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Posted 07/01/2021
Beginning with an iPhone and an “a-ha moment” in the beautiful San Francisco City Hall, photographer Arthur Drooker began a project that would last five years and take him across the United States to photograph the most impressive and interesting city halls in the nation. The project culminated with his wonderful book, City Hall: Masterpieces of American Civic Architecture, from Schiffer Publishing, and it brings him to the B&H Photography Podcast to discuss photographing architecture, civic pride, research and interviews, book publishing, zoom and tilt-shift lenses, and a host of other subjects related to his photography. Join us for this practical and insightful episode. “To me, the best city halls are not just office buildings to administer services, they also use architecture and design to express something about civic pride, civic virtue, and democratic engagement.” —Arthur Drooker Guest: Arthur Drooker Photograph © Arthur Drooker San Francisco City Hall rotunda © Arthur Drooker Buffalo City Hall council chamber © Arthur Drooker Cincinnati City Hall © Arthur Drooker Philadelphia City Hall © Arthur Drooker Detail of William Penn statue atop Philadelphia City Hall © Arthur Drooker San Jose City Hall interior reflections © Arthur Drooker “City Hall” book cover © Arthur Drooker “American Ruins” book cover © Arthur Drooker “Conventional Wisdom” book cover © Arthur Drooker “Pie Town Revisited” book cover © Arthur Drooker Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 10/03/2019
We welcome to the B&H Photography Podcast two photographers who have brought their talent and dedication to bear on the complex and beautiful lives that exist on the U.S.-Mexico border. Our first guest is photographer Stefan Falke, who is engaged in a 10-year portrait project called LA FRONTERA: Artists along the US-Mexico Border, which is dedicated to documenting the “influence that artists have on their community.” He has photographed more than 200 artists, writers, singers, and photographers who live on both sides of the 2,000-mile-long border. With Falke we discuss the development of this project, his style of shooting, how he met the many artists he has photographed, and the complications and joys of shooting in border towns in the U.S. and Mexico. He also discusses how he pared down his camera and lens choices for this project to just his trusty Nikon D850 and a 24-70mm lens. After a short break, we welcome photographer Monica Lozano, who is included in Falke’s project, and describes her portrait session with him in the main market, in Juarez, Mexico. We also discuss her incredible photographic series, which blend documentary and fine art styles to bring awareness to the struggle of migrants in Europe and the Americas. Lozano, a Mexican-American artist with roots in both countries, brings a compassionate yet objective depiction to a complex situation, and she even blends in a touch of humor. With Lozano, we discuss her evolution as an artist, the differing effects that stylized photos have compared to straight documentary, and the resounding need to understand the long and evolving history and culture of “la frontera.” Join us for this compelling conversation and check out the B&H Photography Podcast Facebook Group. Guests: Stefan Falke and Monica Lozano Raechel Running, Agua Prieta, Mexico, 2015© Stefan Falke Alfredo “Libre” Gutierrez, Tijuana, Mexico, 2016 © Stefan Falke Tom Kiefer, Ajo Arizona, 2017 © Stefan Falke Jellyfish, Ciudad Juarez, Mexico, 2015 © Stefan Falke Monica Lozano, Ciudad Juarez, Mexico, 2015 © Stefan Falke Pablo Llana, Playas de Tijuana, Mexico, 2016 © Stefan Falke from the “What Remains” series © Monica Lozano from the “What Remains” series © Monica Lozano from the “What Remains” series © Monica Lozano from the “What Remains” series © Monica Lozano from the “Borders” series © Monica Lozano from the “Borders” series © Monica Lozano from the “Borders” series © Monica Lozano from the “Hugs Not Walls” series © Monica Lozano from the “Hugs Not Walls” series © Monica Lozano Allan Weitz, Monica Lozano, and Stefan Falke © John Harris Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/08/2019
As we prepare to celebrate Mother’s Day, we welcome an artist to the B&H Photography Podcast who is using her camera to examine quotidian spaces to further a conversation about the “deeply felt subjective experiences of motherhood,” particularly as they are felt in the workplace. Joining us is photographer Corinne May Botz, whose current series is entitled “Milk Factory,” and it takes lactation rooms, the spaces where working mothers go to pump breast milk, as its subject. Also joining us as guest host this week is our colleague and new mom,  Liz Groeschen, who will be celebrating her first Mother’s Day this coming Sunday. With her 4 x 5 film camera and digital medium format system, Botz has been invited into the varied spaces, some sanctioned and comfortable and others improvised and “multipurpose,” where women go several times a day to pump milk when working and away from their children. Her work engages with the mothers but, like most of her previous projects, is focused more on the often-overlooked details of the spaces we occupy, inviting the viewer to enter these rooms and gain an understanding of what they might signify to the mothers themselves and, of course, to ask us to recognize how we prioritize space for the needs of motherhood and, in turn, healthy families. We discuss the process of creating this series, how