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Posted 11/26/2020
What a treat to welcome photographer Ami Vitale to the B&H Photography Podcast. Vitale is mustering her high profile as a National Geographic photographer, as well as the talents of eighty-nine other incredible photographers, to raise funds for Conservation International. The Prints for Nature Sale runs until December 10, 2020 and offers gorgeous gallery-quality prints at a very affordable price. Please check this link for more information and to support this worthy initiative. We also speak with Vitale about her career trajectory and commitment to telling the stories of endangered species and the humans around them. We discuss her work photographing Sudan, the last male white rhinoceros in existence, and her incredible series about pandas in China. We also ask Vitale how she bridges the gap (or perceived gap) between journalism and advocacy photography and about her commitment to long-term engagement with the stories she covers. Vitale also addresses the changing dynamics of print journalism and the need to find funding for her projects, and we briefly mention her work as a Nikon ambassador. The dearth of tourism to many protected wildlife parks around the world due to the COVID-19 pandemic has brought conservation efforts to a crisis point and the Prints for Nature Sale, with images by Art Wolfe, Steve Winter, Pete McBride, Alison Wright (all past guests of the podcast) and many other great photographers, is a way that lovers of wildlife and of photography can help. Guest: Ami Vitale Photograph © Ami Vitale Photograph © Ami Vitale Photograph © Ami Vitale Photograph © Ami Vitale Photograph © Ami Vitale Photograph © Anand Varma, from the Prints for Nature Sale Photograph © David Doubilet, from the Prints for Nature Sale Photograph © Jody MacDonald, from the Prints for Nature Sale Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/30/2020
It is important to be reminded of the power of photography to educate and explore, and to be a vehicle of self-expression, even self-realization. Equally crucial—through process and through memory—photography’s ability to bring people together, to share and to collaborate, is vital. On this week’s episode of the B&H Photography Podcast, we welcome a photographer who has built her life’s work around this idea of education through creative collaboration. For more than forty years, Wendy Ewald has led documentary “investigations” and collaborative projects that encourage the participants to use cameras to examine their own lives, families, and communities, and to make images of their fantasies and dreams. During these projects, she also photographs—normally with a 4 x 5 camera—and then asks her students and subjects to manipulate her images and negatives, further engaging with the process and adding to the authorship of the final work. With support of the most prestigious fellowships, from universities, NGOs, even from camera and film manufacturers, Ewald has directed photography programs in South America, India, Africa, Canada and, most notably, in Appalachia. In the 1970s, Ewald worked with schools and the Appalshop media center to teach photography to children living in rural Kentucky and, in 1985, published the groundbreaking book Portraits and Dreams: Photographs and Stories by Children of the Appalachians. This book has been an inspiration to countless educators and community photographers and, this year, Mack Books has published an expanded edition, which includes updates on the lives of several of the original students. Ewald also has co-directed a documentary film on the project and the reunion with her former students, which recently aired on the PBS program POV. Join us as we speak with Ewald about teaching in Kentucky and elsewhere, about the power of collaboration and creative expression, and about reuniting with her former students and the making of her powerful documentary. Guest: Wendy Ewald Photograph © Wendy Ewald Russel Akemon: “I am lying on the back on my old horse,” from “Portraits and Dreams” by Wendy Ewald. Courtesy the artist and MACK Greg Cornett: Gary Crase and his mom and dad in front of their house on Campbells Branch,” from “Portraits and Dreams” by Wendy Ewald. Courtesy the artist and MACK Denise Dixon: “Self-portrait reaching for the Red Star sky,” from “Portraits and Dreams” by Wendy Ewald. Courtesy the artist and MACK Freddy Childers: “Self-portrait with the picture of my biggest brother, Everett, who killed himself when he came back from Vietnam,” from “Portraits and Dreams” by Wendy Ewald. Courtesy the artist and MACK Mary Jo Cornett: “Mamaw and my sister with the picture of my cousin that died,” from “Portraits and Dreams” by Wendy Ewald. Courtesy the artist and MACK. Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/10/2019
