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Posted 03/11/2021
This is the second episode of the B&H Photography Podcast produced with the collaboration of Leica Camera, and we are pleased to welcome photographer Stella Johnson to the show. It is the “in-between moments of life” that Johnson describes as the subject of her work, work that includes books and documentary series made in Cameroon, Greece, Nicaragua, and Mexico. In this easygoing conversation, we discuss the nature of her long-term projects, and the motivations that return her to the same places year after year. We also talk about composing with rangefinder cameras, being at the eye level of your subject, and the weeks that go by without making pictures and the verbal and nonverbal communication necessary when you are invited as a photographer into a community or home, as Johnson has been. For her personal documentary work, Johnson has relied on Leica M cameras and a 35mm focal length lens. We discuss this focal distance in terms of a personal comfort zone and one that even felt safer during pandemic time. Johnson keeps her settings simple and concentrates on composition and the moment; she tends to find light and locations that she likes and waits for the images. Because Johnson’s compositions are so strong in black-and-white and her color work is minimal and adroit, we ask for her thoughts on how to work with both formats and if a fluidity between them is easy. Finally, in searching for a definition of documentary photography, we mulled over the effect of time, of returning to locations and subjects, of its distinction from photojournalism, as seeing “what life is like” and the stories of “just daily life.” Guest: Stella Johnson Photograph © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “RE-CREATIONS” © Stella Johnson Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C. Steiner
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Posted 01/22/2020
On this week’s episode of the B&H Photography Podcast, we welcome editorial, fashion, art, and music photographer Olivia Bee. That’s a lot of tags and she’s earned them all in a relatively short time span. Her “origin story” is well-documented in photo circles, so we won’t go into that much, but in a career now a decade old, we discuss where those early successes have brought her, what she enjoys about photography, and what she is working on now. With clients that include Hermes, Nike, L’Oreal, Sony, and editorial assignments from Vice, Elle, the New York Times, and Complex Magazine, Bee has created a comprehensive body of commercial work while continuing to evolve the personal aesthetic that got her noticed in the first place. She is also now directing music and other videos and beginning a narrative film effort. We speak with Bee from her bucolic Oregon acreage and discuss a wide range of topics, from the evolution of her gear, including her current use of view cameras, to her self-portraiture techniques, to publishing her first book, Kids in Love, with Aperture. We also spend some time discussing her work with musicians, the different approaches to an editorial assignment with a musician, and working on album art or a portrait. Finally, Bee lets us in on her dream assignment and Allan promises to make that dream come true. Join us for this pleasant and informative conversation. Guest: Olivia Bee Lovers, 2013; from “Kids in Love” © Olivia Bee Baller, 2011; from “Kids in Love” © Olivia Bee Purple Haze, 2011; from “Enveloped in a Dream” © Olivia Bee from “Viva Las Vegas,” 2015 © Olivia Bee from “Viva Las Vegas,” 2015 © Olivia Bee Migos for Billboard, 2017 © Olivia Bee Kesha for Billboard, 2017 © Olivia Bee Larsen Thompson, 2016 © Olivia Bee Birdy for REDValentino SS16 Campaign © Olivia Bee Schiaparelli Couture © Olivia Bee Max and Opal (Barely Seventeen), 2016 © Olivia Bee Portrait of the American West, 2017 © Olivia Bee Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 12/18/2019
The B&H Photography Podcast wraps up 2019 expanding our minds, with the help of Swedish photographer Erik Johansson. Enabling his playful and slightly sinister imagination with a wealth of design and photographic talent, Johannsson makes images that toy with the veracity of a photo while using relatively basic photographic processes to create them. It is certainly worth viewing Johansson’s website or Instagram feed before (or while) listening to this episode to familiarize yourselves with the images we discuss and to gain a sense of his mastery of scale and narrative. Combining landscape photography, staged scenes with actors, oversized props, and the best of digital collage, Johansson creates images that seem to emanate directly from his dreamy imagination, but are undoubtedly the product of much real-world work, and he kindly takes the time to explain his process and workflow to us. A woman emerges from a shopping mall escalator to find herself in a dark forest, a man pulls a lonely country road across a field like a bed sheet, a house is tossed as verdant farmland turns into a violent tidal wave. These scenes, along with many others (and some with a decidedly MC Escher feel), have us wondering, “how does he do it?” Join us for our conversation with Johansson to find out the tools he uses (starting with his Hasselblad camera system) and the amount of time and production it takes to create each of these surrealistic vignettes. As we celebrate our 200th episode, chime in on our Facebook group with your all-time favorite episode or let us know a subject you’d like us to cover in 2020. Thanks! And have a great New Year. Guest: Erik Johansson Above photograph © Erik Johansson Above All, 2019 © Erik Johansson Just Visiting, 2019 © Erik Johansson Self-Supporting, 2017 © Erik Johansson Lifetime, 2017 © Erik Johansson Road Closed Unexpectedly, 2019 © Erik Johansson Office Escape, 2019 © Erik Johansson The Cover-Up, 2013 © Erik Johansson Let’s Leave, 2013 © Erik Johansson Daybreaker, 2018 © Erik Johansson Demand & Supply, 2017 © Erik Johansson Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/09/2018
Are the 1990s history? Well, for today’s episode of the B&H Photography Podcast, we look back to that decade when a new aesthetic in fashion photography was born in England, and later spread to the United States and the world; a transformative style whose influence is apparent almost thirty years after its birth. First appearing in small but influential magazines such as The Face, i-D, and Blitz, and growing from a reactionary youth culture, this raw style reflected a new aesthetic, one that rejected the glam, the supermodel, and the highly stylized photos of the 1980s in favor of eclectic clothing, waifish models, a low-tech, "straight-up" photo style, and a lot of “frickin’ attitude.” For this episode, we welcome fashion photographer Michael Sanders, who is a regular contributor to Italian Elle and who shot for many of the ’90s “style bibles” mentioned above. Sanders came of age in this era and discusses the social and economic factors that lead to this new aesthetic, the cyclical nature of fashion, and the overly simplistic idea of heroin-chic. He also provides a sense of the technologies that made this movement a reality, the gear most commonly used, and the assignment process and shooting-styles embraced. Finally, Sanders offers firsthand insight into the community of photographers, stylists, and models who are associated with this movement, including David Sims, Corinne Day, Kate Moss, Melanie Ward, and the important photographer and bridge figure, Nick Knight. Join us for this interesting look back to the birth of a style and photographic movement that is still reverberating. Guest: Michael Sanders Photograph © Corinne Day, model: Kate Moss, The 3rd Summer of Love cover from “The Face.” 1990 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders, 2018 from “Italian Elle”, March 2018 Photograph © Michael Sanders, 2018 from “Italian Elle”, March 2018 Photograph © Michael Sanders, 2018 from “Italian Elle”, March 2018 Photograph © Michael Sanders, courtesy “Italian Elle” Allan Weitz and Michael Sanders, Photograph © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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