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Posted 10/14/2020
Recognized as a premier headshot and portrait photographer, Peter Hurley has quite the tale to tell. His work is known for the genuine expressions he captures, and he has expanded his business into an international organization. He is also an in-demand speaker and photo educator, but Hurley has an interesting “origin story” when it comes to photography, and we will discuss how he went from being a competitive sailor to a model to a photographer and how sailing remains an integral part of his creative life. This week’s episode of the B&H Photography Podcast is a casual but insightful conversation about life’s twists and turns taking you to a place you never expected and how being open to challenges and to advice can motivate creativity. Sometimes “failing” is the best way to find your success, and Hurley tells us about competing for the U.S. Sailing Team and how accepting opportunities that seemed far from his initial goal led him to photography. We also talk about how he turned his headshot business into the “ Headshot Crew ” and now coaches and disperses work to a network of photographers around the world. Throughout the conversation, we touch on tips to improve your own portrait and headshot game, and Hurley mentions the lighting kit he has created with Westcott. We also discuss the “10,000 Headshot” project, for which he helped to organize his network of photographers to aid folks left unemployed by the COVID-19 pandemic. With the support of Canon and others, members of the Headshot Crew have photographed thousands of people, creating free headshots for anyone out of work. And as we discuss, a quality headshot is increasingly important in the “work from home” era. Join us for this enjoyable conversation. Guest: Peter Hurley Photograph © Peter Hurley Alfredo Plessman III © Peter Hurley Ben Yannette © Peter Hurley Carina Goldbach © Peter Hurley Deborah Robinson © Peter Hurley Fernando Romero © Peter Hurley Jan McCay © Peter Hurley Nancy Randall © Peter Hurley March Palou © Peter Hurley Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/09/2020
This is a wonderful conversation for fans of mirrorless cameras, of classic lens design, of the venerable M-mount, and, really, of photography. The joy that our host Allan Weitz exudes while discussing a few of his current favorite lenses is as contagious as it is educational. And I feel that this episode provides a bolt of creative curiosity that might infuse my own photography. For this week’s episode of the B&H Photography Podcast, we asked Weitz to draw up a list of 10 favorite lenses from his personal collection. To be sure, these are not lenses sitting on a shelf or behind glass; these are accessible, affordable lenses that he incorporates regularly into his photography practice, but each has a certain signature or special feature that merits recognition. Most, like the Voigtländer VM 40mm f/2.8 Heliar Lens for Sony E-Mount or the 7Artisans Photoelectric 50mm f/1.1 Lens for Leica M can be purchased new, while some, such as the Zeiss Hologon T* 16mm f/8 lens, are still readily found in the used market. Others, like the Nikon NIKKOR 50mm f/1.2 lens, are perennial favorites, while the Voigtländer Nokton 75mm f/1.5 Aspherical Lens seems classic but is relatively new to the market. While discussing these lenses, we stumble upon a mound of good photography chatter, including practical uses for these optics, tips for using extension tubes and mount adapters, notes on camera history, and plain simple fun facts. Toward the end of the episode we talk about the B&H Used Department, and Jason Tables and I share our current favorite lenses, as well. Join us for this breezy but informative episode and let us know your favorite lenses in the Comments section, below. Photograph © Allan Weitz Nikon NIKKOR 50mm f/1.2 Lens © Allan Weitz Zeiss 16mm f/8 Hologon Lens © Allan Weitz Voigtländer Nokton 75mm f/1.5 Aspherical Lens © Allan Weitz ZEISS Biogon T* 25mm f/2.8 ZM Lens © Allan Weitz Voigtländer Heliar 50mm f/3.5 Lens Voigtländer VM 40mm f/2.8 Heliar Lens for Sony E-Mount Three Lenses © Allan Weitz Taken with Zeiss Biogon 25mm f/2.8 ZM using Leica OUFRO Extension Tube © Allan Weitz Taken with Zeiss Hologon T* 16mm f/8 lens © Allan Weitz Taken with Voigtlander Heliar 50mm f/3.5 lens © Allan Weitz Taken with Voigtlander Nokton 75mm f/1.5 lens © Allan Weitz Taken with the Nikon NIKKOR 50mm f/1.2 AI-S lens © Allan Weitz Taken with Nikon Reflex-NIKKOR 500mm f/5 lens © Allan Weitz Taken with Nikon Reflex-NIKKOR 500mm f/5 lens © Allan Weitz Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/14/2020