This is “Wildlife Week” at B&H Explora and, for our contribution, we offer this most excellent episode of the B&H Photography Podcast. Truth is, serendipity is a goddess, and our B&H colleagues made it easy for us to bring you such great guests—the OPTIC Conference brought a bevy of incredible wildlife photographers to our microphones and our friends at Explora created this beautiful and educational feature, please check it out, here. Above photograph © Ron Magill First on today’s show is the one and only Ron Magill, photographer, Nikon Ambassador, and Communications Director of the Miami-Dade Zoological Park and Gardens. Magill brings his passion for wildlife and refreshing views on photography (and photographers) to this lively discussion. He also had some good news from his recent foray photographing the Monarch butterfly migration. Next, we are joined by polar expedition diver, photographer, podcaster, and founder of Meet the Ocean, the very talented Paul North. North is not only a doer of many good things, he is an incredibly nice man and talks of being under the polar ice in a way that might actually make someone consider going there! His intelligence and dedication is contagious as he discusses the simple quantity of life that exists in such remote, frigid places, and as he advocates for storytelling to “combat environmental apathy.” After a break, we welcome a master. This year’s keynote speaker at OPTIC,  Frans Lanting, joins us to offers thoughts on process, particularly the nuanced and well-researched approach he takes to an assignment before he ever picks up a camera. We talk a bit about specific projects but focus more on the importance of knowing the story you want to tell, eliminating preconceived images, and the need for a holistic method to making photographs of wildlife. Join us—it really was a treat to hear the thoughts of these three passionate professionals. Guests: Ron Magill, Paul North, and Frans Lanting © Ron Magill © Ron Magill © Ron Magill © Ron Magill © Ron Magill © Ron Magill © Frans Lanting © Frans Lanting © Frans Lanting © Frans Lanting © Frans Lanting Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/15/2019
I think it’s fair to say that animals, even more than cars, sunsets, and children, are the most photographed subject by listeners of the B&H Photography Podcast and, on this week’s episode, we speak with two photographers who not only have dedicated their craft to photographing animals, but bring to their process a compassion and advocacy that goes far beyond just a pretty picture. Our first guest, Steve Morello, is recognized for his whale and polar bear photographs, but he is also a founding partner of Natural Habitat Adventures, a wildlife adventure organization dedicated to sustainable tourism and guide training programs in Peru, Tanzania, and the Canadian and American Arctic. He serves on the Board of Directors of the Alaska Whale Foundation, where he assists on research projects and is currently working together with tourism planners, scientists, and local fishermen to conserve a newly created marine sanctuary off the coast of Peru. Morello’s photos have appeared in National Geographic and The New York Times, and he is a major contributor to the photo collection of the World Wildlife Fund. After a short break, we welcome photographer Isa Leshko to discuss her series Allowed To Grow Old: Portraits of Elderly Animals from Farm Sanctuaries, which has been made into a gorgeous new book by University of Chicago Press. Photos from this series have appeared in The Atlantic, Harper’s, and The New York Times, and will be exhibited at the Richard Levy Gallery, in Albuquerque, and at ClampArt Gallery, in New York. Leshko provides insight into her process and workflow as it evolved over the eight years she worked on this project. Her dedication to process is clear as she explains how she hit upon this idea, why she chose certain animals to photograph, what cameras and gear she decided upon, and how the series developed into an advocacy project. She emphasizes her cognizance of the power dynamic in portrait photography and how respectful interaction for and even a form of collaboration with the animals was fundamental to create this type of portraiture. Join us. Guests: Isa Leshko and Steve Morello Above photograph © Steve Morello Book Cover of Allowed to Grow Old: Portraits of Elderly Animals from Farm Sanctuaries © Isa Leshko © Isa Leshko © Isa Leshko © Isa Leshko © Isa Leshko © Isa Leshko © Isa Leshko Isa Leshko © Ron Cowie © Steve Morello © Steve Morello © Steve Morello © Steve Morello © Steve Morello © Steve Morello Allan Weitz and Steve Morello © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 04/17/2019