Botz interacts with the women who have invited her into their intimate spaces, and her thoughts regarding portraiture and documentation compared to fine art or “constructed” photography. We also chat about her way to maneuver a relatively large camera setup in tight quarters, finding relevant details within a space and, of course, post-processing, printing, and the Pentax 645D. While she does not consider her series to be didactic, she aspires to elevate the status of motherhood’s concerns to the highest levels of cultural dialogue and workplace policy. In an understated but precise manner, her images make very clear the need for improvement in how we treat the experience of motherhood in the workplace. The “Milk Factory” series was recently exhibited at the Baxter St. Camera Club of New York and supported by a collaboration between Baxter St. and the National YoungArts Foundation. Please join us for this engaging conversation. Guests: Corinne May Botz Above photograph © Corinne May Botz From “Milk Factory,” 2019 © Corinne May Botz From “Milk Factory,” 2019 © Corinne May Botz From “Milk Factory,” 2019 © Corinne May Botz From “Milk Factory,” 2019 © Corinne May Botz From “Bedside Manner,” 2013 © Corinne May Botz From “Parameters” © Corinne May Botz "Haunted Houses" book cover, 2010 © Corinne May Botz "The Nutshell Studies of Unexplained Death" book cover, 2004 © Corinne May Botz Elizabeth Groeschen and Corinne May Botz © John R. Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/08/2018
Hosted by B&H Photo, the 2018 OPTIC Conference for Outdoor and Travel Photography was a wonderful opportunity to speak with a diverse group of great photographers, and we did just that. We sat down with a diverse mix of shooters, including Joyce Tenneson, Xyza Cruz Bacani, Keith Carter, and Sisse Brimberg. Over the course of the next few weeks, we will present these conversations, but today we start with National Geographic staff photographer Mark Thiessen, who, in addition to running the photo studio at NatGeo and shooting many stories for the magazine, has continued a twenty-year personal project on wildfires. To know his subject better, to be safer, and to get closer to the action, Thiessen became a certified wildland firefighter and travels to active fires each year to photograph the fires, as well as the property destruction and human toll taken by these wildfires. We speak with Thiessen about his experiences, tools and techniques for photographing fires, and about his other work for National Geographic. We also take a few minutes to catch up with Rod Clark, of Wine Country Camera. At OPTIC 2017, we spoke with Clark about the beautiful filter-holder system he developed, and now we find out how his company has grown since last year, and what Wine Country Camera has brought to the market. Guests: Mark Thiessen and Rod Clark Photograph by Mark Thiessen © National Geographic Photograph by Mark Thiessen © National Geographic Photograph by Mark Thiessen © National Geographic Photograph by Mark Thiessen © National Geographic Photograph by Mark Thiessen © National Geographic Photograph by Mark Thiessen, from "Russian Smokejumpers" © National Geographic Photograph by Mark Thiessen, from "Russian Smokejumpers" © National Geographic Photograph by Mark Thiessen, from "Russian Smokejumpers" © National Geographic Photograph by Mark Thiessen, from "Russian Smokejumpers" © National Geographic Photograph by Mark Thiessen, from "Russian Smokejumpers" © National Geographic Photograph by Mark Thiessen, from "The Search for the Lost Colony of Roanoke" © National Geographic Photograph by Mark Thiessen, from "The Search for the Lost Colony of Roanoke" © National Geographic Mark Thiessen on the B&H Photography Podcast © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/10/2017
Today’s episode broadens our normal photographic sphere as we discuss ophthalmic photography and how the eye’s own optical system is used in conjunction with camera equipment—some techniques very common, some not so—to examine the interior of the eye and to diagnose illnesses that go far beyond problems with vision. We are joined by Mark Maio, clinical medical and ophthalmic photographer and developer of the first high-resolution digital imaging system in ophthalmology. We talk with Maio about his early interest in social justice photography, working as a “jack-of-all-trades” photographer for a hospital, and how his eventual concentration in ophthalmic photography led to early adoption of digital technology and the development of a tool that helped to transform the industry. Throughout this conversation, we learn about the use of analog and digital photography in the biomedical field and how fundus cameras and other specialized gear are used to diagnose optical and systemic maladies. When the pupil is dilated, they eye becomes a portal into the body, and with the proper tools, we can see inside our corporeal system without cutting. Maio is also an accomplished fine art and documentary photographer, and we will also discuss how these various disciplines have intersected throughout his career and resulted in the workshops he leads on ophthalmic imaging, documentary, and landscape photography on the beautiful Isle of Skye. Guest: Mark Maio From the series Saving Sight-- The Flying Eye Hospital From the series Against the Grain – Buffalo Grain Industry From the series, Isle of Skye Previous Pause Next All photographs by Mark Maio DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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