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Posted 03/11/2021
This is the second episode of the B&H Photography Podcast produced with the collaboration of Leica Camera, and we are pleased to welcome photographer Stella Johnson to the show. It is the “in-between moments of life” that Johnson describes as the subject of her work, work that includes books and documentary series made in Cameroon, Greece, Nicaragua, and Mexico. In this easygoing conversation, we discuss the nature of her long-term projects, and the motivations that return her to the same places year after year. We also talk about composing with rangefinder cameras, being at the eye level of your subject, and the weeks that go by without making pictures and the verbal and nonverbal communication necessary when you are invited as a photographer into a community or home, as Johnson has been. For her personal documentary work, Johnson has relied on Leica M cameras and a 35mm focal length lens. We discuss this focal distance in terms of a personal comfort zone and one that even felt safer during pandemic time. Johnson keeps her settings simple and concentrates on composition and the moment; she tends to find light and locations that she likes and waits for the images. Because Johnson’s compositions are so strong in black-and-white and her color work is minimal and adroit, we ask for her thoughts on how to work with both formats and if a fluidity between them is easy. Finally, in searching for a definition of documentary photography, we mulled over the effect of time, of returning to locations and subjects, of its distinction from photojournalism, as seeing “what life is like” and the stories of “just daily life.” Guest: Stella Johnson Photograph © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “RE-CREATIONS” © Stella Johnson Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C. Steiner
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Posted 12/17/2020
On this week’s episode of the B&H Photography Podcast, we welcome photographer Matthew Franklin Carter to the program. Like many photographers, Matt Carter wears a lot of hats. In his case, literally and figuratively, but his photography work blends documentary, editorial, and portrait work and reflects the place he calls home—Greenville, South Carolina. He shoots for regional and specialty magazines and does corporate work and portraits for local artists and businesses. He also assists other photographers and, of course, he has his personal projects. Family, food, fishing, hunting, drag racing, and dirt cars are depicted with humility and grace and a touch of humor. With Carter we discuss a range of topics, but keep our conversation focused on how to work comfortably in varied settings and with different communities of folk. Carter may be at home on the rivers shooting fly fishing, but he also has produced wonderful series at local car-racing tracks, a world with which he is much less familiar. We talk about these two racing projects—“Dirt” and “Glory”—and how he mingles with the drivers and crowd, as well as the gear he uses, from FUJIFILM to Mamiya, to create portraits and documentary-style images. We also discuss photographing hunting and fishing and the portrait work he does, in studio and on location, and the lighting he uses for each situation. We close on the topic of “finding your voice,” and for Carter how his latest project on local food production unites his many passions. Join us for this easygoing and informative conversation. Guest: Matthew Franklin Carter Above photograph © Matthew Franklin Carter From the series “Glory” © Matthew Franklin Carter From the series “Glory” © Matthew Franklin Carter From the series “Glory” © Matthew Franklin Carter From the series “Glory” © Matthew Franklin Carter From the series “Dirt” © Matthew Franklin Carter From the series “Dirt” © Matthew Franklin Carter © Matthew Franklin Carter © Matthew Franklin Carter © Matthew Franklin Carter © Matthew Franklin Carter © Matthew Franklin Carter Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/01/2019
