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Posted 05/13/2021
This week’s episode of the B&H Photography Podcast is an old-fashioned hands-on review, but in this case, made with six hands. Allan, Jason, and I were pleased to be loaned the Leica Q2 Digital Camera and the Leica Q2 Monochrom Digital Camera, and we use our consideration of these 47MP cameras as a springboard to talk about camera grips, and point-and-shoot cameras, and value. We also talk about macro photography and cropping and about how to create black-and-white images from color files. We begin the conversation mentioning the specs and features of these two incredible cameras and each of us offers our pros and cons regarding the features we liked best and those we felt lacking. Autofocus, body design, focal length, and responsiveness are mentioned. Other Leica cameras, such as the Leica M10-P, get discussed, too, as do the practical differences between rangefinders with removable lenses and point-and-shoots. Join us for this casual chat about photography and about how each of us, with our different workflows, aesthetics, and goals, found these cameras to be versatile, yet also challenged us to create better images. Guests: Allan Weitz, Jason Tables, John Harris Photograph © John Harris © Jason Tables © Jason Tables © Jason Tables © John Harris © John Harris © John Harris Leica Q2 Monochrom Digital Camera © John Harris © Allan Weitz © Allan Weitz © Allan Weitz Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 04/29/2021
It’s Macro Photo Week at the Explora blog and you’ll find many helpful articles and videos about the tools, techniques, and practitioners of macro photography. On the podcast, however, we go deeper than macro, like 1000x deeper—our conversation is with geologist, gemologist, and microscopist Nathan Renfro, of the Gemological Institute of America. Renfro is a renowned photomicrographer, and his images of the interiors of gems, with their unique inclusions and imperfect perfections, are stunning color abstractions of the natural world. With Renfro we speak about the art, craft, and science of photomicrography—using microscopes to make photos—and how he documents the inner life of a stone. Renfro got his start in gemology thanks to the collection of rocks and gems his grandfather, a miner from North Carolina, left to him. From this collection a fascination grew, ultimately taking him to GIA as a protégé of John Koivula, noted gemologist and author of the Photo Atlas of Gems series. Renfro himself has become one of the leading image makers in his field, and we discuss the tools and techniques he uses to create his work, including fiber optic lighting, focus stacking, and Differential Interference Contrast. We also discuss the surprisingly simple cameras that he uses, as well as the adapters, filters, and apps that enable his wonderful creations. We ask about the advantages that mirrorless photography holds for his craft, about the commercial and scientific applications of his work, and how traditional photography with a standard zoom lens has improved his understanding of composition and color, thus benefiting his photomicrography. Join us for this exploration deep into microverses, which are as complex and unique as any place on Earth or beyond. Guest: Nathan Renfro Photograph © Nathan Renfro Today’s episode of the B&H Photography Podcast was produced using Audio-Technica  microphones. Amethyst © Nathan Renfro Arkansas Quartz © Nathan Renfro Blue Diamond © Nathan Renfro Chrysoprase © Nathan Renfro New South Wales Sapphire © Nathan Renfro Greenland Diamond Trigons © Nathan Renfro Topaz © Nathan Renfro New South Wales Iris Agate © Nathan Renfro ZEISS microscope with Canon 6D DSLR © Nathan Renfro Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 04/01/2021
