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Posted 02/19/2020
This week’s episode of the B&H Photography Podcast is a healthy set of conversations with gear representatives and camera experts from several of the major camera and lighting companies that we recorded at the 2020 Depth of Field Conference. First we speak with Steve Heiner, of Nikon, discussing that company’s new DSLRs, including the flagship D6 and the D780. We also ask about the mirrorless Z system cameras and new lenses for that system. Next up is Joe Edelman, of Olympus, to discuss his company’s new flagship, the OM-D E-M1 Mark III, and its incredible image stabilization system. Our next guest is Shar Taylor, from Profoto, and with her we discuss the A1 AirTTL Studio Light, the Air Remote TTL, as well as the popular Profoto B10 OCF Flash Head. After a short break, we welcome Casey Krugman, product develop from Luxli, to discuss the incredible LED light panels, including the new Taiko 2x1 RGBAW LED light. Our next guest is food photographer Chelsea Kyle, who joins us on behalf of Canon to discuss the gear she works with, including the Canon EOS 5DS DSLR. Canon has also just announced the new EOS R5 full-frame mirrorless camera and other lenses in development. It has also released the RF 24-105mm f/4-7.1 IS STM lens for its full-frame mirrorless system. Following our visit with Chelsea Kyle, we welcome Marc Farb, from Sigma, to update us on the latest news from the L-mount alliance and the Sigma fp Mirrorless Digital Camera. He also discusses new lenses, including the highly anticipated Sigma 24-70mm f/2.8 DG DN Art lens for Sony E-mount cameras and the 14mm f/1.8 DG HSM Art lens from Leica L mount cameras. Our final guest is Jason Mantell, of Sony, who updates us on the latest from the Alpha mirrorless systems, including the Alpha a7R IV Mirrorless Digital Camera and the Alpha a9 II Mirrorless Digital Camera. Join us for this informative conversation. Guests: Steve Heiner, Joe Edelman, Shar Taylor, Casey Krugman, Chelsea Kyle, Marc Farb, and Jason Mantell Canon RF 24-105mm f/4-7.1 IS STM Lens Canon EOS Rebel T8i DSLR Camera Luxli Taiko 2x1 RGBAW LED Light Nikon D6 DSLR Camera Nikon D780 DSLR Camera Olympus OM-D E-M1 Mark III Mirrorless Digital Camera Profoto A1X AirTTL-C Studio Light Profoto Air Remote TTL-N Sigma 24-70mm f/2.8 DG DN Art Lens for Sony E Sigma fp Mirrorless Digital Camera Sony Alpha a7R IV Mirrorless Digital Camera Sony Alpha a9 II Mirrorless Digital Camera Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/09/2019
On this week's episode of the B&H Photography Podcast, we welcome two artists whose work blurs the line between street photography, documentary, installation and digital art, while cultivating a contemporary interpretation of the art and craft of collage. Both artists utilize photography-based processes and take urban architecture and street scenes as their subject, but from there, the work goes in very different directions. Jennifer Williams creates large, often site-specific collages that inspect but distort the architectural scenes she documents. As she has stated, “The rectilinear shape that is the traditional photograph never fulfilled my desire to show everything in space," and that will be immediately clear upon seeing her work. Layering images of buildings upon one another, she creates angular and abstract collages while still providing a path for the viewer to connect the image she creates with the neighborhood or street that she photographed. Williams speaks about her process, including the original imaging, her manipulation in post-process, and her large-scale installations, often made on Photo Tex media. Tommy Mintz wrote a software program that creates "automated digital collages" and he has experimented over the years how he (and the program) composes the street scenes he photographs. The tools he uses for image capture and computation have evolved and become more powerful, but unlike the painstaking control Williams exercises over her collages, the key element in Mintz's process is the random arrangement and layering of images that the software creates. This is not to say that his images are out of control—after all, he wrote the program. He selects scenes to photograph and he does adjust the final product in Photoshop, but the software-generated placement of images creates layers, unexpected shadows, multiple exposures and even seeming glitches that add up to an intriguing and whimsical take on street photography. Join us as we learn about the conceptualizations and processes of these two visual artists and hear how they integrate Nodal Ninja, Epson 24" printers, and the Sigma dp2 Quattro Digital Camera into their workflow. Guests: Jennifer Williams and Tommy Mintz City of Tommorow- Manhatten: Billionaire's Row (57th Street) © Jennifer Williams Blacksburg Unfurled (Virginia Tech, Blacksburg, Virginia) © Jennifer Williams Surveying Liberty (Newbugrh, NY) © Jennifer Williams The High Line Effect: Approaching Hudson Yards © Jennifer Williams Ladders (Installed at Robert Mann Gallery) © Jennifer Williams © Tommy Mintz © Tommy Mintz © Tommy Mintz © Tommy Mintz © Tommy Mintz Jennifer Williams, Tommy Mintz, and Allan Weitz © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/13/2018
