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Posted 10/07/2019
“A wiser feller than myself once said, ‘Sometimes you eat the bear, and sometimes the bear, well, he eats you.’” A few of our listeners may recognize this quote from a certain 1998 movie but, for others, well, it may just be a confusing adage. For today’s episode of the B&H Photography Podcast, however, we did indeed “eat the bear” and are very fortunate to welcome actor, musician, and photographer Jeff Bridges to our show. In addition to being an Academy Award-winning actor, Bridges photographs the “behind-the-scenes” making of his movies with a Widelux swing-lens panoramic film camera, and over the years has collected those images in private editions, made for the cast and crew. In 2003, he published a book called, Jeff Bridges: Pictures, and in October 2019, is releasing the incredible Jeff Bridges: Pictures Volume 2, which “expands on Bridges' intimate vision of Hollywood behind-the-scenes. Included within are rare looks at the famed actors, top directors, talented costumers, and makeup artists, skilled and creative set and art decoration, and the rest of the passionate crews involved in such memorable movies as True Grit, Crazy Heart, The Giver, TRON: Legacy, and Hell or High Water. ” With Bridges, we discuss his affinity for the Widelux, and how he handles this camera—known for its idiosyncrasies. We relate the nuts-and-bolts aspects of his workflow, from using the viewfinder (or not) to measuring exposure with a Minolta spot meter, to how he composes a frame with a 140-degree angle of view. We also discuss other wide-format cameras, how Bridges works on set with other actors and crew members, the creation of his new book, and the scope of his photographic work, which has become a unique documentation of movie-making from the 1980s until today. Join us for this lively conversation and look for Jeff Bridges: Pictures Volume 2, published by powerHouse Books and distributed by Penguin Random House. All of Bridge’s proceeds from the sale of his book go to the Motion Picture & Television Fund, a nonprofit organization that offers charitable care and support to film-industry workers. When you visit his website, check the link for No Kid Hungry, an organization dedicated to ending childhood hunger and for which Bridges is the national spokesperson. Finally, if you are in the Los Angeles area on October 15, take the opportunity to have Jeff sign your copy of his book at the Book Soup event, on Sunset Blvd. Guest: Jeff Bridges Above photograph © Jeff Bridges George Clooney, Tragedia/Comedia, "The Men Who Stare at Goats," 2009 © Jeff Bridges Iron Man Suit, "Iron Man," 2008 © Jeff Bridges Stan Winston’s Workshop, "Iron Man," 2008 © Jeff Bridges Stephen Bruton, Songwriter, "Crazy Heart," 2009 © Jeff Bridges Jack Nation, "Crazy Heart," 2009 © Jeff Bridges Gary Ross, Director, and Tobey Maguire, "Seabiscuit," 2003 © Jeff Bridges Claudio Miranda and Olivia Wilde, "Tron: Legacy," 2010 © Jeff Bridges Loyd Catlett, "Seventh Son," 2014 © Jeff Bridges "Scenes of the Crime," 2001 © Jeff Bridges Jodelle Ferland, Tragedia/Comedia, "Tideland," 2005 © Jeff Bridges Jeff Bridges, "True Grit," 2010 © Jeff Bridges Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/08/2018
When we finished recording this episode, Jay Maisel asked us which podcast episode was our favorite. It didn’t take Allan a second to answer, “This one!” While we have almost one-hundred and fifty to choose from, there is no doubt that this week’s episode of the B&H Photography Podcast is very memorable. Once we turned the mics on, nobody wanted this conversation to end and, indeed, it runs longer than 80 minutes, but it is worth every minute. When listening to Jay Maisel and Stephen Wilkes talk, time doesn’t fly—it soars. The reason we have two such remarkable photographers and long-time associates on together is because this weekend, at the DOC NYC Film Festival, Wilkes is premiering his documentary about Maisel, called Jay Myself. We sat with Maisel and Wilkes to discuss the making of the film and their personal and professional relationship that has lasted for almost 40 years. At the heart of the film is Maisel’s former residence and studio, the six-story, 30,000 square-foot Germania Bank building that he bought, in 1967, and sold in 2014 for a tidy profit. This massive space, almost as legendary as Maisel himself, must be emptied before Maisel is to move, and Wilkes was there to capture this undertaking. The movie touches upon themes of mentorship, mortality, visual creativity, and the changing face of New York City, but along with the remarkable space he created, the film focuses on the life, work, and legacy of Maisel himself. It is a loving tribute from one photographer to another, one friend to another. Our conversation is filled with the type of creative insight and humor that these towering figures in contemporary photography can bring. Join us for this fascinating conversation and see the trailer of the film here. Part I, Maisel and Wilkes: 00:00- 38:40 Part II, Jay Myself and The Bank: 39:00 – 83:50 Guests: Jay Maisel and Stephen Wilkes Poster for the film, "Jay Myself"; Courtesy Mind Hive Films Stephen Wilkes and Jay Maisel in “The Bank,” 2014, Photograph Courtesy Mind Hive Films Singapore © Jay Maisel Allan Weitz with Jay Maisel and Stephen Wilkes on the B&H Photography Podcast, Photograph © John Harris Stephen Wilkes and Jay Maisel, Photograph © John Harris Stephen Wilkes, Photograph © John Harris Jay Maisel, Photograph © John Harris Stephen Wilkes and Jay Maisel, Photograph © John Harris Allan Weitz and Jay Maisel, Photograph © John Harris Stephen Wilkes and Jay Maisel, Photograph © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 08/10/2018
