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Posted 07/15/2021
On this episode of the B&H Photography Podcast, we are thrilled to help celebrate the first anniversary of Black Women Photographers. Founded in July 2020 by Polly Irungu, the mission of Black Women Photographers is to “disrupt the notion that it is difficult to discover and commission Black creatives.” And toward that goal, BWP is now a global organization of more than 600 members, and as an online directory, has become a home for Black women and non-binary photographers to receive proper recognition and, most importantly, to get hired. We welcome Polly Irungu to discuss the founding of BWP, and to talk about the challenges and joys of running an organization that has blossomed so quickly, and about the successes of the past year and goals for the future. On that note, Irungu thrills us by announcing new grants available to photographers. We are also joined by photographer Dawn Bangi, who received her first professional assignment—with the New York Times, no less—through Black Women Photographers. We ask Bangi how she became familiar with BWP and about the assignment she received. We also discuss her other work, the Nikon and Mamiya gear she uses, and the influence of Gordon Parks. Join us for this inspiring episode and discover some of the great work found at Black Women Photographers. Guests: Polly Irungu and Dawn Bangi Photograph © Polly Irungu © Polly Irungu © Polly Irungu © Polly Irungu Courtesy of Polly Irungu/Black Women Photographers © Dawn Bangi/New York Times From the “Davin and Davis series” © Dawn Bangi From the “Davin and Davis series” © Dawn Bangi From the “Davin and Davis series” © Dawn Bangi Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 03/11/2021
This is the second episode of the B&H Photography Podcast produced with the collaboration of Leica Camera, and we are pleased to welcome photographer Stella Johnson to the show. It is the “in-between moments of life” that Johnson describes as the subject of her work, work that includes books and documentary series made in Cameroon, Greece, Nicaragua, and Mexico. In this easygoing conversation, we discuss the nature of her long-term projects, and the motivations that return her to the same places year after year. We also talk about composing with rangefinder cameras, being at the eye level of your subject, and the weeks that go by without making pictures and the verbal and nonverbal communication necessary when you are invited as a photographer into a community or home, as Johnson has been. For her personal documentary work, Johnson has relied on Leica M cameras and a 35mm focal length lens. We discuss this focal distance in terms of a personal comfort zone and one that even felt safer during pandemic time. Johnson keeps her settings simple and concentrates on composition and the moment; she tends to find light and locations that she likes and waits for the images. Because Johnson’s compositions are so strong in black-and-white and her color work is minimal and adroit, we ask for her thoughts on how to work with both formats and if a fluidity between them is easy. Finally, in searching for a definition of documentary photography, we mulled over the effect of time, of returning to locations and subjects, of its distinction from photojournalism, as seeing “what life is like” and the stories of “just daily life.” Guest: Stella Johnson Photograph © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “RE-CREATIONS” © Stella Johnson Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C. Steiner
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Posted 04/10/2019
This is one of the more informative and hands-on practical episodes of the B&H Photography Podcast that we have produced in some time. Obviously, it helps if you are “practicing” car photography, but the insights provided in this episode are useful for a wide range of photo disciplines, and touch on techniques for making better images of moving objects, reflective and non-reflective products, tight interiors, and how to photograph large items in a studio or on location. For this wealth of information, we must thank photographer Nate Hassler, who joined us to talk about his extensive work photographing cars, whether for advertising, editorial, or for personal projects, a.k.a. fun. Hassler is accomplished in each of these areas, and his advertising clients include Toyota, Honda, Lexus, and Mercedes. He is also a respected motorsport photographer, with work appearing regularly in Road & Track magazine. We find out that Hassler grew up around photography, helping in his parents’ photo studio, but developed a love for cars all on his own and seems to have found the perfect career that blends his two passions. We learn a bit about the automobile advertising business, but mostly we discuss capture technique, including the rigs and gear he prefers, shooting moving vehicles, stabilization, bracketing, back-lighting, lens distortion, and post-process. This truly is an educational and entertaining episode, and check out the B&H Photography Podcast Facebook Group for an image of Hassler’s “Franken-Instax” camera that he created to make instant photos with a Schneider lens. Guest: Nate Hassler Photograph © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler “Franken-Instax” camera © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/16/2019
This week, we recognize the 10th anniversary of the "Miracle on the Hudson." On January 15, 2009, with both engines crippled, US Airways Flight 1549 made an emergency landing in the icy waters of the Hudson River, with 155 people onboard. All passengers and crew survived. On this week's episode of the B&H Photography Podcast, we welcome photographer Stephen Mallon, who documented the recovery of the airplane from the river, and Denise Lockie, who was a passenger on Flight 1549. Stephen Mallon is that rare photographer who successfully blends editorial, documentary, commercial, and fine art photography, often in the same image. He is recognized for documenting large-scale industrial and marine projects, including the "The Reefing of USS Radford," "Next Stop Atlantic," and, of course, "Brace for Impact: The Salvage of Flight 1549." His clients include the New York Times Magazine, The Wall Street Journal, Fortune, Publicis, Sudler & Hennessey, and MAYTAG; and his series, "American Reclamation," is currently exhibiting at the Front Room Gallery, in New York. Mallon discusses his career trajectory, his medium format and full-frame gear choices, and how he straddles the line between his documentary subjects and a fine art photographer's vision. Of course, we also talk about the series he produced on the recovery of Flight 1549 and how he approached such a historical subject. In the second half of the episode, we are also very fortunate to welcome Denise Lockie, who survived the crash landing and a protracted stay in the icy waters. Lockie tells of her experience that day, her recovery process, and about looking back on such a life-changing event after ten years. We also discuss with Lockie her feelings about Mallon's images and the other iconic photographs from that fateful day. Guests: Stephen Mallon and Denise Lockie from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Next Stop Atlantic”, 2010 © Stephen Mallon from “American Reclamation”, 2017 © Stephen Mallon Allan Weitz, Denise Lockie, and Stephen Mallon © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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