On this week’s episode of the B&H Photography Podcast, we discuss lighting gear from the best, with the best, Shar Taylor and Cliff Hausner, of Profoto. Taylor is a past guest on our show and Hausner is one of the most recognized people in the New York photo industry, having worked for a variety of companies and events, and being an established photographer in his own right. While we do talk specifically about Profoto’s latest light modifiers and AirX updates for iPhones, we also take a minute to get to know the work of our guests, including Hausner’s work lighting the annual team photo for the New York Giants football team and his biannual trip to Washington, D.C., to light the official photo of the U.S. House of Representatives. During the second half of our conversation, we really dig into the range of lighting options that Profoto has to offer for the professional studio photographer, including the Pro-10 Power Pack, and for the photographer who needs portable lighting solutions, such as the C1 Plus. Our guests also offer insights as to why Profoto’s emphasis on simple design and ease of use attracts new customers who might be timid venturing into the world of off-camera lighting, as well as seasoned professionals who recognize the value of a proven system. We discuss the incorporation of LED lighting into their systems, the advantages of TTL, and compatibility across lines. You can be sure that both the incredible B10 and B10 Plus Flash Heads are discussed, as is the D2i Industrial Monolight. Join us for this very informative and, at times, hilarious conversation. Guests: Cliff Hausner and Shar Taylor Profoto Air Remote TTL Profoto B10 OCF Flash Head Profoto C1 Plus Profoto D2i Industrial 1000Ws Monolight Profoto OCF II Grid and Gel Kit Profoto Pro-10 2400 AirTTL Power Pack Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/19/2020
As an industry and as a hobby, the numbers indicate that drone flying and drone photography are still primarily the domain of men, but sustaining this disparity is ridiculous and it should and will change. Our two guests today are part of bringing about that change, and they do so by being good at their craft, by spreading the joy of flying, and teaching drone operation and photography to women and girls. Our first guest today is an Emmy Award-winning camerawoman for CBS News and F.A.A. licensed drone pilot Carmaine Means, who incorporates quadcopter footage into her news coverage and, of course, flies for fun. After a break, we are joined by Yasmin Tajik, a documentary photographer and F.A.A. licensed drone operator who is also the Brand Ambassador Director for the educational and advocacy group Women Who Drone. We get to know the work of each guest, asking Means how and when she decides to use aerial footage in a news segment, what her personal guidelines are for launching a drone, and what the planning stage is like with her producers. We also talk about the value of certain aerial shots in telling a story, about the equipment she uses, and handling the drones in various conditions. Currently, she flies with a DJI Phantom and an Inspire. With Yasmin Tajik, we mention the Federal Aviation Administration licensing process and she recommends the FAA Drone Zone as a good place to start. We also ask her about using drones in documentary work and some of the restrictions placed on flying in the U.S. and other countries. As a resident of Arizona, she discusses some of the advantages of flying in that state, as well as unique guidelines they have established. We also speak about how she learned to fly after initially being hesitant, the work done by Women Who Drone, and taking her Tello Quadcopter into schools and the interest it generates from the next generation of flyers. Tajik also points to the many industries and services that are incorporating drones and the growing opportunities available for licensed pilots, but we don’t forget to talk about the joy she gets by using her DJI Mavic 2 to provide a perspective on the world that our land-based cameras can never match. Join us for this enjoyable and inspirational conversation and if you are a female drone flyer, we’d love to hear your experiences and see your images. Guests: Carmaine Means and Yasmin Tajik Photograph © Yasmin Tajik​ © Yasmin Tajik © Yasmin Tajik © Yasmin Tajik © Yasmin Tajik © Yasmin Tajik © Yasmin Tajik © Yasmin Tajik Courtesy Yasmin Tajik © Carmaine Means © Carmaine Means © Carmaine Means Courtesy Carmaine Means Carmaine Means © Phillip Dembinsky Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/26/2019
On today’s episode of the B&H Photography Podcast, we welcome California-based advertising, sports, dance, and fashion photographer (and director), Alexis Cuarezma, who packs a considerable amount of practical and creative insight into our hour-long conversation. Ostensibly, Cuarezma was joining us to talk about his lighting techniques and, while he does dive deep into lighting schemes, we discuss so much more. Cuarezma is generous with is thoughts on production, composition, models, gear, self-promotion, and marketing really anything that he understands to help him in his burgeoning photo business. Just a glance at his work, and one will realize why Cuarezma is here to discuss lighting techniques, he has shot for Sports Illustrated (including six covers), Fortune magazine, Ring magazine, the New York Times, and his clients include Nike. Cuarezma emphasizes his belief that getting it right “in-camera” is the key to his success, not just for the sake of the final image, but for his creative process. Researching, planning, arriving early, being hands-on in every phase of the work, and understanding that your vision, when properly executed, will win over a client, is