This episode was first published in January 2018. The Canon sweepstakes mentioned in the episode has long since ended and is no longer valid. For some photographers, the phrase “run and gun” has a negative connotation, but when you’re Norman Reedus, that description takes on a much cooler meaning, one that is accurate to his style and a compliment to his ability to “sense a moment.” Reedus, most recognized for his acting work on the television series, “The Walking Dead” and “Ride with Norman Reedus,” is first and always an artist: a sculptor, a director, and author of the photography books, “The Sun’s Coming Up… Like a Big Bald Head” and his latest, “Portraits from the Woods,” which is a behind-the-scenes glimpse at the making of “The Walking Dead.” Both books are available at Big Bald Gallery. With the travel demands of working on films and television, Reedus’s photography becomes a way to engage with his locations and document his adventures but, through the eyes of an artist, his work is more than just famous locales and behind-the-scenes fun. He brings a personal vision, humorous and dark, to images he captures and does so with an experimenter’s touch, using a variety of cameras and styles. We talk with Reedus about his start in photography, his stylistic approaches, gear choices, and what he has learned from his time in front of a camera that helps with his work behind one. However, with a guest like Reedus—generous with his time and tales—you let the conversation flow, and we also discuss his series “Ride,” the influence of Laurie Anderson, fan selfies, his love of horror films, and a range of other topics. While recording this episode, the Tom Waits line, “I like beautiful melodies telling me terrible things,” kept popping into my head. I’m not sure this line best reflects Reedus’s work, but I am sure there is a Tom Waits line that does. This episode was a real treat for us at the B&H Photography Podcast, and we hope you feel the same in the listening. Allan Weitz and Norman Reedus, 2017 © John Harris Guest: Norman Reedus Photograph © Norman Reedus Cooks in the Kitchen with Kitten, Max Security Prison, Moscow © Norman Reedus Exercise, Max Security Prison, Moscow © Norman Reedus Tulum 2 © Norman Reedus Undecided Soldier © Norman Reedus San Diego © Norman Reedus Cover from “Portraits from the Woods,” 2020 © Norman Reedus Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 02/25/2021
Live event and concert photography have, obviously, been drastically impacted by the global pandemic and related shutdowns. Let’s give a shout-out to all the photographers, musicians, technicians, and crew who have struggled with the loss of that part of their income and craft, but also make time on the B&H Photography Podcast to talk about concert photography as we inch toward a hopeful return to live music and art performances. Today’s guest is Christie Goodwin, a premier concert and music photographer. She has been the tour photographer for the likes of Taylor Swift and Usher and has shot in venues around the world. She is also the house photographer for the famed Royal Albert Hall, in London. Her work is impeccable, and a quick glance at her website features some of the most recognized faces in contemporary music today. With Goodwin we speak on a range of topics, including her goals as a concert photographer based on the needs of the artist, the management team, the venue, or the fans. We also talk about life on tour, the trust necessary to work with musicians, shooting techniques learned from experience, and how she lets a concert “speak to her” as she decides her photographic approach. We also talk briefly about her Canon DSLR cameras and lenses, and about her side hustle, creating conceptual images for book covers, and how this primarily mirrorless endeavor is the yin to her concert photography yang. Join us for this insightful and practical conversation. Guest: Christie Goodwin Photograph © Christie Goodwin Celine Dion, Hyde Park, London, 2019 © Christie Goodwin Dream Theater, Wembley Arena, London, 2014 © Christie Goodwin Iggy Pop, Royal Albert Hall, London, 2016 © Christie Goodwin Marillion, Royal Albert Hall, London, 2017 © Christie Goodwin James Taylor backstage at Royal Albert Hall, London, 2014 © Christie Goodwin Sting backstage at Royal Albert Hall, London, 2015 © Christie Goodwin Photograph © Christie Goodwin Photograph © Christie Goodwin Photograph © Christie Goodwin Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/21/2021
