore the best ways for novices as well as experts to view and photograph the eclipse. After a break, we welcome noted astronomer and photographer Dr. Tyler Nordgren who will offer his thoughts on the eclipse and explain why it might be best to not photograph this eclipse. Finally, we will be joined by Dr. Laura Peticolas from the Space Sciences Laboratory at the University of California, Berkeley. Laura will discuss her plans for the eclipse, specifically discussing the Eclipse Megamovie project, a crowd-sourcing effort to collect and share images across the path of totality. Join us for a multi-faceted conversation about this once-in-a-lifetime event. Guests: Dr. Tyler Nordgren, Dr. Laura Peticolas, Christopher Witt, Todd Vorenkamp Route of 2017 solar eclipse across United States Global map of 2017 solar eclipse The 2013 eclipse as seen from the deck of a four-masted sailing ship racing across the Atlantic Ocean, totality was 42 seconds long. Photograph by Tyler Nordgren My first eclipse photo that I took in 1999 superimposed on the Hungarian stamp I bought there commemorating the eclipse by showing its path across the country. Photograph by Tyler Nordgren A petroglyph in Chaco Canyon, New Mexico showing what could be a 1000 year old solar eclipse. Photograph by Tyler Nordgren A partial phase of an eclipse just a minute or two before totality in the Faroe Islands. Those clouds totally socked us all in 30 seconds before totality so we saw nothing. Photograph by Tyler Nordgren The 2012 partial solar eclipse in San Diego, California with approximately 76% obscuration. Photograph by Todd Vorenkamp The sun photographed with a 50mm lens on a full frame camera with Mylar white light solar filter. Photograph by Todd Vorenkamp The sun photographed with a 300mm lens on an APS-C sensor camera with Mylar white light solar filter. Photograph by Todd Vorenkamp The sun photographed with a 300mm lens on APS-C sensor camera using a DayStar Camera Quark Hydrogen-alpha filter. Photograph by Todd Vorenkamp Photographing the sun with a 300mm lens on APS-C sensor camera using a DayStar Camera Quark Hydrogen-alpha filter and iOptron Sky Guider Pro Tracking Mount Mylar white light filter. Photograph by Todd Vorenkamp Digiscoping with iPhone and Skywatcher Virtuoso Telescope with Motorized Mount and Carson HookUpz 2.0. Photograph by Christopher Witt Prime-focus solar photography through a Sky Watcher Maksutov-Cassegrain telescope with Canon DSLR, on Sky Watcher Virtuoso motorized mount. Photograph by Christopher Witt Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/15/2016
The iPhone 7 and iPhone 7 Plus will be available on September 15, 2016, and we’ve organized an episode to celebrate iPhone photography, including a hands-on review of the new iPhone 7 Plus. Joining us are three photographers who bring unique perspectives to the imaging capabilities of the iPhone. First, we speak with Robin Robertis, a 2016 winner of the iPhone Photography Award and an artist for whom the iPhone provided a new creative tool for her ethereal and vibrant work. Next, we speak with Ed Kashi, a multi-faceted, veteran photojournalist and filmmaker who was one of five photographers assigned by Time magazine to document Hurricane Sandy with just an iPhone. Kashi also teaches workshops in iPhone photography for National Geographic, and will discuss how he incorporates mobile photography into his journalistic work. After a break, we speak with Brendan Ò Sè, a photographer from Cork, Ireland, whose playful image of the curved lines in Copenhagen’s Superkilen Park was chosen for the “Shot on iPhone 6” ad campaign. He'll talk with us about that experience and how the iPhone revived his love for photography. Finally, to put a bow on this episode, we sit with Olivier Laurent, editor of LightBox, at Time.com, to chat about his first impressions of the iPhone 7 Plus. Mr. Laurent was given the latest iPhone 7 before its official announcement to test and review its camera, and he shares his thoughts with us on the new features and specs. Guests: Robin Robertis- 02:00 Ed Kashi- 16:37 Brendan Ò Sè- 37:36 Olivier Laurent- 57:25 (iPhone 7 Review) Photographs above ©  Robin Robertis Photographs above ©  Ed Kashi Photographs above ©  Brendan Ò Sè Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play         Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/08/2016