the other key to his success. With Cuarezma we discuss his decision-making process when creating a portrait; each of the small problems that needs to be solved to create the desired look that works best for his particular subject. While comfortable renting the needed gear to fulfill each project, he also discusses the gear he owns and uses, including Profoto B1 lights, Rosco Gels, and his Canon 5DS. Join us for this insightful and very educational episode. Guest: Alexis Cuarezma Photograph © Alexis Cuarezma © Alexis Cuarezma © Alexis Cuarezma © Alexis Cuarezma © Alexis Cuarezma Christine Shevchenko, American Ballet Theater © Alexis Cuarezma © Alexis Cuarezma © Alexis Cuarezma Hunter Strickland © Alexis Cuarezma Chris Paul © Alexis Cuarezma John Harris, Allan Weitz, Alexis Cuarezma, and Jason Tables © Jason Tawiah Previous Pause Next
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Posted 11/06/2019
On today’s episode of the B&H Photography Podcast, we welcome photojournalist and sports photographer Nick Didlick to our show. Didlick has been a freelance shooter, a staff photographer, an agency photographer for Reuters and UPI and, while covering the world news, was nominated for two Pulitzer Prizes. He also is an accomplished videographer, editor, and producer, and has served as Photo Chief for the 2010 Vancouver Winter Olympics and as Director of Photography at the Vancouver Sun, where he oversaw the staff change from film to digital photography. As a photographer, Didlick has always been ahead of the technological curve, willing to try new cameras and transmission systems and push existing technology to its limits. He joins us to discuss his technical evolution as a sports photographer and the features that he considers important to balance technological advances with age-old experience of craft. We ask Didlick to look back on his career and discuss important steps in the evolution of his kit, including autofocus features, compact lenses, telephoto extenders, remote control, wireless transmission and, of course, the development of digital photography. We also look ahead to improvements in metadata and artificial intelligence and his overarching philosophy that all advances should be embraced if they are needed to improve your workflow. Throughout the episode, Didlick pokes fun at my “old” DSLR technology in favor of his Sony Alpha a9 II Mirrorless camera but, in doing so, he underscores his point, that as photographers, the hardest part of advancing your skill set is “un-learning” what you considered fundamental and embrace the changes that can improve your photography. Join us for this rollicking and enjoyable episode. Guest: Nick Didlick Above Photograph © Nick Didlick Wayne Gretzky © Nick Didlick Ronald Reagan and Mikhail Gorbachev © Nick Didlick Remnants of Pan Am Flight 103, Lockerbie, Scotland © Nick Didlick Tiger Woods © Nick Didlick 2019 NCAA Final Four © Nick Didlick Lindsey Vonn © Nick Didlick Rodeo © Nick Didlick Usain Bolt stumbles and falls during race © Nick Didlick IAAF World Athletics Championship, 2019 © Nick Didlick Venus Williams © Nick Didlick Sloane Stephens with U.S. Open trophy, 2018 ©Nick Didlick Aibo dogs from Sony © Nick Didlick Nick Didlick and Allan Weitz © John Harris Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/25/2019
When one of the world’s most “followed” photographers is available for a conversation, you make the time to talk with him, and when that photographer is acclaimed adventure, landscape, travel, and surf photographer Chris Burkard, expect that conversation to include some serious insights into the passion and ambition it takes to create the beautiful images he makes. On this week’s episode of the B&H Photography Podcast, we speak with Burkard about a range of subjects—and this conversation does not disappoint. We get right into it by asking about his penchant for shooting in frigid locations, and how stubbornness and even persistence can be the enemy of good photography in sub-zero temperatures. We discuss the composition of his photographs and how that is indicative of his views on nature, and we dig into his “origin story” and why clients began to come to him for the kind of photography he creates. In general, however, we stick to the nuts and bolts of his photography. We learn why he prefers mirrorless cameras, specifically the Sony Alpha a7R IV, how he organizes his commercial workflow to make time for the adventures he craves, and how he sets time aside to be with his young family. After a break, we ask Burkard to walk us through the creation of a few of his best-known images. Not only does he offer insight into the photographic aspects, but he elaborates to give us a better understanding of the remote locations he finds and the teamwork needed. To quote Burkard, “to better understand how the Earth was made, we must look at it from new perspectives.” Join us for this eye-opening conversation. Guest: Chris Burkard Aleutian Islands, 2013 © Chris Burkard Westfjord, Iceland, 2016 © Chris Burkard Highlining in Joshua Tree with Garrison Rowland on Hall of Horrors formation during the Supermoon, 2016 © Chris Burkard Skógar, Iceland, 2014 © Chris Burkard Westfjord, Iceland, 2016 © Chris Burkard Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/11/2019