On this week’s episode of the B&H Photography Podcast, we welcome Malike Sidibe to the show. With just 23 years under his belt, Sidibe has accomplished a great deal in his relatively short time on planet Earth, and not just photographically. But 2020 has been quite a busy year, even for him. His photography has generally been in the realm of editorial, fashion, and personal projects, and he has a lengthy list of clients that include Time, The Atlantic, Nikon, Nike, and The New Yorker, but this year he created a bold body of work covering the Black Lives Matter marches in New York and made a name for himself with editors shooting portraits via Zoom and FaceTime. We talk with Sidibe about how he has been able to move back and forth between these various genres of photography, concentrating the first part of the show on his experiences covering protests in Brooklyn and how his emotions brought him to the street, but his photographer’s spirit and eye enabled him to capture some of the most arresting images of the summer. We discuss shooting style, the Nikon Z 7 and lens choices, keeping gear secure, and staying safe in the midst of chaos. In addition, we talk about his process in portrait shoots through FaceTime, the iPad he used, and the tools he sent to his models and subjects for these unique collaborations. We also discuss Sidibe’s personal story of immigrating to the United States at age 13, his early struggles in school, and how NYC SALT, a high school photography program, helped him on his journey. It’s easy to recognize the talent, time, and work that Sidibe is dedicating to “making the future me happy,” but his good humor and creative love for photography are evident in this informative and lively conversation. Join us. Guest: Malike Sidibe Photograph © Malike Sidibe From “Black Lives Matter” series © Malike Sidibe From “Black Lives Matter” series © Malike Sidibe From “Black Lives Matter” series © Malike Sidibe From “Mami Wata” series © Malike Sidibe From “Mami Wata” series © Malike Sidibe From “Mami Wata” series © Malike Sidibe From “Mami Wata” series © Malike Sidibe From “facetime” series © Malike Sidibe From “facetime” series © Malike Sidibe Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 12/31/2020
For our final episode of 2020, we look back at the year that was—and what a year it was. We learned new remote recording skills and virtual conversation styles, but the B&H Photography Podcast never missed a beat; we recorded an episode the very first week of quarantine and have continued recording throughout this unprecedented time. Many aspects of this production were made significantly more difficult by being “all remote,” but it did allow us to speak with photographers around the world and those who could never have made it into our humble but homey studio. On this week’s episode, we run down the list of episodes we recorded this year, which included conversations with legends of sports photography, of fine art photography, of photo education, and even with a supermodel and with a television celebrity. Of course, we also talked about the latest camera releases and the “best” cameras of 2020. Allan, Jason, and I each relate our favorite episodes from the year and mention some of the episodes that were best received by our listeners. And because this year we had many conversations about photography books, we also mention a few of our favorite books from 2020. Join us for this casual recounting of podcasts from a year no one will soon forget. Photograph © Karles Vives, winner of the 2020 B&H Photography Podcast Leica Challenge Allan Weitz, Adriane Ohanesian, and Nancy Borowick, 2020 © John Harris Allan Weitz and Sebastian Meyer, 2020 © John Harris Allan Weitz, Joseph Holmes, and Sara Bennett, 2020 © John Harris Allan Weitz and Shari Belafonte, 2020 © John Harris Clyde Butcher and John Harris, 2020 © Niki Butcher Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 12/10/2020
On this week’s episode of the B&H Photography Podcast, we offer an insightful overview of the best cameras released in 2020 and discuss significant trends in the photography industries. Our guest is Kevin Rickert, Senior Sales Trainer for B&H Photo. Rickert is often the first person at B&H to get new cameras in his hands and is responsible for training our staff on the features of a wide variety of gear. He knows his stuff. We start by mentioning the Canon EOS R5, which many members of our team listed as their favorite camera of 2020, and then we move to new cameras from Leica and FUJIFILM and the unique full-frame entry from ZEISS. We then discuss the compact Sony Alpha a7C full-frame camera and other new cameras from Sony and Nikon, including the D780 DSLR. Also, Ricoh, Olympus, and the impressive Panasonic Lumix DC-S5 get