The first amateur photographic entity in the United States was the Amateur Photographic Exchange Club, New York City, which existed from 1861–1863. The oldest continuously extant camera club in the United States founded, at least in part, by amateurs is the Photographic Society of Philadelphia, founded in 1862. On today’s episode of the B&H Photography Podcast we talk about camera clubs and, specifically, the Coney Island School of Photography and Art, which, despite its pedagogic nomenclature, is an amateur camera club that takes the famed oceanfront community and amusement park in Brooklyn, New York, as its subject. For anyone who is familiar with Coney Island, it should be clear that photographing at this beach is less about sunsets and flamingoes and more about “polar bears,” freak shows, and street photography along the beach. We welcome three members of this camera club, Orlando Mendez, A.J. Bernstein, and Norman Blake, to discuss their personal photographic journeys, the benefits of having cohorts with whom to work and compare notes and, of course, the changing face of Coney Island itself. We also take time to talk about gear, technique, the different ways in which photographers will see the same subject, and the simple joy that photography can bring to our lives. Join us for this entertaining episode. Guests: A.J. Bernstein, Norman Blake, and Orlando Mendez © A.J. Bernstein © A.J. Bernstein © A.J. Bernstein © A.J. Bernstein © A.J. Bernstein © Orlando Mendez © Orlando Mendez © Orlando Mendez © Orlando Mendez © Orlando Mendez © Norman Blake © Norman Blake © Norman Blake © Norman Blake © Norman Blake © Norman Blake Filming of the 1979 movie, “The Warriors” © Norman Blake A.J. Bernstein, Allan Weitz, Orlando Mendez, and Norman Blake © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/13/2019
The wedding-photography business is very competitive, so to have a distinct client base and a way to stand out from the crowd is crucial—almost necessary. On this week’s episode of the B&H Photography Podcast, we discuss niche wedding photography with three photographers who have forged a career path by photographing the weddings of a specific niche demographic. To be clear, each of these photographers shoot weddings for all ilks, but they have been able to distinguish themselves by embracing a specific market. We discuss how each of them discovered their photographic specialty, the importance of understanding traditions while balancing demands of new generations, specific tips for photographing within their areas of expertise, and how incorporating and embracing their own life stories helped find their career path. In the first half of the show, we are joined by Charmi Peña and Petronella Lugemwa, with whom we spoke at the 2019 Depth of Field Wedding and Portrait Conference. Peña is a Nikon Ambassador and a wedding and portrait photographer who specializes in photographing Indian weddings. Lugemwa runs a New York-based, international wedding photography studio whose embrace of “multi-cultural weddings” echoes her personal celebration of her cultural identity. After a break, we speak with portrait and wedding photographer Steven Rosen, who is featured in our “What is Photography?” series. His impeccable portraiture informs his wedding work, and our conversation concentrates on Rosen’s work photographing same-sex weddings. Join us for this compelling episode, which blends personal motivations with practical tips. Guests: Charmi Peña, Petronella Lugemwa, Steven Rosen © Charmi Peña © Charmi Peña © Charmi Peña © Charmi Peña © Charmi Peña © Petronella Photography © Petronella Photography © Petronella Photography © Petronella Photography © Petronella Photography © Steven Rosen © Steven Rosen © Steven Rosen © Steven Rosen © Steven Rosen Charmi Peña © John Harris Petronella Lugemwa and Allan Weitz © John Harris Steven Rosen, outtake from “What is Photography?” © Cory Rice Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 08/24/2018
