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Posted 12/02/2021
The title for this episode of the B&H Photography Podcast is taken from a comment made by guest Tonika Johnson, describing the moment she recognized the effect her work could have on citizens of her hometown of Chicago. I’m certain that our other guests have had a similar moment when they see that their artistic work has gone beyond just the oohs and ahhs of aesthetes and afficionados and truly helps to educate and change the world for the better. On today’s program, we speak about photo projects that are used to address social problems and to bridge gaps between diverse people. In addition to Johnson, we welcome photographer John Noltner, the founder of A Peace of My Mind, and Michael Skoler, Communications Director at Weave: The Social Fabric Project. From Skoler we learn of the founding of Weave by the Aspen Institute and its mission to enable “weavers” to create connections between varied people, to act as good neighbors, and to “heal” communities. A Peace of My Mind, which has collaborated with Weave, uses photography and portraiture to foster discussions on peace and its many interpretations. Through exhibitions, workshops, and even his new book, Noltner’s visual storytelling sparks conversation and, hopefully, brings new understandings on diversity and tolerance. In the second half of the program, we focus on the work of Tonika Johnson and her Folded Map Project, which provides a unique method to compare historically segregated neighborhoods in Chicago and, ultimately, to bring the residents of these neighborhoods together. We speak with Johnson of her work as a photo teacher and activist and learn how this project had been gestating since her high school days. Join us for this inspirational conversation. Guests: Michael Skoler, John Noltner, Tonika Johnson Photograph © John Noltner From “Folded Map Project” © Tonika L. Johnson From “Folded Map Project” © Tonika L. Johnson Southside, Englewood resident Nanette sitting with her “map twin” Wade, on his porch in Chicago’s northside neighborhood of Edgewater, from “Folded Map Project” © Tonika L. Johnson “A Peace of My Mind” exhibit in Memphis, Tennessee, 2018 © John Noltner Dan Gallagher, Veterans advocate, Missoula, MT. From “A Peace of My Mind,” 2015 © John Noltner Hashim Garrett, activist, Orange, New Jersey. From “A Peace of My Mind,” 2016 © John Noltner Tyrone Werts, Inside-Out Project, Philadephia, PA. From “A Peace of My Mind,” 2016 © John Noltner Bud Welch, Oklahoma City Memorial and Museum, Oklahoma City, OK. From “A Peace of My Mind,” 2013 © John Noltner Joanne Bland, Civil Rights Activist, Selma, Alabama. From “A Peace of My Mind,” 2014 © John Noltner Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 02/25/2021
Live event and concert photography have, obviously, been drastically impacted by the global pandemic and related shutdowns. Let’s give a shout-out to all the photographers, musicians, technicians, and crew who have struggled with the loss of that part of their income and craft, but also make time on the B&H Photography Podcast to talk about concert photography as we inch toward a hopeful return to live music and art performances. Today’s guest is Christie Goodwin, a premier concert and music photographer. She has been the tour photographer for the likes of Taylor Swift and Usher and has shot in venues around the world. She is also the house photographer for the famed Royal Albert Hall, in London. Her work is impeccable, and a quick glance at her website features some of the most recognized faces in contemporary music today. With Goodwin we speak on a range of topics, including her goals as a concert photographer based on the needs of the artist, the management team, the venue, or the fans. We also talk about life on tour, the trust necessary to work with musicians, shooting techniques learned from experience, and how she lets a concert “speak to her” as she decides her photographic approach. We also talk briefly about her Canon DSLR cameras and lenses, and about her side hustle, creating conceptual images for book covers, and how this primarily mirrorless endeavor is the yin to her concert photography yang. Join us for this insightful and practical conversation. Guest: Christie Goodwin Photograph © Christie Goodwin Celine Dion, Hyde Park, London, 2019 © Christie Goodwin Dream Theater, Wembley Arena, London, 2014 © Christie Goodwin Iggy Pop, Royal Albert Hall, London, 2016 © Christie Goodwin Marillion, Royal Albert Hall, London, 2017 © Christie Goodwin James Taylor backstage at Royal Albert Hall, London, 2014 © Christie Goodwin Sting backstage at Royal Albert Hall, London, 2015 © Christie Goodwin Photograph © Christie Goodwin Photograph © Christie Goodwin Photograph © Christie Goodwin Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 04/10/2019