Sometimes you just have to shake your head and say, “Wow, it was a good day.” When you have the opportunity to sit and chat about photography with Keith Carter, Douglas Kirkland and Joyce Tenneson, things can’t be all bad. On today’s episode of the B&H Photography Podcast we return to recordings made at B&H OPTIC and Depth of Field Conferences and present segments of our conversations with these three photo legends—and we are not using that word lightly when speaking about these artists. Unique and prolific in their respective genres, each bring a sense of humility and sincere respect for the artistic process and the medium to which they have given so much. With Keith Carter we compare music, sculpture, and literature to photography and hear of his mother’s early influence on his career. With Douglas Kirkland we also chat family and how a humble upbringing brought him to photography and the glamour of Hollywood. We also find out where and when Doug Kirkland's and Allan Weitz's photo careers intersected. After a short break, Joyce Tenneson discusses being inspired by surroundings, exploring the inner self through photography, and accepting new challenges. Each of these photographers has created enough, accomplished enough, to rest on laurels, but each is still striving, experimenting, and creating. Like I said, sometimes you just have to say, “Wow.” Join us for this special episode and listen for information about our upcoming B&H Photography Podcast FUJIFILM X-H1 Sweepstakes. Guests: Keith Carter, Douglas Kirkland and Joyce Tenneson © Joyce Tenneson © Joyce Tenneson © Joyce Tenneson © Joyce Tenneson Fireflies, 1992. © Keith Carter Meagan’s New Shoes, 1993. © Keith Carter Radio Flyer, 2000. © Keith Carter Keith Carter and Allan Weitz © John Harris Joyce Tenneson © John Harris Joyce Tenneson and Allan Weitz © John Harris Douglas Kirkland and Allan Weitz with the last issue of Look magazine, on which they worked together. © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/18/2018
The two-day Depth of Field Conference, hosted by B&H, was an impressive gathering of wedding and portrait photographers, each sharing their unique talents, styles, and techniques with a receptive crowd. We had our microphones ready to speak with some of the photographers before and after their presentations, and offer here our conversations with four exceptional photographers. We chose these four not only because their work is impeccable, but because they possess distinct views on the aesthetics and business of wedding photography. We start with Andy Marcus, of Fred Marcus Studios, one of the preëminent wedding-photography studios in New York, whose clientele includes celebrities, CEOs—and even Presidents and their daughters. With Marcus, we discuss keeping a family business running across three generations, how to work huge weddings, keeping A-list clients satisfied, and the importance of consistency. Next, we are joined by Sara France, of France Photographers, who has taken her business from a “girl with a camera” to a full-service studio with branches in California, Texas, and Hawaii. We speak about how to expand your business across states, the advantages of a woman-run enterprise, and how to best utilize the “blue hour.” France is Sony’s most recent “Artisan of Imagery,” so we also speak about her use of the Sony Alpha series cameras and continuous lighting. After a break, we are joined by Laurent Martin of Helena & Laurent Photography, a Bay Area-based husband-and-wife team who create straight-up gorgeous wedding photos. With Laurent, we discuss presets, using natural light, the joys of the wedding day, and how to embrace the chaos that comes with those joys. The success of this duo is seen in their ability to work together seamlessly, find the magical in small moments, and the lushness of their final product. Finally, we speak with Sal Cincotta, a St. Louis-based photographer running a studio whose team travels extensively. The list of Cincotta’s accomplishments as a wedding photographer would take a second page to list, and he is also an in-demand author and educator and expert on all forms of lighting. He speaks with us about the importance of constantly improving your craft and finding the time to do so. Despite the varied approaches to wedding photography offered by each of our guests, one theme reoccurred in each of the conversations: the need to use your photography to tell the story of a wedding. Guests: Andy Marcus, Sara France, Laurent Martin, Sal Cincotta © Fred Marcus Studio © Fred Marcus Studio © Fred Marcus Studio © Fred Marcus Studio © Fred Marcus Studio © Helena & Laurent Photography © Helena & Laurent Photography © Helena & Laurent Photography © Helena & Laurent Photography © Helena & Laurent Photography Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/04/2018