mentioned, and we wrap up cameras by discussing the new iPhones and Hasselblad’s incredible 907X 50C medium format mirrorless camera. Throughout the conversation, we muse on important developments and trends of the year, including Canon’s and Nikon’s continued investment in their full-frame mirrorless cameras and lenses, the increasing number of high-resolution entries from a range of makers, the importance of firmware updates, the use of artificial intelligence in cameras, and, of course, the effects of the COVID-19 pandemic. We close by mentioning a few of the more interesting lenses to arrive this year, including fixed-aperture telephotos from Canon, a great telephoto zoom from Olympus, and fast-aperture prime lenses from Sony, FUJIFILM, and Nikon. Join us for this informative episode. Guest: Kevin Rickert Nikon Z 7II Mirrorless Digital Camera Hasselblad 907X 50C Medium Format Mirrorless Camera FUJIFILM X100V Digital Camera Sony Alpha a7C Mirrorless Digital Camera Leica Q2 Monochrom Digital Camera Canon PowerShot ZOOM Digital Camera ZEISS ZX1 Digital Camera Ricoh GR III Street Edition Digital Camera Olympus M.Zuiko Digital ED 150-400mm f/4.5 TC1.25X IS PRO Lens FUJIFILM XF 50mm f/1.0 R WR Lens Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/09/2020
This is a wonderful conversation for fans of mirrorless cameras, of classic lens design, of the venerable M-mount, and, really, of photography. The joy that our host Allan Weitz exudes while discussing a few of his current favorite lenses is as contagious as it is educational. And I feel that this episode provides a bolt of creative curiosity that might infuse my own photography. For this week’s episode of the B&H Photography Podcast, we asked Weitz to draw up a list of 10 favorite lenses from his personal collection. To be sure, these are not lenses sitting on a shelf or behind glass; these are accessible, affordable lenses that he incorporates regularly into his photography practice, but each has a certain signature or special feature that merits recognition. Most, like the Voigtländer VM 40mm f/2.8 Heliar Lens for Sony E-Mount or the 7Artisans Photoelectric 50mm f/1.1 Lens for Leica M can be purchased new, while some, such as the Zeiss Hologon T* 16mm f/8 lens, are still readily found in the used market. Others, like the Nikon NIKKOR 50mm f/1.2 lens, are perennial favorites, while the Voigtländer Nokton 75mm f/1.5 Aspherical Lens seems classic but is relatively new to the market. While discussing these lenses, we stumble upon a mound of good photography chatter, including practical uses for these optics, tips for using extension tubes and mount adapters, notes on camera history, and plain simple fun facts. Toward the end of the episode we talk about the B&H Used Department, and Jason Tables and I share our current favorite lenses, as well. Join us for this breezy but informative episode and let us know your favorite lenses in the Comments section, below. Photograph © Allan Weitz Nikon NIKKOR 50mm f/1.2 Lens © Allan Weitz Zeiss 16mm f/8 Hologon Lens © Allan Weitz Voigtländer Nokton 75mm f/1.5 Aspherical Lens © Allan Weitz ZEISS Biogon T* 25mm f/2.8 ZM Lens © Allan Weitz Voigtländer Heliar 50mm f/3.5 Lens Voigtländer VM 40mm f/2.8 Heliar Lens for Sony E-Mount Three Lenses © Allan Weitz Taken with Zeiss Biogon 25mm f/2.8 ZM using Leica OUFRO Extension Tube © Allan Weitz Taken with Zeiss Hologon T* 16mm f/8 lens © Allan Weitz Taken with Voigtlander Heliar 50mm f/3.5 lens © Allan Weitz Taken with Voigtlander Nokton 75mm f/1.5 lens © Allan Weitz Taken with the Nikon NIKKOR 50mm f/1.2 AI-S lens © Allan Weitz Taken with Nikon Reflex-NIKKOR 500mm f/5 lens © Allan Weitz Taken with Nikon Reflex-NIKKOR 500mm f/5 lens © Allan Weitz Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/19/2020