This is one of the more informative and hands-on practical episodes of the B&H Photography Podcast that we have produced in some time. Obviously, it helps if you are “practicing” car photography, but the insights provided in this episode are useful for a wide range of photo disciplines, and touch on techniques for making better images of moving objects, reflective and non-reflective products, tight interiors, and how to photograph large items in a studio or on location. For this wealth of information, we must thank photographer Nate Hassler, who joined us to talk about his extensive work photographing cars, whether for advertising, editorial, or for personal projects, a.k.a. fun. Hassler is accomplished in each of these areas, and his advertising clients include Toyota, Honda, Lexus, and Mercedes. He is also a respected motorsport photographer, with work appearing regularly in Road & Track magazine. We find out that Hassler grew up around photography, helping in his parents’ photo studio, but developed a love for cars all on his own and seems to have found the perfect career that blends his two passions. We learn a bit about the automobile advertising business, but mostly we discuss capture technique, including the rigs and gear he prefers, shooting moving vehicles, stabilization, bracketing, back-lighting, lens distortion, and post-process. This truly is an educational and entertaining episode, and check out the B&H Photography Podcast Facebook Group for an image of Hassler’s “Franken-Instax” camera that he created to make instant photos with a Schneider lens. Guest: Nate Hassler Photograph © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler “Franken-Instax” camera © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/01/2018
When you think of an image from your favorite movie, what comes to mind? Is it a well-edited sequence, a dramatic crescendo, or perhaps simply a static photo, maybe even the poster art itself? If it is a static image, chances are it’s a photo taken by an on-set “still” photographer. On today’s episode of the B&H Photography Podcast, we discuss this craft with two photographers who make their living  as still photographers, working on location and in-studio on television and film productions alongside the camera assistants, boom operators, grips, DPs and myriad crew members, who make the movie magic. Joining us are  JoJo Whilden, a fine art and still photographer who has worked on numerous films, including Silver Linings Playbook and The Fighter and television series such as Orange Is the New Black, and Homeland. Her clients include HBO, Netflix, CBS, Sony, and Killer Films. She is the 2018 recipient of The Society of Camera Operators Lifetime Achievement Award in Still Photography. Also joining us in the studio is David Giesbrecht, an editorial and still photographer with credits on The House of Cards, The Blacklist, Mr. Robot, Jessica Jones, and many other programs and films. We speak with Giesbrecht and Whilden about the specific photography skills required on-set, the working relationship within a film crew, their gear setup, and the changes that the profession has seen with the onset of digital streaming, cell phones, mirrorless cameras, social media, and the growth of the episodic television series. This is a very informative episode about a craft that is often overlooked and misunderstood. Guests: JoJo Whilden and David Giesbrecht  From “Orange is the New Black”, Photograph Courtesy JoJo Whilden From “Boardwalk Empire”, Photograph Courtesy JoJo Whilden From “Olive Kitteridge”, Photograph Courtesy JoJo Whilden From “A Late Quartet”, Photograph Courtesy JoJo Whilden From “The Fighter”, Photograph Courtesy JoJo Whilden John Turturro directing “Fading Gigolo”, Photograph Courtesy JoJo Whilden From “Jessica Jones”, Photograph Courtesy David Giesbrecht From “Jessica Jones”, Photograph Courtesy David Giesbrecht From “Luke Cage”, Photograph Courtesy David Giesbrecht From “House of Cards”, Photograph Courtesy David Giesbrecht Box art from “The Tick”, Photograph Courtesy David Giesbrecht JoJo Whilden and David Giesbrecht hamming it up in the podcast studio Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 04/13/2018