The B&H Photo SuperStore recently hosted the two-day Depth of Field Portrait, Wedding, and Event Photography Conference, in New York City, and invited many talented, experienced photographers to speak and show work. The conference also included representatives from most of the major camera, lens, and lighting companies. We set up our mics close to the main stage, grabbed vendors as they passed by and spoke with them about their latest and greatest offerings for photographers and videographers. For this week's episode of the B&H Photography Podcast, we have edited together a sampling of our conversations with the following manufacturers: Nikon, Pentax/Ricoh, Westcott, Sony, Sigma, Luxli, Canon LG, TogTees, Godox, Leica, and Adobe. It's a long one, but we have blended a bit of elucidation with some humor and, hopefully, created an informative and enjoyable show. Join us, por favor. Guests: Lindsay Silverman, Nikon (01:16) Ken Curry, Ricoh (03:15) David Piazza, Westcott (08:16) Lavonne Hall, Adobe (16:35) Jason Mantell, Sony (22:20) Marc Farb, Sigma (36:24) Casey Krugman, Luxli (45:06) Rudy Winston, Canon (53:04) Gregg Lee, LG (01:00:54) Pano Kalogeropoulos, TogTees (01:10:14) Stephen Gomez, Godox (01:18:32) John Kreidler, Leica (01:25:49) Top Shot © Lindsay Adler DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/31/2017
This is one of our most informative and, dare I say, best episodes yet. We talk about emulsion-based and inkjet photographic paper, with an emphasis on inkjet papers. We are fortunate to be joined by two talented and articulate guests, photographer Robert Rodriguez Jr. and August Pross, Print Manager and co-owner of LTI-Lightside photographic lab, in New York City. In addition to his outstanding landscape photography, Rodriguez is an author with three books on photography to his credit. He leads a very popular workshop series and is an ambassador for Canson-Infinity paper products. LTI-Lightside is well-known for its professional photo services and as the custom printer for many acclaimed fine-art photographers. In this episode, we talk about the various types of paper available for printing at home and at a lab, and discuss the differences between paper from Fujifilm, Epson, Kodak, Hahnemuhle, Ilford, and others. Topics we touch upon are optical brighteners, outgassing, printing profiles, and Wilhelm Imaging Research, but the focus of our conversation often returns to the tactile nature of the print and the need to understand a photographic print as an entirely different concept than an image on a screen. In addition to the wonderful dialogue, stay tuned throughout the episode for a B&H Photography Podcast exclusive promo code for a discount on all Canson paper products. Also, be sure to visit our podcast homepage for all of our episodes and, while you are there, leave us a voice message on the SpeakPipe widget. Click on this link to subscribe to our show on iTunes. Guests: Robert Rodriguez Jr. and August Pross Robert Rodriguez, Allan Weitz, August Pross Previous Pause Next Robert Rodriguez Jr DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/03/2017
As we asked in an earlier episode, “When was the last time you touched a photograph?” It’s an interesting question and some of us are still enjoying the tactile nature of a print, or our time in the darkroom, but most photographers now only experience their photos through a monitor. On today’s episode, we try to change all that with a visit from printer and printing experts Jay Tanen and Sam Celebi. We offer an overview of the options available when it comes to printing your photographs digitally. Yes, you can still go to some drugstores and get a set of images in a nice envelope, but even that is less common now, and the quality has always been questionable. Basically, if you want to make common digital prints, your choices are to go (or send your files) to a “lab” and get digital C-prints, inkjet prints, or perhaps “dye-sub” prints, and we’ll compare these types. However, the options for quality printing at home have expanded dramatically as the price of printers has dropped. We talk about the options available up and down the price range for home printing, as well as sort out some of the specifics that differentiate one printer from the next. We take a look at prices for residual items and maintenance and suss what’s best for various photographic needs, from family pics on the mantle to an exhibit of your finest photographs. Join us for this informative episode and keep an eye out for our upcoming show about photographic paper. Guests: Jay Tanen and Sam Celebi Jay Tanen, Allan Weitz, Sam Celebi DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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