There is no doubt that a film photography renaissance is in full swing… just ask anyone under the age of 25. And to be fair, there are many wonderful artists—of all ages—who have never stopped using film as their primary photographic format. To anyone who grew up shooting film and then made the transition to digital, it’s a bit curious to see such a resurgence in a medium that has long been listed as “critical,” if not simply dead. At the B&H Photography Podcast, we still shoot with film cameras and enjoy the processes involved, but the guests on today’s episode are putting money (and time and energy) where their mouths are and have opened up a physical store (in addition to their online business) selling film and film cameras. Brooklyn Film Camera, located in Bushwick, Brooklyn, sells film and film cameras—from 35mm to medium format, disposables to underwater, pinholes to Polaroid. They are one of a few shops in the world to offer expert restoration services for Polaroid SX-70 and SLR 680 camera systems. They have a brisk online business but are also a local hub, offering repairs, photo tours, and a home base for a burgeoning community of film shooters. We speak with Kyle Depew and Julien Piscioneri about their company’s origin as an outgrowth of the Impossible Project, and about the services they provide, but we also discuss the who, why, and where of the analog renaissance and whether this is a trend, or if film and digital will co-exist peacefully. We are also joined by Michael Armato, of the B&H Used Department, and former proprietor of Armato Cameras, in Queens, NY. Armato brings his insight from running a camera store for more than forty years and sheds light on which film cameras and formats are most in demand at the used counter. Join us for this enjoyable chat. Guests: Kyle Depew, Julien Piscioneri, and Michael Armato Courtesy of Brooklyn Film Camera Courtesy of Brooklyn Film Camera Courtesy of Brooklyn Film Camera B&H Photography Podcast © John Harris Michael Armato keeps 'em laughing © John Harris Julien Piscioneri ©John Harris Kyle DePew © John Harris Michael Armato © John Harris Julien Piscioneri, Michael Armato, Kyle DePew, and Allan Weitz © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 04/13/2018
The “Day to Night” series that Stephen Wilkes has been working on for several years has received much-deserved attention and has grown from its New York roots to encompass locations in Europe, the Middle East, Asia, and Africa. These photographs, which capture a full 24-hour cycle in one frame are awe-inspiring when viewed as a whole; fascinating when analyzed in detail, and monumental when considered as a production. On today’s episode of the B&H Photography Podcast, we speak with Stephen Wilkes and Bette Wilkes, his wife, business manager, and the behind-the-scenes producer of these incredible photographs. Our conversation is easy-going and bounces back and forth between Mr. and Ms. Wilkes, emphasizing their intertwined working relationship. With Mr. Wilkes, we speak of the genesis of the project and the influences he finds in the paintings of the Dutch Masters and the Hudson River School. We also discuss his process, which is both physically and technically demanding. He speaks of a desire to “get lost” in the moment and ultimately how his images are “a representation of his memory” from the day and place. With Ms. Wilkes, we speak of the knotty and time-consuming process of arranging a shoot that will last more than twenty-four continuous hours in some of the world’s busiest and most desolate locations. We discuss many photographs, but concentrate on two images from the “Day to Night” series to highlight their complicated productions—the first is a photograph of New York City’s Flatiron Building and, in the second half of the show, we visit a watering hole in the Serengeti Plain. To see these images, please visit our website, and, if you are in Washington D.C. prior to April 29, 2018, check out the “Day to Night” exhibit at the National Geographic Museum, and keep your eye out for the upcoming book, to be published by Taschen. Guests: Stephen Wilkes and Bette Wilkes The Highline, New York City © Stephen Wilkes Times Square, New York City © Stephen Wilkes The Flatiron Building, New York City © Stephen Wilkes Coney Island, New York City © Stephen Wilkes Santa Monica Pier © Stephen Wilkes The Western Wall, Jerusalem © Stephen Wilkes Inauguration Day, 2013, Washington D.C. © Stephen Wilkes Yosemite National Park, California © Stephen Wilkes Serengeti National Park, Tanzania © Stephen Wilkes The Grand Canyon © Stephen Wilkes Regata Storica, Venice, Italy © Stephen Wilkes Stephen Wilkes © John Harris Bette Wilkes © John Harris Stephen and Bette Wilkes © John Harris Bette Wilkes, Allan Weitz, and Stephen Wilkes © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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