This week’s episode of the B&H Photography Podcast is a healthy set of conversations with gear representatives and camera experts from several of the major camera and lighting companies that we recorded at the 2020 Depth of Field Conference. First we speak with Steve Heiner, of Nikon, discussing that company’s new DSLRs, including the flagship D6 and the D780. We also ask about the mirrorless Z system cameras and new lenses for that system. Next up is Joe Edelman, of Olympus, to discuss his company’s new flagship, the OM-D E-M1 Mark III, and its incredible image stabilization system. Our next guest is Shar Taylor, from Profoto, and with her we discuss the A1 AirTTL Studio Light, the Air Remote TTL, as well as the popular Profoto B10 OCF Flash Head. After a short break, we welcome Casey Krugman, product develop from Luxli, to discuss the incredible LED light panels, including the new Taiko 2x1 RGBAW LED light. Our next guest is food photographer Chelsea Kyle, who joins us on behalf of Canon to discuss the gear she works with, including the Canon EOS 5DS DSLR. Canon has also just announced the new EOS R5 full-frame mirrorless camera and other lenses in development. It has also released the RF 24-105mm f/4-7.1 IS STM lens for its full-frame mirrorless system. Following our visit with Chelsea Kyle, we welcome Marc Farb, from Sigma, to update us on the latest news from the L-mount alliance and the Sigma fp Mirrorless Digital Camera. He also discusses new lenses, including the highly anticipated Sigma 24-70mm f/2.8 DG DN Art lens for Sony E-mount cameras and the 14mm f/1.8 DG HSM Art lens from Leica L mount cameras. Our final guest is Jason Mantell, of Sony, who updates us on the latest from the Alpha mirrorless systems, including the Alpha a7R IV Mirrorless Digital Camera and the Alpha a9 II Mirrorless Digital Camera. Join us for this informative conversation. Guests: Steve Heiner, Joe Edelman, Shar Taylor, Casey Krugman, Chelsea Kyle, Marc Farb, and Jason Mantell Canon RF 24-105mm f/4-7.1 IS STM Lens Canon EOS Rebel T8i DSLR Camera Luxli Taiko 2x1 RGBAW LED Light Nikon D6 DSLR Camera Nikon D780 DSLR Camera Olympus OM-D E-M1 Mark III Mirrorless Digital Camera Profoto A1X AirTTL-C Studio Light Profoto Air Remote TTL-N Sigma 24-70mm f/2.8 DG DN Art Lens for Sony E Sigma fp Mirrorless Digital Camera Sony Alpha a7R IV Mirrorless Digital Camera Sony Alpha a9 II Mirrorless Digital Camera Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/08/2020
During a little holiday trip, producer John Harris made a visit to the gallery and studio of photographer Clyde Butcher. For anyone who grew up in Florida, Butcher’s work should be very familiar; his photography is often found on the walls of local libraries, municipal buildings, and, as Miami native Jason Tables points out, “every doctor’s office I’ve ever been in.” Butcher’s images of the Florida landscapes, particularly of the Everglades, are legendary, and although he has a brisk print-sales business, many of the photos in libraries have the attached placard, “Donated by Clyde Butcher.” Although he is known primarily for his large format black-and-white photography of “the swamp,” Butcher’s photographic career extends back many decades and includes architectural photography, mountain and western landscapes, filmed documentaries, and decorative color photography. Interestingly, Butcher began his career selling prints at small art fairs and, in the 1970s, he had a thriving business selling thousands of prints through department stores such as Sears and Montgomery Ward. This episode of the B&H Photography Podcast is a casual conversation that glides through several topics, including Butcher’s work with large format cameras, his recent foray into Sony digital cameras paired with Canon tilt-shift lenses, the incredible set of vintage enlargers in his giant darkroom space, the business models he and his family employ to market his images, water conservation, and, of course, his relationship to the Florida landscape for which he will be forever linked. Join us for this conversation with a true master. Guest: Clyde Butcher Above photograph © Clyde Butcher Tamiani Trail © Clyde Butcher Cigar Orchid Pond © Clyde Butcher Ochopee © Clyde Butcher Big Cypress © Clyde Butcher Moonrise © Clyde Butcher Plaja-S’Arenella-with-Boat, from Salvador Dali series © Clyde Butcher Cadaques, from Salvador Dali series © Clyde Butcher Cap-de-Creus, from Salvador Dali series © Clyde Butcher Clocks by Clyde Butcher circa, 1970s © Clyde Butcher Clyde Butcher and John Harris © Niki Butcher Niki and Clyde Butcher © John Harris Clyde Butcher in his Venice, Florida office © John Harris Butcher workshop and darkroom, 2019 © John Harris Niki Butcher with enlarger, 2019 © John Harris Clyde Butcher in Movie Dome with 11 x 14" view camera © Clyde Butcher Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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