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Posted 09/02/2021
There is a vibrance, a joy, and a love for photography that one feels when speaking with Meryl Meisler. It’s also very cool that by day she was a high school art teacher in Brooklyn and, by night, dancing and photographing at legendary clubs like Studio 54. Anyway, that’s just how I see it. Of course, there’s a lot more to Meisler’s photography than just 1970s disco and 1980s Bushwick, and we talk about a wide range of subjects on this episode of the B&H Photography Podcast. Meisler’s latest book, New York PARADISE LOST Bushwick Era Disco, is a wonderful look back at two very different versions of New York. It juxtaposes images she took in the Brooklyn neighborhood of Bushwick and those in the clubs and discos of Manhattan. We speak about how photography starts conversations, and how we can feel more confident with a particular camera, whether medium format, FUJIFILM X series, or a Canon point-and-shoot. We also discuss editing and maintaining a large body of work over a period of decades, studying with Lisette Model, balancing a photography practice with a full-time job, and an upcoming exhibit of Meisler’s work to be held at the same public school at which she taught. Join us for this uplifting conversation and check out Meisler’s extended exhibition at The Center for Photography at Woodstock, through September 15, 2021. Guest: Meryl Meisler Photograph © Meryl Meisler Shirtless Man Wearing Hood and Jeans, Gates Avenue, Bushwick, Brooklyn, NY, June 1982 © Meryl Meisler, courtesy of ClampArt Potassa de la Fayette Poised on Grand Piano, the Copacabana, NY, NY, February 1977 © Meryl Meisler, courtesy of ClampArt Student Interviews 83rd Precinct Police Officers, Bushwick, Brooklyn, NY, June 1982 © Meryl Meisler, courtesy of ClampArt Five Fashionable Rejects (With JudiJupiter) Studio 54, NY, NY, October 1978 © Meryl Meisler, courtesy of ClampArt Nose Ring, Earring, Mustache and Hickey IS 291, Bushwick, Brooklyn, NY, April 1991 © Meryl Meisler, courtesy of ClampArt Turban and Brooch, La Farfalle, NY, NY, June 1978 © Meryl Meisler, courtesy of ClampArt Anklets and High Heels Hurrah, NY, NY, March 1978 © Meryl Meisler, courtesy of ClampArt Sneakers, IS 291, Bushwick, Brooklyn, NY, 1984 © Meryl Meisler, courtesy of ClampArt Magnolia Tree Gates Ave, Bushwick, Brooklyn, NY, May 1983 © Meryl Meisler, courtesy of ClampArt Teacher Carrying Math Books IS 291, Bushwick, Brooklyn, NY, 1984 © Meryl Meisler, courtesy of ClampArt Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 07/15/2021
On this episode of the B&H Photography Podcast, we are thrilled to help celebrate the first anniversary of Black Women Photographers. Founded in July 2020 by Polly Irungu, the mission of Black Women Photographers is to “disrupt the notion that it is difficult to discover and commission Black creatives.” And toward that goal, BWP is now a global organization of more than 600 members, and as an online directory, has become a home for Black women and non-binary photographers to receive proper recognition and, most importantly, to get hired. We welcome Polly Irungu to discuss the founding of BWP, and to talk about the challenges and joys of running an organization that has blossomed so quickly, and about the successes of the past year and goals for the future. On that note, Irungu thrills us by announcing new grants available to photographers. We are also joined by photographer Dawn Bangi, who received her first professional assignment—with the New York Times, no less—through Black Women Photographers. We ask Bangi how she became familiar with BWP and about the assignment she received. We also discuss her other work, the Nikon and Mamiya gear she uses, and the influence of Gordon Parks. Join us for this inspiring episode and discover some of the great work found at Black Women Photographers. Guests: Polly Irungu and Dawn Bangi Photograph © Polly Irungu © Polly Irungu © Polly Irungu © Polly Irungu Courtesy of Polly Irungu/Black Women Photographers © Dawn Bangi/New York Times From the “Davin and Davis series” © Dawn Bangi From the “Davin and Davis series” © Dawn Bangi From the “Davin and Davis series” © Dawn Bangi Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 04/22/2021
On this week’s episode of the B&H Photography Podcast, we focus on the work of photographer Todd Webb and, specifically, the series of images he created in Africa in 1958, while on assignment for the United Nations. We are joined by Betsy Evans Hunt, the Executive Director of the Todd Webb Archive, and by Aimée Bessire and Erin Hyde Nolan, coauthors of the new book, Todd Webb in Africa—Outside the Frame. With our guests, we discuss the photographic career of Todd Webb, including his work in New York and Paris in the 1940s and 1950s, and the founding and mission of the Todd Webb Archive. Our primary topic, however, is the rediscovery (in a steamer trunk) and eventual archiving and publishing of Webb’s photographs taken in several African nations over the course of a multi-month assignment organized by the United Nations. The images are notable not only for their fateful recovery but for their large and medium format color composition and intelligent eye; they tell a vibrant story of Africa at a moment between colonization and independence. With authors Bessire and Nolan, we discuss the making of their book, which is both a photography book of unique vision and a multifaceted study of the images themselves, with essays and interviews providing historical context and cultural and artistic analysis. Join us for this conversation on the work of an overlooked 20th-century master photographer and on a sweeping series of color photos that sat unseen for almost 60 years. Guests: Betsy Evans Hunt, Aimée Bessire, and Erin Hyde Nolan Photograph © Todd Webb Cover, “Todd Webb in Africa – Outside the Frame” © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive © Todd Webb, 1958/Todd Webb Archive Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 01/28/2021
