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Posted 01/14/2021
On this week’s episode of the B&H Photography Podcast, photographer Matt Price describes skate photography as the “perfect blend between studio and sports photography” and, from our engaging conversation, this idea will be made clear. Price knows of what he speaks—in addition to an acclaimed freelance career, he has been a staff photographer and editor for The Skateboard Mag and is currently Brand Director at CCS Skateshop and creates the magazine, Golden Hours Skateboarding. Price has lost more than one lens to the rigors of his craft, and we talk with him about getting close to skateboarders with a fish-eye lens, as well as other shooting and lighting techniques. We also discuss how he fell in love with skating and, at a very young age, began to submit his work to forums and, ultimately, to editors. He admits to taking his lumps from online critics for his early work, but his passion for skating and desire to improve his photo craft provided the courage and commitment to keep going and, eventually, his “energy-based” photo style caught the eye of editors and brands who sent him around the world to cover the skate scene. We discuss many topics in this easygoing conversation, from skating techniques to the business of skateboard photography to the differences between the various skate publications. We also get into the relationship between skater and photographer and how such a niche photo style has grown to influence a range of disciplines. Finally, we talk about gear choices and what has worked for Price. Starting with a Canon Rebel that he purchased with money his grandmother helped him secure, Price has worked with Hasselblad and Sony systems, but is currently back where he started, shooting with a Canon EOS 5D Mark IV and the Canon EF 8-15mm f/4L lens. Guest: Matt Price Photographs © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/01/2019
On May 10, 2019, the 150th anniversary of the “golden spike,”—the ceremonial completion of The First Transcontinental Railroad, will be celebrated, and we at the B&H Photography Podcast are taking this opportunity to talk railroad photography. In the first half of the episode, we discuss the iconic image created by photographer A.J. Russell, at Promontory Summit, Utah, in 1869 of hundreds of workers gathered on and around two steam locomotives for this momentous occasion. We also touch upon the relationship between photography and the growth of rail travel in the United States and mention other important railroad photographers. During the second half of our show we focus on the gear, techniques, and safety protocols employed by three accomplished contemporary railroad photographers. Joining us for this episode are Scott Lothes, photographer and President and Executive Director of the Center for Railroad Photography & Art and the editor of its journal Railroad Heritage. Lothes discusses the Russell photograph and the Center’s mission, its archive, and its publications, including the recent book,  After Promontory: 150 Years of Transcontinental Railroading. We are also joined by photographers Eric Williams and Dennis Livesey. Williams is a fine art photographer who incorporates railroad and landscape photography into his work. He provides tips on workflow and shooting techniques and offers an overview of the subtle differences between the photographic styles within this subgenre. Livesey, who concentrates on urban rail transit and steam locomotives, brings his encyclopedic knowledge of railroad history and an insight on how to turn your passion into a photo project, specifically using his 2016 book, Smoke Over Steamtown, as an example. Join us for this timely and celebratory episode. To read more about railroad photography and view some exquisite train photographs, click into Todd Vorenkamp's article, 15 Tips for Better Train and Railway Photos. Guests: Scott Lothes, Eric Williams, and Dennis Livesey Above photograph © A.J. Russell, courtesy Center for Railroad Photography and Art © Eric Williams © Eric Williams © Eric Williams Erie Railroad freight train at Tuxedo, New York, October 22, 1944 © Donald W. Furler, courtesy Center for Railroad Photography & Art Cover of After Promontory, published by Indiana University Press (cover photograph by Carleton E. Watkins) Hawk’s Nest, West Virginia © Scott Lothes Pomona, Washington © Scott Lothes The Valley Railroad’s 2-8-2 Mikado bursts through the night and snow in Essex Connecticut, 2017 © Dennis A. Livesey Engineer Shane Frederickson and his son run the Reading Blue Mountain & Northern Railroad 4-6-2 Pacific No. 425 steam locomotive in Nesquehoning, Pennsylvania, 2017 © Dennis A. Livesey Central Railroad of New Jersey 0-6-0 switcher steam locomotive gets steam up in Minersville, Pennsylvania, 2018 © Dennis A. Livesey New York is exploding with construction, yet the No. 7 train just keeps rolling along. Long Island City, New York, 2017 © Dennis A. Livesey “The Champagne Photo,” celebrating the completion of The Transcontinental Railroad, May 10, 1869. Photograph by A.J. Russell, courtesy of the Center for Railroad Photography & Art Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/09/2018
Are the 1990s history? Well, for today’s episode of the B&H Photography Podcast, we look back to that decade when a new aesthetic in fashion photography was born in England, and later spread to the United States and the world; a transformative style whose influence is apparent almost thirty years after its birth. First appearing in small but influential magazines such as The Face, i-D, and Blitz, and growing from a reactionary youth culture, this raw style reflected a new aesthetic, one that rejected the glam, the supermodel, and the highly stylized photos of the 1980s in favor of eclectic clothing, waifish models, a low-tech, "straight-up" photo style, and a lot of “frickin’ attitude.” For this episode, we welcome fashion photographer Michael Sanders, who is a regular contributor to Italian Elle and who shot for many of the ’90s “style bibles” mentioned above. Sanders came of age in this era and discusses the social and economic factors that lead to this new aesthetic, the cyclical nature of fashion, and the overly simplistic idea of heroin-chic. He also provides a sense of the technologies that made this movement a reality, the gear most commonly used, and the assignment process and shooting-styles embraced. Finally, Sanders offers firsthand insight into the community of photographers, stylists, and models who are associated with this movement, including David Sims, Corinne Day, Kate Moss, Melanie Ward, and the important photographer and bridge figure, Nick Knight. Join us for this interesting look back to the birth of a style and photographic movement that is still reverberating. Guest: Michael Sanders Photograph © Corinne Day, model: Kate Moss, The 3rd Summer of Love cover from “The Face.” 1990 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders, 2018 from “Italian Elle”, March 2018 Photograph © Michael Sanders, 2018 from “Italian Elle”, March 2018 Photograph © Michael Sanders, 2018 from “Italian Elle”, March 2018 Photograph © Michael Sanders, courtesy “Italian Elle” Allan Weitz and Michael Sanders, Photograph © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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