The “Day to Night” series that Stephen Wilkes has been working on for several years has received much-deserved attention and has grown from its New York roots to encompass locations in Europe, the Middle East, Asia, and Africa. These photographs, which capture a full 24-hour cycle in one frame are awe-inspiring when viewed as a whole; fascinating when analyzed in detail, and monumental when considered as a production. On today’s episode of the B&H Photography Podcast, we speak with Stephen Wilkes and Bette Wilkes, his wife, business manager, and the behind-the-scenes producer of these incredible photographs. Our conversation is easy-going and bounces back and forth between Mr. and Ms. Wilkes, emphasizing their intertwined working relationship. With Mr. Wilkes, we speak of the genesis of the project and the influences he finds in the paintings of the Dutch Masters and the Hudson River School. We also discuss his process, which is both physically and technically demanding. He speaks of a desire to “get lost” in the moment and ultimately how his images are “a representation of his memory” from the day and place. With Ms. Wilkes, we speak of the knotty and time-consuming process of arranging a shoot that will last more than twenty-four continuous hours in some of the world’s busiest and most desolate locations. We discuss many photographs, but concentrate on two images from the “Day to Night” series to highlight their complicated productions—the first is a photograph of New York City’s Flatiron Building and, in the second half of the show, we visit a watering hole in the Serengeti Plain. To see these images, please visit our website, and, if you are in Washington D.C. prior to April 29, 2018, check out the “Day to Night” exhibit at the National Geographic Museum, and keep your eye out for the upcoming book, to be published by Taschen. Guests: Stephen Wilkes and Bette Wilkes The Highline, New York City © Stephen Wilkes Times Square, New York City © Stephen Wilkes The Flatiron Building, New York City © Stephen Wilkes Coney Island, New York City © Stephen Wilkes Santa Monica Pier © Stephen Wilkes The Western Wall, Jerusalem © Stephen Wilkes Inauguration Day, 2013, Washington D.C. © Stephen Wilkes Yosemite National Park, California © Stephen Wilkes Serengeti National Park, Tanzania © Stephen Wilkes The Grand Canyon © Stephen Wilkes Regata Storica, Venice, Italy © Stephen Wilkes Stephen Wilkes © John Harris Bette Wilkes © John Harris Stephen and Bette Wilkes © John Harris Bette Wilkes, Allan Weitz, and Stephen Wilkes © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/01/2017
On today’s episode of the B&H Photography Podcast, we continue our exploration of photographic collaboration with photojournalists Ben Lowy and Marvi Lacar. In addition to sharing a vocation, they also share two children and a life together. Photojournalism is a decidedly independent, at times dangerous, career, certainly not one known for a routine home life, but when domestic responsibilities and children enter the picture, how does a couple balance craft and career with the need to earn a living and the time needed to nurture relationships? More so, when both people are working in the same field, how does bolstering one career cross the line into debilitating the other and how do the individuals comprising a creative couple find ways to support each other’s efforts? Lowy and Lacar bring an animated humor and a willingness to talk about the difficult moments from their lives and careers, and explain how they have come to recognize their best personal and professional attributes, bringing those strengths into a working relationship that continues to evolve. Guests: Marvi Lacar and Ben Lowy From the series "Melting Pot," Marvi Lacar From the series "Melting Pot," Marvi Lacar From the series "U.S. Bases," Marvi Lacar From the series "U.S. Bases," Marvi Lacar From “This Is a Love Story,” Marvi Lacar From “This Is a Love Story,” Marvi Lacar 2004 Democratic National Convention, Ben Lowy Protest at 2004 Republican National Convention, Ben Lowy Iraq Perspectives #1, Ben Lowy Iraq perspectives, #2, Ben Lowy Wounded soldier, Iraq, Ben Lowy Ski Jumper, Sochi, 2014, Ben Lowy Speed Skater, Sochi, 2014, Ben Lowy Great White Shark, 2016, Ben Lowy Seal, 2016, Ben Lowy Ben Lowy and Marvi Lacar at B&H Photography Podcast, John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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