Edvard Munch noted that “colors live a remarkable life of their own after they have been applied to the canvas” and, on today’s episode of the B&H Photography Podcast, we dip our brushes into the palette of art and color theory and, then, we explore practical (and beautiful) applications of color through the eyes of a documentarian and a fashion photographer. We start our conversation with photographer/artist/explorer Adam Marelli, who muses on color theory from a painter’s and a photographer’s point of view and endures our novice questions on the subject. We discuss a few basic terms, learn about Michel Chevreul, and then get into questions about his use of color, about film color compared to digital, printing, and Marelli’s understanding that colors are never static, and should not be considered such when creating images—look for the color between colors, he suggests. In the second half of the show, we welcome Natasha Wilson, a Los Angeles-based fashion and lifestyle photographer who imbues her work with the colors that dreams are made of. Whether bold and bright or with a muted palette, when you see her work, there will be no doubt why we thought of Wilson for this conversation. We ask her about her process, both behind a lens and in front of a monitor, and we discuss how she finds locations, picks her teams, and finds the balance between foreground and background colors—and between her artistic imagination and the client’s needs. Her laid-back approach belies the intensity of her vision. Guests: Adam Marelli and Natasha Wilson © Natasha Wilson © Natasha Wilson © Natasha Wilson © Natasha Wilson © Natasha Wilson © Natasha Wilson © Natasha Wilson © Natasha Wilson © Natasha Wilson © Adam Marelli © Adam Marelli © Adam Marelli © Adam Marelli © Adam Marelli © Adam Marelli Adam Marelli © John Harris Adam Marelli and Allan Weitz © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 10/27/2017
Bird photography is a big deal around B&H, and we’re not just talking about the lenses needed to get those wonderful close-ups of warblers, herons, gulls, and raptors. Bird photography is a passion that grabs pros and amateurs alike and seems to not let go; there are very few photographers as dedicated to their craft (and gear) as bird photographers. We are fortunate to have two photographers with us to discuss the gear, technique, and protocols necessary to capture pleasing images of our feathered friends. David Speiser is a member of the Board of Directors of New York City Audubon and has been an avid bird photographer for more than twenty years. He has an incredible body of work that includes birds of all varieties, and brings not only technical excellence to his photographs, but a birder’s meticulousness to his archive. Klemens Gasser is a visual artist who became enthralled with birding several years ago and turned his fixation into an exhibit of bird photographs enlarged to 72 inches across. He brings an artist’s spirit to his bird photography and humor to our discussion, and clearly loves the thrill of the chase. We speak with these two photographers about the gear and apps they use, their shooting styles, favorite locations, and how digital technology has transformed bird photography. Join us for some very practical advice and a fun conversation. Guests: David Speiser and Klemens Gasser Baltimore oriole, photograph © David Speiser Blackburnian warbler, photograph © David Speiser Canada warbler, photograph © David Speiser Great gray owl, photograph © David Speiser Prairie warbler, photograph © David Speiser Red-shouldered hawk, photograph © David Speiser Red-tailed hawk, photograph © David Speiser Snowy owl, photograph © David Speiser Spruce grouse, photograph © David Speiser Upland sandpiper, photograph © David Speiser Common grackle, photograph © Klemens Gasser American bittern, photograph © Klemens Gasser Snowy owl I, photograph © Klemens Gasser Glaucous gull, photograph © Klemens Gasser Saltmarsh sparrow, photograph © Klemens Gasser Franklin’s gull, photograph © Klemens Gasser Painted bunting, photograph © Klemens Gasser Snowy owl II, photograph © Klemens Gasser Snowy owl III, photograph © Klemens Gasser Klemens Gasser, Allan Weitz, David Speiser, photograph © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/28/2017
If inspiration is what you are looking for, the story of how Eric Kruszewski became a photographer should supply you with plenty of it. Of course, it all starts with a personal desire but, planning, networking, hard work, and even a simple Google search like the eponymic one above, all go into the recipe for success. Photographs © Eric Kruszewski Taking up photography as a hobby in your thirties seems a commonplace occurrence, but deciding to change careers and become a working photographer is another story altogether. Join us as we speak with travel, editorial, and documentary photographer Eric Kruszewski about his journey from newbie to National Geographic. We talk about the value of workshops, mentors, cold calls, and persistence, and trace Eric’s career from its inauspicious beginnings through long-term personal projects, one-off jobs, artistic setbacks, learning