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Posted 11/13/2019
With an exhibition of his 40-year photographic career opening at the Rubin Museum of Art, in New York, photojournalist and social justice activist Shahidul Alam was kind enough to join us on the B&H Photography Podcast to discuss the current exhibit, his career, and the state of photojournalism around the world. Also joining us is scholar, archivist, and the author of Conversations on Conflict Photography, Dr. Lauren Walsh. Truth to Power is the name of the Alam’s exhibition and it is “a tribute to the numerous acts of resistance all across the globe and gives hope to those who continue to believe that a better world is possible.” As the name indicates, Alam’s work confronts the injustices in his native Bangladesh, where he has spent a career photographing natural disasters, social inequalities, street protests, migrant workers, and investigating those murdered or kidnapped. He also founded the Chobi Mela Photography Festival and the Drik and Majority World photo agencies, which have enabled countless photographers a better chance to have their stories seen by a larger audience. In addition to learning about Alam’s career, his 2018 arrest, and his selection as one of Time magazine’s 2018 “Persons of the Year,” we discuss with Walsh and Alam many topics crucial to an understanding of modern photojournalism. We ask about how to shape a visual narrative for maximum effect, about the benefits of including graphic violence in an edit, and how journalists must protect themselves, not just from physical attacks, but from cyber and social media attacks. We also discuss the importance (and the dangers) of local journalists covering their own stories. Join us for this incredibly compelling episode. Guests: Shahidul Alam and Dr. Lauren Walsh Photograph © Shahidul Alam Dhaka Siege Day; Motijheel, Dhaka, Bangladesh; 1987 © Shahidul Alam, courtesy of Drik/Majority World Mural of Noor Hossain in Jahangirnagar University Campus; Dhaka, Bangladesh, 1987 © Shahidul Alam, courtesy of Drik/Majority World Bishwa Ijtema; Dhaka, Bangladesh, 1988 © Shahidul Alam, courtesy Drik/Majority World Woman in Ballot Booth; Lamatia, Dhaka, Bangladesh, 1991 © Shahidul Alam, courtesy Drik/Majority World Smriti Azad at Protest at Shaheed Minar; Dhaka, Bangladesh, 1994 © Shahidul Alam, courtesy Drik/Majority World Airport Goodbye; Dhaka Airport, Bangladesh, 1996 © Shahidul Alam, courtesy Drik/Majority World Climate Refugees; river crossing between Bondor Tila Ghat in Mijhum Dwip and Moktaria Bazar in Hatiya, Bangladesh, 2009 © Shahidul Alam, courtesy Drik/Majority World Sailboat Fishing for Ilish; Daulatdia, Bangladesh, 2001 © Shahidul Alam, courtesy Drik/Majority World Sheep at Sunset; Tibetan Plateau, 1999 © Shahidul Alam, courtesy Drik/Majority World Rohingya Refugees After Having Just Landed in Bangladesh; Teknaf, Bangladesh, 2017 © Shahidul Alam, courtesy Drik/Majority World Shahidul Alam © John Harris Dr. Lauren Walsh © John Harris Shahidul Alam speaks with Allan Weitz on the B&H Photography Podcast © John Harris John Harris, Allan Weitz, Shahidul Alam, and Lauren Walsh © Jason Tables “Shahidul Alam: Truth to Power” at Rubin Museum of Art © John Harris “Shahidul Alam: Truth to Power” at Rubin Museum of Art © John Harris Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/06/2019
On today’s episode of the B&H Photography Podcast, we welcome photojournalist and sports photographer Nick Didlick to our show. Didlick has been a freelance shooter, a staff photographer, an agency photographer for Reuters and UPI and, while covering the world news, was nominated for two Pulitzer Prizes. He also is an accomplished videographer, editor, and producer, and has served as Photo Chief for the 2010 Vancouver Winter Olympics and as Director of Photography at the Vancouver Sun, where he oversaw the staff change from film to digital photography. As a photographer, Didlick has always been ahead of the technological curve, willing to try new cameras and transmission systems and push existing technology to its limits. He joins us to discuss his technical evolution as a sports photographer and the features that he considers important to balance technological advances with age-old experience of craft. We ask Didlick to look back on his career and discuss important steps in the evolution of his kit, including autofocus features, compact lenses, telephoto extenders, remote control, wireless transmission and, of course, the development of digital photography. We also look ahead to improvements in metadata and artificial intelligence and his overarching philosophy that all advances should be embraced if they are needed to improve your workflow. Throughout the episode, Didlick pokes fun at my “old” DSLR technology in favor of his Sony Alpha a9 II Mirrorless camera but, in doing so, he underscores his point, that as photographers, the hardest part of advancing your skill set is “un-learning” what you considered fundamental and embrace the changes that can improve your photography. Join us for this rollicking and enjoyable episode. Guest: Nick Didlick Above Photograph © Nick Didlick Wayne Gretzky © Nick Didlick Ronald Reagan and Mikhail Gorbachev © Nick Didlick Remnants of Pan Am Flight 103, Lockerbie, Scotland © Nick Didlick Tiger Woods © Nick Didlick 2019 NCAA Final Four © Nick Didlick Lindsey Vonn © Nick Didlick Rodeo © Nick Didlick Usain Bolt stumbles and falls during race © Nick Didlick IAAF World Athletics Championship, 2019 © Nick Didlick Venus Williams © Nick Didlick Sloane Stephens with U.S. Open trophy, 2018 ©Nick Didlick Aibo dogs from Sony © Nick Didlick Nick Didlick and Allan Weitz © John Harris Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/01/2019