We hosted several wonderful conversations at this year’s OPTIC Photography Conference, and will be presenting many of these recordings over the coming weeks, but our chat with veteran B&H Photography Podcast guest Chris Nicholson surprised even the normally unflappable Allan Weitz. We have become very familiar with Nicholson’s professional tennis photography and his wonderful color night photography with the National Parks at Night team, so we were understandably surprised when he told us that he is red-green color blind. With that information as our starting point, we discussed how his condition manifests itself, and the obstacles he has overcome to create his beautiful color images. We also segued into general thoughts on color blindness and the inexact nature of colors, and on the tools Nicholson relies on to get his colors as close to “accurate” as possible, specifically new LED lights from Luxli that have enabled him to improve his “light painting.” Join us for this informative and inspiring conversation and, while you are at it, join the B&H Photography Facebook group —it is growing to become an active forum to share your images and thoughts on photography and to stay in touch with Jason, John, and Allan of the B&H Photography Podcast. Guest: Chris Nicholson Photographs © Chris Nicholson Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/05/2019
Do you have undeveloped rolls of film that have been sitting around forever? Maybe you don't even realize that you have unprocessed rolls from the "good ol' days of analog" in an old camera bag or a dresser drawer. Now is the time to look into this matter and have the chance to explore and share your memories, perhaps even rediscover events and people that memory has left behind. On this week's episode of the B&H Photography Podcast, we welcome the directors of Lost Rolls America, Ron Haviv and Lauren Walsh. Inspired by Haviv's own The Lost Rolls book, they have initiated this project to create a national archive of lost, yet now found, images "to form a collective memory that prioritizes the role of photos in constructing our personal and shared pasts. In revisiting the past, this project also encourages contemplation of how the present and future will be remembered." The idea is simple, but one look at the growing archive and the memories shared, and it becomes clear how powerful this project can be. With Haviv and Walsh, we recount the genesis of the project, how PhotoShelter, PhotoWings, and FUJIFILM came onboard as partners, and they offer insight on the future plans for the project. They also discuss a few of the more interesting images and recollections submitted, how the submission process works and, of course, they encourage our listeners to submit lost rolls. Above Photograph © Mette Lampcov/Lost Rolls America Lost Rolls America: What kind of memories does this photo bring back? Valentina Zavarin: I was leaving alone to America. Time for adventure away from my mother and siblings. I remember how excited I was for this new life ahead after World War II. Everyone is smiling but I remember they were in a shock that they were left behind. Valentina Zavarin/Lost Rolls America, 1950 Lost Rolls America: Does this photo bring back any memories? Debra Miller: Yes. Sadness, horror, shock. Debra Miller/ Lost Rolls America, 2001 Lost Rolls America: Is this what you expected to see? Elizabeth Kamir: No. The old roll of Tri-X that had taken up residence in my drawer for nearly 30 years always dared me to imagine. I never planned to develop it. I assumed if there was anything on the roll, it would either be something innocuous, like pictures of my grandmother or something embarrassing, like theatrical, nude self-portraits. I might have taken pictures like that back then. Elizabeth Kamir/Lost Rolls America, 1990 Lost Rolls America: What kind of memories does this photo bring back? Mette Lampcov: It makes me think of how much I used to laugh my head off with her (Tracy). It makes me miss London and old friends, especially people who have a wicked sense of humor- and seeing her head float in the back garden is a perfect reminder of her beautiful funny madness. Mette Lampcov/Lost Rolls America, 2002 Lost Rolls America: How does this old photo make you feel? Michael Starensic: I feel a sense of accomplishment that I was able to capture the times and emotions as the country swayed from crisis to crisis. This was the last interlude- "coming up for air" I called it- between the major tumult of the Kosovo War two months earlier and the start of renewed opposition that month. We soon headed back to the capital and events were intense for the next 14 months. Nevena and I married 2 months later in Belgrade in the midst of mounting protest and turmoil. Michael Starensic/Lost Rolls America, 1999 Lost Rolls America: How does this old photo make you feel? Bruce Lampcov: Very nostalgic. I miss the days when my children were young and together we discovered new places, new cultures. Bruce Lampcov/Lost Rolls America, 2004 Lost Rolls America: What kind of memories does this photo bring back? Tamika Jancewicz: Just how huge I was