Photography has long been used as a tool to explore and analyze history, but in the hands of an artist, that same tool is not asked to be exacting or accurate to the historical record. If anything, artists challenge this idea of photography as fact. And for this reason, it is such a pleasure to welcome artist and photographer Barbara Mensch to the B&H Photography Podcast. Mensch has created a book of history by using photographs she took as an artist. Having lived in the shadow of the Brooklyn Bridge for many years, she photographed the bridge in varied light and perspective, but it was not until she ventured inside the bridge's anchorage that she become interested in using her photographic story as the basis for a researched and nuanced study of the three principle creators of the Brooklyn Bridge. The book, In the Shadow of Genius: The Brooklyn Bridge and Its Creators, is the successful result of her work, and we talk with Mensch about reevaluating older work, the endurance needed to complete a long project, the ability of photography to tell stories, and about square format and Hasselblad. In the second half of the program, we take up Mensch’s current book project, which also re-addresses earlier work, in this case from her wonderful series on the workers of the South Street Seaport or, as it was then called, the “waterfront.” Here we discuss the intrapersonal skills needed to photograph in authentic, yet potentially dangerous situations, the creative and youthful zeal that fuels such projects, and even about Bergger photography paper. Join us for this engaging conversation. Guest: Barbara Mensch Photographs © Barbara Mensch From “In the Shadow of Genius: The Brooklyn Bridge and Its Creators” © Barbara Mensch From “In the Shadow of Genius: The Brooklyn Bridge and Its Creators” © Barbara Mensch From “In the Shadow of Genius: The Brooklyn Bridge and Its Creators” © Barbara Mensch From “In the Shadow of Genius: The Brooklyn Bridge and Its Creators” © Barbara Mensch Klebber’s Murder © Barbara Mensch Child in Shoe Bin, Lower East Side © Barbara Mensch From the upcoming book, "Ghosts of South Street" © Barbara Mensch From the upcoming book, "Ghosts of South Street" © Barbara Mensch From the upcoming book, "Ghosts of South Street" © Barbara Mensch From the upcoming book, "Ghosts of South Street" © Barbara Mensch Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 12/03/2020
Today we welcome back to the B&H Photography Podcast  Pulitzer Prize-winning photojournalist and friend to the show, Salwan Georges. Georges joined us four years ago to talk about his documentary project centered around the Arabic communities in Michigan, but a great deal has changed since then, and today he joins us to discuss his work covering the 2020 presidential campaigns for the Washington Post. With Georges, we dig into the nuts and bolts of navigating a presidential election in the middle of a pandemic. We talk about press pools, political rallies, booking your own airfare, and making sure your hotel room is disinfected. We also discuss getting new angles to tell stories, prime versus zoom, switching to the Sony a9 II, and using an iPhone when that’s the only option. Georges also relates his experiences working with editors, having the backs of other photographers, and his additional work covering the opioid crisis and other painful stories of our time. Join us for this insightful conversation that we recorded in the days immediately following the 2020 U.S. Presidential Election. Guest: Salwan Georges Photograph © Salwan Georges Supporters of Democratic presidential candidate former Vice President Joe Biden listen outside of the Chase Center as he speaks during the Democratic National Convention, in Wilmington, Delaware on Thursday, August 20, 2020. Photograph © Salwan Georges/The Washington Post President Donald J. Trump listens to a question from a reporter during a news briefing in the James S. Brady Press Briefing Room at The White House, in Washington, D.C. on Sunday, September 27, 2020. Photograph © Salwan Georges/The Washington Post Sen. Bernie Sanders, I-Vt., 2020 Democratic Presidential Candidate, gives a victory speech after winning the New Hampshire Primary during Primary Night Celebration at SNHU Field House on Tuesday, February 11, 2020 in Manchester, New Hampshire. Photograph © Salwan Georges/The Washington Post President Donald J. Trump throws a hat to supporters during a “Make America Great Again Victory Rally,” in Waterford Township, Michigan on Friday, Oct. 30, 2020. Photograph © Salwan Georges/The Washington Post Democratic presidential candidate former Vice President Joe Biden, and his wife, Jill Biden, greet supporters with Democratic vice presidential candidate Sen. Kamala Harris and her husband, Doug Emhoff, outside of the Chase Center, the secondary location of the Democratic National Convention, in Wilmington, Delaware on Thursday, August 20, 2020. Photograph © Salwan Georges/The Washington Post The final presidential debate between President Donald Trump and Democratic nominee Joe Biden appears on screens during a flight from Detroit on Thursday, Oct. 22, 2020. Photograph © Salwan Georges/The Washington Post Nash Ismael, 20, places his arms around his sisters Nadeen, 18, left, and Nancy, 13, as they visit the gravesite of their parents on Father's Day at White Chapel Memorial Park Cemetery on Sunday, June 21, 2020, in Troy, MI. The Ismael children lost their parents within weeks to COVID-19. Photograph © Salwan Georges/The Washington Post Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/08/2019