new skills and, ultimately, a satisfying career—paying the bills by doing what he loves. Guest: Eric Kruszewski At India’s Jaisalmer Fort, a street performer walks a tightrope in a unique way—on her knees (with a metal plate) while pushing herself along only with her toes and balancing a vase of water on her head. Cowboys from across America gather at the Pendleton Roundup to prepare for its annual rodeo. From the series, “American Rodeo.” It is quite common that families travel together with the Davis Carnival. In camp, one woman observes her neighbors—a mother and daughter—through the window. From the series, “Behind the Ferris Wheel.” Richmond Shepard, a mime based in New York City, poses for a portrait in his studio. During the annual Military Tattoo in Edinburgh, Scotland, a motorcycle stunt driver takes off amongst fireworks. The performance is held for about three weeks, with the Edinburgh Castle as a backdrop. A woman walks through a mirror maze, part of the Camera Obscura and World of Illusions exhibits in Edinburgh's Old Town. Chris Turner poses for a portrait in his childhood neighborhood of Northeast Washington, D.C. Chris was one of several people accused of the murder of Catherine Fuller in 1984. He served 26 years in prison and maintains his innocence. At the Elephant Conservation Center in Laos, a mahout (elephant trainer) jumps between two elephants. He stuck the landing. Andreas Georgiou, a Greek economist, poses for a portrait in his United States home A young girl dons a costume inside the Angkor Wat Temple in Cambodia. She dresses in costume to pose for photos with visitors. Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/30/2017
Many photographers begin their careers wanting to “make a difference” with their photography, to bring some good to the world, or at least to the people they photograph. It’s one of the greatest aspects of the craft and its adherents, but can a photo really bring about long-term change? This is an increasingly relevant question, and one that dogs even the most experienced and socially conscious photographers. Despite this dilemma, many photographers forge ahead, shining a light on horrors and glories with the hope that their images have a positive influence and perhaps, because of this dilemma, some photographers have found ways to use their art, labor, contacts, experiences, and insight to raise money specifically for organizations that are “making a difference.” Salem Krieger is an experienced editorial and portrait photographer who had a seemingly simple realization in 2015: he could sell prints of his work and give a portion of the revenue to a non-profit organization of his choice. From this grew Art is Helping, his system for putting artists and art buyers together and letting the buyers determine how much they spend and which organization they support. In a short time, the roster of artists has grown, as has the varied list of non-profits that benefit from the transactions. Alison Wright is an accomplished documentary photographer and author whose work has taken her to every corner of the world. Her latest book,  Human Tribe,  is available through Amazon and Barnes & Noble. In 2000, a tragic, near-death accident on a jungle road in Laos and a remarkable story of heroism and recovery brought a heightened perspective to the strength and spirit that pushes people to help one another—even to risk their lives to help complete strangers. With the resolve and empathy born from suffering, Wright rebuilt her life and career and founded Faces of Hope, a fund that provides medical care and education, especially to women and children in crisis around the world. The first act of Faces of Hope was to return to the village in Laos—and the people who saved her life—with five doctors and $10,000 worth of medical supplies. We speak with these two photographers about their work and about the mechanisms they have created to bring assistance to those who need it, while continuing to do the photography they love. Guests: Alison Wright and Salem Krieger “Tibet Girl” 2005. Photograph by Alison Wright Malagan Ceremonial Mask, Papua New Guinea, 2010. Photograph by Alison Wright Cover of Alison Wright’s latest book, “Human Tribe” “NYC News Stand” by Salem Krieger, from Art is Helping “42nd St. Alien” by Antonio Mari, from Art is Helping “Shadows” by Cynthia Karalla, from Art is Helping “VSH #4” by Julie Gross, from Art is Helping “Beetle” by Jose Maximiliano Sinani Paredes Shezchez, from Art is Helping “Auto America: New Mexico” by Salem Krieger, from Art is Helping Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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