when I was pregnant! I think I felt that way when I took the picture as well. Tamika Jancewicz/Lost Rolls America, 2007 Lost Rolls America: What are we looking at here? Russell Gontar: This is my friend, Linda. We spent an afternoon taking pictures at the beach and old amusement park. I asked her to close her eyes in an attempt to be "arty". Russell Gontar/Lost Rolls America, 1977 Lost Rolls America: How does this old photo make you feel? Jennifer Mitchell: As all the kiddos in the picture are my nieces and nephew, it makes me feel amazingly proud. One is in the Air Force Academy, one is a wedding planner in a Colorado Rocky Mountain resort, and one just got accepted into a PhD program for Astrophysics. I bet my sister (who is reading to them) thinks that she might have had a little something to do with it.:) When I showed her the picture, she sighed and said, "Oh, that was always one of my favorite things to do with those kids!" Jennifer Mitchell/Lost Rolls America, 2004 Lost Rolls America: How does this old photo make you feel? Keith Munger: Like One Of The Miraculous Few That Loves His Wife As Much Now As In 1969. I Am A Very Lucky Guy! Keith Munger/Lost Rolls America, 1969 Guests: Lauren K. Walsh and Ron Haviv Ron Haviv is a is an Emmy nominated, award-winning photojournalist and co-founder of the photo agency VII, dedicated to documenting conflict and raising awareness about human rights issues around the globe. He has worked in more than one hundred countries and published four critically acclaimed collections of photography. His work has been featured in numerous museums and galleries, including the Louvre, the United Nations, and the Council on Foreign Relations. Lauren Walsh is a professor and writer who teaches at The New School and NYU, where she is the Director of NYU Gallatin's Photojournalism Lab. She is editor of Macondo, a photo book documenting the long-term conflict in Colombia, and coeditor of the collection, The Future of Text and Image, as well as the Millennium Villages Project, a photography book about efforts to relieve extreme poverty in sub-Saharan Africa. She has appeared on CNN as a scholar of photography and digital culture, as well as in the documentary 9/11: Ten Years Later. Ron Haviv, Allan Weitz, and Lauren Walsh John Harris   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/29/2019
On this week’s episode of the B&H Photography Podcast, we welcome four “makers” who have designed and built impressive imaging tools with their own vision and hands. Their locations, the formats, the materials, and the final products all differ wildly, but the D.I.Y. spirit of the engineer, the tinkerer, the photographer, and the entrepreneur are shared by our four guests. We get a sense of how each came to their product, developed it, and are trying to market it. First, we speak with Sam Cornwell, inventor of The Solarcan, a unique camera designed to produce “extreme time exposures” that capture the sun’s path across the sky; and yes, it is a can. Cornwell offers his love of photography, astronomy, and repurposing household objects as the seeds for this pinhole camera, which comes with its own piece of Ilford 5 x 7" photo paper already inside. After a successful Kickstarter campaign and a lot of work, his fully packaged invention is available for purchase from B&H. Next, we are joined by Steve Lloyd of Chroma Cameras, who liked large format field cameras so much he went and designed one of his own. His are the first field cameras made of laser-cut acrylic. Appropriately available in a choice of unconventional colors, Chroma cameras feature interchangeable film backs that attach to the camera using magnets, which make it possible to switch quickly between 4 x 5" film to roll-film backs. After a short break, Filippo Nishino, of the Swiss company I’m Back, discusses the invention created by his partner, Samuel Mello Medieros, which can capture digital images with a 35mm film camera body. Available in a universal model or numerous customized covers, the back attaches physically to your film camera, enabling high-res digital image capture. Many years in development, the I’m Back is available to the public and on sale at B&H. Our final guest is Ethan Moses, of Cameradactyl, which is his company and his passion. Cameradactyl, along with its “subsidiary,” Butter Grip, makes 3D printed cameras, parts, and accessories, including his incredible CAMERADACTYL 4 x 5 Field Camera and X-Pin 35mm Pinhole Camera Kit. He also sells a wide range of practical and colorful grips and camera accessories, and might make something for your needs, if you ask nicely enough. Guests: Sam Cornwell, Steve Lloyd, Filippo Nishino, and Ethan Moses Solarcan with Red Packaging Solarcan mounted for extended exposure Solarcan sample image Chroma Camera Folded Chroma Camera Large 4 x 5 Field Chroma Camera I’m Back universal digital back I’m Back cover for Canon AE-1/A-1 cameras I’m Back cover for Leica M1 – M4 cameras Cameradactyl Blue Field Camera Cameradactyl ButterMeter Cameradactyl Butter Grip – Red Cameradactyl 4 x 5 Hand Camera Family Portrait Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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