On May 10, 2019, the 150th anniversary of the “golden spike,”—the ceremonial completion of The First Transcontinental Railroad, will be celebrated, and we at the B&H Photography Podcast are taking this opportunity to talk railroad photography. In the first half of the episode, we discuss the iconic image created by photographer A.J. Russell, at Promontory Summit, Utah, in 1869 of hundreds of workers gathered on and around two steam locomotives for this momentous occasion. We also touch upon the relationship between photography and the growth of rail travel in the United States and mention other important railroad photographers. During the second half of our show we focus on the gear, techniques, and safety protocols employed by three accomplished contemporary railroad photographers. Joining us for this episode are Scott Lothes, photographer and President and Executive Director of the Center for Railroad Photography & Art and the editor of its journal Railroad Heritage. Lothes discusses the Russell photograph and the Center’s mission, its archive, and its publications, including the recent book,  After Promontory: 150 Years of Transcontinental Railroading. We are also joined by photographers Eric Williams and Dennis Livesey. Williams is a fine art photographer who incorporates railroad and landscape photography into his work. He provides tips on workflow and shooting techniques and offers an overview of the subtle differences between the photographic styles within this subgenre. Livesey, who concentrates on urban rail transit and steam locomotives, brings his encyclopedic knowledge of railroad history and an insight on how to turn your passion into a photo project, specifically using his 2016 book, Smoke Over Steamtown, as an example. Join us for this timely and celebratory episode. To read more about railroad photography and view some exquisite train photographs, click into Todd Vorenkamp's article, 15 Tips for Better Train and Railway Photos. Guests: Scott Lothes, Eric Williams, and Dennis Livesey Above photograph © A.J. Russell, courtesy Center for Railroad Photography and Art © Eric Williams © Eric Williams © Eric Williams Erie Railroad freight train at Tuxedo, New York, October 22, 1944 © Donald W. Furler, courtesy Center for Railroad Photography & Art Cover of After Promontory, published by Indiana University Press (cover photograph by Carleton E. Watkins) Hawk’s Nest, West Virginia © Scott Lothes Pomona, Washington © Scott Lothes The Valley Railroad’s 2-8-2 Mikado bursts through the night and snow in Essex Connecticut, 2017 © Dennis A. Livesey Engineer Shane Frederickson and his son run the Reading Blue Mountain & Northern Railroad 4-6-2 Pacific No. 425 steam locomotive in Nesquehoning, Pennsylvania, 2017 © Dennis A. Livesey Central Railroad of New Jersey 0-6-0 switcher steam locomotive gets steam up in Minersville, Pennsylvania, 2018 © Dennis A. Livesey New York is exploding with construction, yet the No. 7 train just keeps rolling along. Long Island City, New York, 2017 © Dennis A. Livesey “The Champagne Photo,” celebrating the completion of The Transcontinental Railroad, May 10, 1869. Photograph by A.J. Russell, courtesy of the Center for Railroad Photography & Art Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/16/2019
This week, we recognize the 10th anniversary of the "Miracle on the Hudson." On January 15, 2009, with both engines crippled, US Airways Flight 1549 made an emergency landing in the icy waters of the Hudson River, with 155 people onboard. All passengers and crew survived. On this week's episode of the B&H Photography Podcast, we welcome photographer Stephen Mallon, who documented the recovery of the airplane from the river, and Denise Lockie, who was a passenger on Flight 1549. Stephen Mallon is that rare photographer who successfully blends editorial, documentary, commercial, and fine art photography, often in the same image. He is recognized for documenting large-scale industrial and marine projects, including the "The Reefing of USS Radford," "Next Stop Atlantic," and, of course, "Brace for Impact: The Salvage of Flight 1549." His clients include the New York Times Magazine, The Wall Street Journal, Fortune, Publicis, Sudler & Hennessey, and MAYTAG; and his series, "American Reclamation," is currently exhibiting at the Front Room Gallery, in New York. Mallon discusses his career trajectory, his medium format and full-frame gear choices, and how he straddles the line between his documentary subjects and a fine art photographer's vision. Of course, we also talk about the series he produced on the recovery of Flight 1549 and how he approached such a historical subject. In the second half of the episode, we are also very fortunate to welcome Denise Lockie, who survived the crash landing and a protracted stay in the icy waters. Lockie tells of her experience that day, her recovery process, and about looking back on such a life-changing event after ten years. We also discuss with Lockie her feelings about Mallon's images and the other iconic photographs from that fateful day. Guests: Stephen Mallon and Denise Lockie from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Next Stop Atlantic”, 2010 © Stephen Mallon from “American Reclamation”, 2017 © Stephen Mallon Allan Weitz, Denise Lockie, and Stephen Mallon © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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