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Posted 10/14/2021
To create a “collective portrait” of any set of people is difficult, but to do so with twenty-five world-renown women artists is a monumental challenge―one that our guests have undertaken and, based on their wonderful book, Portrait of an Artist: Conversations with Trailblazing Creative Women, have accomplished. Equally as impressive is that the book’s author, Hugo Huerta Marin, weaved a personal narrative into this series of interviews and photographs he made of artists he admired, such as Yoko Ono, Cate Blanchett, Inez Van Lamsweerde, and Orlan. On today’s episode of the B&H Photography Podcast, we speak with Marin about this seven-year project and we also welcome the book’s editor, Anna Godfrey, of Prestel Publishing. The two discuss the selection of subjects, interview techniques, and innovative book design. We also discuss the Polaroid portraits Marin made for the book and the role photography plays in the work of several of the artists profiled. Join us for this insightful conversation on the influence of groundbreaking women artists and on the persistence and collaboration needed to build this collective portrait. If you are in New York on October 28, 2021, Marina Abramović and Hugo Huerta Marin will host an intimate conversation about creativity, identity, success, and legacy at the global launch of Portrait of an Artist: Conversations with Trailblazing Creative Women, at Fotografiska New York. Tickets are available here. Guests: Hugo Huerta Marin and Anna Godfrey Photograph: FKA twigs © Hugo Huerta Marin Agnès Varda © Hugo Huerta Marin Catherine Deneuve © Hugo Huerta Marin Charlotte Gainsbourg © Hugo Huerta Marin Carrie Mae Weems © Hugo Huerta Marin Debbie Harry © Hugo Huerta Marin FKA twigs © Hugo Huerta Marin Inez Van Lamsweerde © Hugo Huerta Marin Jenny Holzer © Hugo Huerta Marin Yoko Ono © Hugo Huerta Marin Marina Abramović © Hugo Huerta Marin Cover of “Portrait of an Artist: Conversations with Trailblazing Creative Women” by Hugo Huerta Marin © Prestel Verlag, Munich · London · New York, 2021 Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 10/24/2019
Perhaps there is one thing on which all photographers can agree: we love to photograph our pets. From amateur to professional, a simple photo of our dog, cat, or guinea pig making “that face” is almost irresistible and, based on the current exhibit at The Museum of the Dog, this fascination with photographing our pets reaches into the past for as long as the medium has existed. On this week’s episode, we welcome author and vernacular photography collector Catherine Johnson, and Alan Fausel, Executive Director and CEO of the Museum of the Dog, to discuss the current exhibit on display at this museum. Johnson began collecting archival photos of dogs as a young girl, mostly from local flea markets, but over the years has amassed a unique collection of images—snapshots, posed portraits, cabinet cards, tintypes—dating back to the 1880s. This collection was made into the 2007 book, Dogs, and is now a wonderful exhibition at the Museum of the Dog, during the inaugural year in its new home, in Midtown Manhattan. With Johnson, we discuss the origin of her collection, the distinction between vernacular and amateur photography, and what makes for a good dog photo. We also touch upon her time working for photographer Norman Parkinson and her other photography work. Mr. Fausel, who has thirty years of art-world experience as a scholar, curator, appraiser, and regular guest on the Antiques Roadshow, now heads the Museum of the Dog, which is affiliated with the American Kennel Club. With Fausel, we speak about curating this exhibit, the challenges and joys of running a multi-faceted institution with such a specific theme, and how to balance the interests of dog lovers of varying stripes. We also discuss the growing interest in vernacular photography in the art world and its hard-to-be-determined appraisal value. Join us for this interesting episode and check out the “Photos: Please do not Bend, the Catherine Johnson Collection” on display through December 29, 2019, at the Museum of the Dog. Guests: Catherine Johnson and Alan Fausel © Catherine Johnson LLC © Catherine Johnson LLC © Catherine Johnson LLC © Catherine Johnson LLC © Catherine Johnson LLC © Catherine Johnson LLC © Catherine Johnson LLC © Catherine Johnson LLC © Catherine Johnson LLC © Catherine Johnson LLC, Image Courtesy AKC Museum of the Dog © Catherine Johnson LLC, Image Courtesy AKC Museum of the Dog Jason Tables and Catherine Johnson, © John Harris Alan Fausel © John Harris Allan Weitz, Catherine Johnson, and Alan Fausel © John Harris Allan and his “look-a-like” © John Harris Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/08/2018
When we finished recording this episode, Jay Maisel asked us which podcast episode was our favorite. It didn’t take Allan a second to answer, “This one!” While we have almost one-hundred and fifty to choose from, there is no doubt that this week’s episode of the B&H Photography Podcast is very memorable. Once we turned the mics on, nobody wanted this conversation to end and, indeed, it runs longer than 80 minutes, but it is worth every minute. When listening to Jay Maisel and Stephen Wilkes talk, time doesn’t fly—it soars. The reason we have two such remarkable photographers and long-time associates on together is because this weekend, at the DOC NYC Film Festival, Wilkes is premiering his documentary about Maisel, called Jay Myself. We sat with Maisel and Wilkes to discuss the making of the film and their personal and professional relationship that has lasted for almost 40 years. At the heart of the film is Maisel’s former residence and studio, the six-story, 30,000 square-foot Germania Bank building that he bought, in 1967, and sold in 2014 for a tidy profit. This massive space, almost as legendary as Maisel himself, must be emptied before Maisel is to move, and Wilkes was there to capture this undertaking. The movie touches upon themes of mentorship, mortality, visual creativity, and the changing face of New York City, but along with the remarkable space he created, the film focuses on the life, work, and legacy of Maisel himself. It is a loving tribute from one photographer to another, one friend to another. Our conversation is filled with the type of creative insight and humor that these towering figures in contemporary photography can bring. Join us for this fascinating conversation and see the trailer of the film here. Part I, Maisel and Wilkes: 00:00- 38:40 Part II, Jay Myself and The Bank: 39:00 – 83:50 Guests: Jay Maisel and Stephen Wilkes Poster for the film, "Jay Myself"; Courtesy Mind Hive Films Stephen Wilkes and Jay Maisel in “The Bank,” 2014, Photograph Courtesy Mind Hive Films Singapore © Jay Maisel Allan Weitz with Jay Maisel and Stephen Wilkes on the B&H Photography Podcast, Photograph © John Harris Stephen Wilkes and Jay Maisel, Photograph © John Harris Stephen Wilkes, Photograph © John Harris Jay Maisel, Photograph © John Harris Stephen Wilkes and Jay Maisel, Photograph © John Harris Allan Weitz and Jay Maisel, Photograph © John Harris Stephen Wilkes and Jay Maisel, Photograph © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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