As we prepare to celebrate Mother’s Day, we welcome an artist to the B&H Photography Podcast who is using her camera to examine quotidian spaces to further a conversation about the “deeply felt subjective experiences of motherhood,” particularly as they are felt in the workplace. Joining us is photographer Corinne May Botz, whose current series is entitled “Milk Factory,” and it takes lactation rooms, the spaces where working mothers go to pump breast milk, as its subject. Also joining us as guest host this week is our colleague and new mom,  Liz Groeschen, who will be celebrating her first Mother’s Day this coming Sunday. With her 4 x 5 film camera and digital medium format system, Botz has been invited into the varied spaces, some sanctioned and comfortable and others improvised and “multipurpose,” where women go several times a day to pump milk when working and away from their children. Her work engages with the mothers but, like most of her previous projects, is focused more on the often-overlooked details of the spaces we occupy, inviting the viewer to enter these rooms and gain an understanding of what they might signify to the mothers themselves and, of course, to ask us to recognize how we prioritize space for the needs of motherhood and, in turn, healthy families. We discuss the process of creating this series, how Botz interacts with the women who have invited her into their intimate spaces, and her thoughts regarding portraiture and documentation compared to fine art or “constructed” photography. We also chat about her way to maneuver a relatively large camera setup in tight quarters, finding relevant details within a space and, of course, post-processing, printing, and the Pentax 645D. While she does not consider her series to be didactic, she aspires to elevate the status of motherhood’s concerns to the highest levels of cultural dialogue and workplace policy. In an understated but precise manner, her images make very clear the need for improvement in how we treat the experience of motherhood in the workplace. The “Milk Factory” series was recently exhibited at the Baxter St. Camera Club of New York and supported by a collaboration between Baxter St. and the National YoungArts Foundation. Please join us for this engaging conversation. Guests: Corinne May Botz Above photograph © Corinne May Botz From “Milk Factory,” 2019 © Corinne May Botz From “Milk Factory,” 2019 © Corinne May Botz From “Milk Factory,” 2019 © Corinne May Botz From “Milk Factory,” 2019 © Corinne May Botz From “Bedside Manner,” 2013 © Corinne May Botz From “Parameters” © Corinne May Botz "Haunted Houses" book cover, 2010 © Corinne May Botz "The Nutshell Studies of Unexplained Death" book cover, 2004 © Corinne May Botz Elizabeth Groeschen and Corinne May Botz © John R. Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/10/2017
Today’s episode broadens our normal photographic sphere as we discuss ophthalmic photography and how the eye’s own optical system is used in conjunction with camera equipment—some techniques very common, some not so—to examine the interior of the eye and to diagnose illnesses that go far beyond problems with vision. We are joined by Mark Maio, clinical medical and ophthalmic photographer and developer of the first high-resolution digital imaging system in ophthalmology. We talk with Maio about his early interest in social justice photography, working as a “jack-of-all-trades” photographer for a hospital, and how his eventual concentration in ophthalmic photography led to early adoption of digital technology and the development of a tool that helped to transform the industry. Throughout this conversation, we learn about the use of analog and digital photography in the biomedical field and how fundus cameras and other specialized gear are used to diagnose optical and systemic maladies. When the pupil is dilated, they eye becomes a portal into the body, and with the proper tools, we can see inside our corporeal system without cutting. Maio is also an accomplished fine art and documentary photographer, and we will also discuss how these various disciplines have intersected throughout his career and resulted in the workshops he leads on ophthalmic imaging, documentary, and landscape photography on the beautiful Isle of Skye. Guest: Mark Maio From the series Saving Sight-- The Flying Eye Hospital From the series Against the Grain – Buffalo Grain Industry From the series, Isle of Skye Previous Pause Next All photographs by Mark Maio DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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