In Part II of our series on astrophotography, we talk with Ian Norman, founder of Lonely Speck, a site dedicated to making astrophotography easy and accessible to all photographers. The website is loaded with great advice, gear reviews, and simple tutorials on how to photograph the night sky and specifically, the Milky Way. Our conversation with Ian centers on his development as a photographer and provides many tips on how, with very affordable equipment and apps and basic processing, you can create stunning dark sky images. As you will hear, Norman, like his website, is all about sharing experiences and advice on how to simplify and improve your photography. As he says, “there are few photographs that have as much existential impact as a nighttime landscape against the Milky Way.” Join us for this educational and inspirational episode. Guests: Ian Norman Photo: Ian Norman, LonelySpeck.com Last week's episode, Shooting Stars, Part I – Imaging from the Hubble Telescope Trona Pinnacles looking south with Milky Way Lone Pinnacle, Pinnacles National Park and Milky Way Eastern Sierras by moonlight and the Milky Way Milky Way and Alabama Hills Diana Southern and the Heavens Above Her Diana Southern, Allan Weitz, and Ian Norman Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play         Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/02/2016
In the first of our two-part series on astrophotography, we are fortunate to be joined by two scientists responsible for some of the most awe-inspiring images ever created. Astrophysicist Dr. Jeff Hester was a member of the team that built the camera on the Hubble Space Telescope and is credited with taking the “Pillars of Creation,” an extraordinary image of the Eagle Nebula that has been selected by Time magazine as one of the 100 most influential photographs in history. Dr. Hester tells us about his time working on the Hubble and how this image was created, as well as offering his insight on the nature of beauty and the relationship between science and art (Hint: They’re not as different as you might think.) Also participating in our conversation is Zoltan Levay, the Imaging Team Leader at the Space Telescope Science Institute, whose principal responsibility is to produce and publicize pictures from the Hubble. Mr. Levay discusses the relative nature of color, his techniques for coloring and composing photographs, and the differences between the images that come to him as “data” from the telescope and the published images with which we are more familiar. Again, science and art blend as we ask why certain colors are chosen to represent various celestial bodies, and come to realize that the decisions made and processes used in the top tiers of astrophotography are not that different from those we ourselves make in our own post-processing. Guests: Zoltan Levay and Dr. Jeff Hester Next week’s episode, Shooting Stars, Part II- Deep Sky DIY The views and opinions expressed in this podcast are those of the individual guests and do not necessarily represent the views of B&H Photo. Bubble Nebula NASA, ESA, and the Hubble Heritage Team (STScI/AURA) The “Pillars of Creation” from the Eagle Nebula NASA, ESA, STScI, J. Hester and P. Scowen (Arizona State University) Carina Nebula Mosaic NASA, ESA, N. Smith (University of California, Berkeley), and The Hubble Heritage Team (STScI/AURA) Galaxy Cluster Abell 2744 NASA, ESA, and J. Lotz (STScI) Barred Spiral Galaxy NGC 1300 NASA, ESA, and The Hubble Heritage Team (STScI/AURA) Image Processing Workflow Image Courtesy of Zoltan Levay and STScI Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play         Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/21/2016
What will our future selfies be like? Our guest, Stephen Mayes, suggests that they may be images of what we think rather than what we see. For those of you exasperated by the deluge of duck faces in your social media feed, this may be a terrifying idea, but is the selfie really that bad, and if so, how and why is it different than an artist’s self-portrait? These are the questions we address in this week’s episode and, to do so, we have invited the inimitable Mr. Mayes and photographer Nicky Wanzi, whose recent series of self-portraits, in which she depicts not only herself but also two of her best friends, was included in PDN’s 2016 Photo Annual. Join us for this enjoyable conversation as we expose the selfie.   Guests: Nicky Wanzi and Stephen Mayes                   Photos by Nicky Wanzi Nicky Wanzi, Allan Weitz, and Stephen Mayes Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play       b Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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