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Posted 03/11/2021
This is the second episode of the B&H Photography Podcast produced with the collaboration of Leica Camera, and we are pleased to welcome photographer Stella Johnson to the show. It is the “in-between moments of life” that Johnson describes as the subject of her work, work that includes books and documentary series made in Cameroon, Greece, Nicaragua, and Mexico. In this easygoing conversation, we discuss the nature of her long-term projects, and the motivations that return her to the same places year after year. We also talk about composing with rangefinder cameras, being at the eye level of your subject, and the weeks that go by without making pictures and the verbal and nonverbal communication necessary when you are invited as a photographer into a community or home, as Johnson has been. For her personal documentary work, Johnson has relied on Leica M cameras and a 35mm focal length lens. We discuss this focal distance in terms of a personal comfort zone and one that even felt safer during pandemic time. Johnson keeps her settings simple and concentrates on composition and the moment; she tends to find light and locations that she likes and waits for the images. Because Johnson’s compositions are so strong in black-and-white and her color work is minimal and adroit, we ask for her thoughts on how to work with both formats and if a fluidity between them is easy. Finally, in searching for a definition of documentary photography, we mulled over the effect of time, of returning to locations and subjects, of its distinction from photojournalism, as seeing “what life is like” and the stories of “just daily life.” Guest: Stella Johnson Photograph © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “RE-CREATIONS” © Stella Johnson Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C. Steiner
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Posted 12/17/2020
On this week’s episode of the B&H Photography Podcast, we welcome photographer Matthew Franklin Carter to the program. Like many photographers, Matt Carter wears a lot of hats. In his case, literally and figuratively, but his photography work blends documentary, editorial, and portrait work and reflects the place he calls home—Greenville, South Carolina. He shoots for regional and specialty magazines and does corporate work and portraits for local artists and businesses. He also assists other photographers and, of course, he has his personal projects. Family, food, fishing, hunting, drag racing, and dirt cars are depicted with humility and grace and a touch of humor. With Carter we discuss a range of topics, but keep our conversation focused on how to work comfortably in varied settings and with different communities of folk. Carter may be at home on the rivers shooting fly fishing, but he also has produced wonderful series at local car-racing tracks, a world with which he is much less familiar. We talk about these two racing projects—“Dirt” and “Glory”—and how he mingles with the drivers and crowd, as well as the gear he uses, from FUJIFILM to Mamiya, to create portraits and documentary-style images. We also discuss photographing hunting and fishing and the portrait work he does, in studio and on location, and the lighting he uses for each situation. We close on the topic of “finding your voice,” and for Carter how his latest project on local food production unites his many passions. Join us for this easygoing and informative conversation. Guest: Matthew Franklin Carter Above photograph © Matthew Franklin Carter From the series “Glory” © Matthew Franklin Carter From the series “Glory” © Matthew Franklin Carter From the series “Glory” © Matthew Franklin Carter From the series “Glory” © Matthew Franklin Carter From the series “Dirt” © Matthew Franklin Carter From the series “Dirt” © Matthew Franklin Carter © Matthew Franklin Carter © Matthew Franklin Carter © Matthew Franklin Carter © Matthew Franklin Carter © Matthew Franklin Carter Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/19/2020
On November 22 and 23, B&H will host the 2020 OPTIC All Stars Conference, with a stellar list of outdoor, travel, and adventure photographers giving online presentations and, on this week’s episode of the B&H Photography Podcast, we are pleased to welcome one of those photographers: Rachel Jones Ross. Ross is a landscape and night sky photographer based near Banff, in the Canadian Rockies, and our conversation with her is rife with practical tips for shooting in the mountains and with suggestions to improve your night photography. For starters, we speak with Ross about her workflow as it pertains to planning her shoots, which often require long hikes into the mountains. We discuss the apps she uses to gather information on weather, trails, and the night sky. We also ask about staying warm in subzero temperatures and find out that her most important piece of gear is her pair of  Heat Company gloves. From there we discuss basic (and not so basic) techniques for star and night sky photography, including tips on composition, focus, and focus stacking, including a handy “sharp star” filter for accurate focus. Because Ross is also a well-respected educator, we discuss transitioning to online workshops during the COVID-19 pandemic and her “Night Photography in your Pyjamas” course, and she offers a preview of her OPTIC All Stars presentation. We also discuss her go-to gear and how she decides which cameras and lenses to use for particular locations. Ross is a member of the Sony Alpha Imaging Collective, and she relates her preferences for the various Alpha series cameras and when and why she’ll decide to use a Sony 16-35mm zoom lens or a Zeiss Batis 18mm or Zeiss Loxia 21mm lens. There is a lot of solid information as well as practical tips enmeshed in a very pleasant conversation with the wonderful Rachel Jones Ross. Join us for this episode and register for the free 2020 OPTIC All Stars Conference. Guest: Rachel Jones Ross Photograph © Rachel Jones Ross Moraine Lake, 2020 © Rachel Jones Ross Mt. Assiniboine, 2020 © Rachel Jones Ross Blue Dragon Ice Cave, 2020 © Rachel Jones Ross Lake Minnewanka, Banff National Park © Rachel Jones Ross Bow Lake, Jasper National Park, 2020 © Rachel Jones Ross Abraham Lake, Alberta, Canada © Rachel Jones Ross Methane bubbles at Vermillion Lake, 2019 © Rachel Jones Ross Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/18/2019
On today’s episode of the B&H Photography Podcast, we revisit our conversation with Stephen and Bette Wilkes in honor of the release of Wilkes’s great new book Day to Night, and the accompanying gallery show at the Bryce Wolkowitz gallery, in New York. We also spend a bit of time reflecting on a few of the legendary photographers who have died recently. The Day to Night series that Stephen Wilkes has been working on for ten years has received much-deserved attention and has grown from its New York roots to encompass locations in Europe, the Middle East, Asia, and Africa. These photographs, which capture a full 24-hour cycle in one frame, are awe-inspiring when viewed as a whole; fascinating when analyzed in detail; and monumental when considered as a production. On today’s episode of the B&H Photography Podcast, we speak with Stephen Wilkes and Bette Wilkes—his wife, business manager, and the behind-the-scenes producer of these incredible photographs. Our conversation is easygoing and bounces back and forth between Mr. and Ms. Wilkes, emphasizing their intertwined working relationship. With Mr. Wilkes, we speak of the genesis of the project and the influences he finds in the paintings of the Dutch Masters and the Hudson River School. We also discuss his process, which is physically and technically demanding. He speaks of a desire to “get lost” in the moment and ultimately how his images are “a representation of his memory” from the day and place. With Ms. Wilkes, we speak of the knotty and time-consuming process of arranging a shoot that will last more than twenty-four continuous hours in some of the world’s busiest and most desolate locations. We discuss many photographs, but concentrate on two images from the Day to Night series to highlight their complicated productions—the first is a photograph of New York City’s Flatiron Building and, in the second half of the show, we visit a watering hole in the Serengeti Plain. To see these images, please visit our website, and, if you are in New York prior to October 26, 2019, check out the Day to Night exhibit at Bryce Wolkowitz Gallery. Guests: Stephen Wilkes and Bette Wilkes Highline, New York © Stephen Wilkes Times Square, New York © Stephen Wilkes Flatiron Building, New York © Stephen Wilkes Coney Island, New York © Stephen Wilkes Yosemite National Park © Stephen Wilkes Venice, Italy © Stephen Wilkes Serengeti Plain, Tanzania © Stephen Wilkes Bette Wilkes, Allan Weitz, and Stephen Wilkes © John Harris Mourner in front of Robert Frank’s apartment building, New York © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/16/2019
This week, we recognize the 10th anniversary of the "Miracle on the Hudson." On January 15, 2009, with both engines crippled, US Airways Flight 1549 made an emergency landing in the icy waters of the Hudson River, with 155 people onboard. All passengers and crew survived. On this week's episode of the B&H Photography Podcast, we welcome photographer Stephen Mallon, who documented the recovery of the airplane from the river, and Denise Lockie, who was a passenger on Flight 1549. Stephen Mallon is that rare photographer who successfully blends editorial, documentary, commercial, and fine art photography, often in the same image. He is recognized for documenting large-scale industrial and marine projects, including the "The Reefing of USS Radford," "Next Stop Atlantic," and, of course, "Brace for Impact: The Salvage of Flight 1549." His clients include the New York Times Magazine, The Wall Street Journal, Fortune, Publicis, Sudler & Hennessey, and MAYTAG; and his series, "American Reclamation," is currently exhibiting at the Front Room Gallery, in New York. Mallon discusses his career trajectory, his medium format and full-frame gear choices, and how he straddles the line between his documentary subjects and a fine art photographer's vision. Of course, we also talk about the series he produced on the recovery of Flight 1549 and how he approached such a historical subject. In the second half of the episode, we are also very fortunate to welcome Denise Lockie, who survived the crash landing and a protracted stay in the icy waters. Lockie tells of her experience that day, her recovery process, and about looking back on such a life-changing event after ten years. We also discuss with Lockie her feelings about Mallon's images and the other iconic photographs from that fateful day. Guests: Stephen Mallon and Denise Lockie from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Next Stop Atlantic”, 2010 © Stephen Mallon from “American Reclamation”, 2017 © Stephen Mallon Allan Weitz, Denise Lockie, and Stephen Mallon © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 04/13/2018
The “Day to Night” series that Stephen Wilkes has been working on for several years has received much-deserved attention and has grown from its New York roots to encompass locations in Europe, the Middle East, Asia, and Africa. These photographs, which capture a full 24-hour cycle in one frame are awe-inspiring when viewed as a whole; fascinating when analyzed in detail, and monumental when considered as a production. On today’s episode of the B&H Photography Podcast, we speak with Stephen Wilkes and Bette Wilkes, his wife, business manager, and the behind-the-scenes producer of these incredible photographs. Our conversation is easy-going and bounces back and forth between Mr. and Ms. Wilkes, emphasizing their intertwined working relationship. With Mr. Wilkes, we speak of the genesis of the project and the influences he finds in the paintings of the Dutch Masters and the Hudson River School. We also discuss his process, which is both physically and technically demanding. He speaks of a desire to “get lost” in the moment and ultimately how his images are “a representation of his memory” from the day and place. With Ms. Wilkes, we speak of the knotty and time-consuming process of arranging a shoot that will last more than twenty-four continuous hours in some of the world’s busiest and most desolate locations. We discuss many photographs, but concentrate on two images from the “Day to Night” series to highlight their complicated productions—the first is a photograph of New York City’s Flatiron Building and, in the second half of the show, we visit a watering hole in the Serengeti Plain. To see these images, please visit our website, and, if you are in Washington D.C. prior to April 29, 2018, check out the “Day to Night” exhibit at the National Geographic Museum, and keep your eye out for the upcoming book, to be published by Taschen. Guests: Stephen Wilkes and Bette Wilkes The Highline, New York City © Stephen Wilkes Times Square, New York City © Stephen Wilkes The Flatiron Building, New York City © Stephen Wilkes Coney Island, New York City © Stephen Wilkes Santa Monica Pier © Stephen Wilkes The Western Wall, Jerusalem © Stephen Wilkes Inauguration Day, 2013, Washington D.C. © Stephen Wilkes Yosemite National Park, California © Stephen Wilkes Serengeti National Park, Tanzania © Stephen Wilkes The Grand Canyon © Stephen Wilkes Regata Storica, Venice, Italy © Stephen Wilkes Stephen Wilkes © John Harris Bette Wilkes © John Harris Stephen and Bette Wilkes © John Harris Bette Wilkes, Allan Weitz, and Stephen Wilkes © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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