Our offices are just a few blocks from the convention center where the annual PhotoPlus Expo is held, and each year we wander over with our portable recorders to chat with the exhibitors whose new gear catches our eye. We approach large vendors and small and try to give our listeners a peek into the “the largest photography and imaging event in North America.” This year, we spoke with representatives from Sky-Watcher regarding this company’s motorized astro-photography mounts; Chimera about its new lighting products; and Orangemonkie about its portable lightbox studios. We also chatted with a rep from Fujifilm about the new X-Pro3 Mirrorless camera; with folk from Hahnemühle, the oldest paper mill in Germany, and their new natural line of inkjet papers; with a representative from Viltrox, about their new lenses and adapters; and finally, with Allesandro Gibellini, the founder of Gibellini cameras and its beautiful large format cameras. After a short break, we are joined by the two winners of our B&H Photography Podcast Panasonic LUMIX S1 Sweepstakes. This sweepstakes concluded in August, but we wanted the winners to have time to experiment with their new cameras and lenses before we requested feedback from them on how they like the gear and how it might effect their photography. We are joined by Joseph Lockwood, of Baton Rouge, Louisiana, winner of the Panasonic Lumix DC-S1 Mirrorless Digital Camera with 24-105mm lens; and then by Roger Longenbach, winner of the Panasonic LUMIX DC-G95 Mirrorless Camera with 12-60mm lens. Join us for this very informative episode. Guests: Joseph Lockwood and Roger Longenbach Sky-Watcher Star Adventurer Motorized Mount Astro Package Chimera Panel Lantern John Fuller of Chimera speaks with Allan at PhotoPlus 2019 Justin Cho of OrangeMonkie speaks with Allan at PhotoPlus 2019 FUJIFILM X-Pro3 Mirrorless Digital Camera (Dura Silver) Jason and Allan record conversation with FUJIFILM representative at PhotoPlus 2019 Hahnemühle Natural Line Sample Pack Jason and Allan record conversation with Hahnemühle representative at PhotoPlus 2019 Viltrox Lens Mount Adapter Jason and Allan record conversation with Viltrox representative at PhotoPlus 2019 Gibellini View Camera Jason and Allan record conversation with Alessandro Gibellini at PhotoPlus 2019 Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 10/24/2019
Perhaps there is one thing on which all photographers can agree: we love to photograph our pets. From amateur to professional, a simple photo of our dog, cat, or guinea pig making “that face” is almost irresistible and, based on the current exhibit at The Museum of the Dog, this fascination with photographing our pets reaches into the past for as long as the medium has existed. On this week’s episode, we welcome author and vernacular photography collector Catherine Johnson, and Alan Fausel, Executive Director and CEO of the Museum of the Dog, to discuss the current exhibit on display at this museum. Johnson began collecting archival photos of dogs as a young girl, mostly from local flea markets, but over the years has amassed a unique collection of images—snapshots, posed portraits, cabinet cards, tintypes—dating back to the 1880s. This collection was made into the 2007 book, Dogs, and is now a wonderful exhibition at the Museum of the Dog, during the inaugural year in its new home, in Midtown Manhattan. With Johnson, we discuss the origin of her collection, the distinction between vernacular and amateur photography, and what makes for a good dog photo. We also touch upon her time working for photographer Norman Parkinson and her other photography work. Mr. Fausel, who has thirty years of art-world experience as a scholar, curator, appraiser, and regular guest on the Antiques Roadshow, now heads the Museum of the Dog, which is affiliated with the American Kennel Club. With Fausel, we speak about curating this exhibit, the challenges and joys of running a multi-faceted institution with such a specific theme, and how to balance the interests of dog lovers of varying stripes. We also discuss the growing interest in vernacular photography in the art world and its hard-to-be-determined appraisal value. Join us for this interesting episode and check out the “Photos: Please do not Bend, the Catherine Johnson Collection” on display through December 29, 2019, at the Museum of the Dog. Guests: Catherine Johnson and Alan Fausel © Catherine Johnson LLC © Catherine Johnson LLC © Catherine Johnson LLC © Catherine Johnson LLC © Catherine Johnson LLC © Catherine Johnson LLC © Catherine Johnson LLC © Catherine Johnson LLC © Catherine Johnson LLC © Catherine Johnson LLC, Image Courtesy AKC Museum of the Dog © Catherine Johnson LLC, Image Courtesy AKC Museum of the Dog Jason Tables and Catherine Johnson, © John Harris Alan Fausel © John Harris Allan Weitz, Catherine Johnson, and Alan Fausel © John Harris Allan and his “look-a-like” © John Harris Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 10/07/2019
“A wiser feller than myself once said, ‘Sometimes you eat the bear, and sometimes the bear, well, he eats you.’” A few of our listeners may recognize this quote from a certain 1998 movie but, for others, well, it may just be a confusing adage. For today’s episode of the B&H Photography Podcast, however, we did indeed “eat the bear” and are very fortunate to welcome actor, musician, and photographer Jeff Bridges to our show. In addition to being an Academy Award-winning actor, Bridges photographs the “behind-the-scenes” making of his movies with a Widelux swing-lens panoramic film camera, and over the years has collected those images in private editions, made for the cast and crew. In 2003, he published a book called, Jeff Bridges: Pictures, and in October 2019, is releasing the incredible Jeff Bridges: Pictures Volume 2, which “expands on Bridges' intimate vision of Hollywood behind-the-scenes. Included within are rare looks at the famed actors, top directors, talented costumers, and makeup artists, skilled and creative set and art decoration, and the rest of the passionate crews involved in such memorable movies as True Grit, Crazy Heart, The Giver, TRON: Legacy, and Hell or High Water. ” With Bridges, we discuss his affinity for the Widelux, and how he handles this camera—known for its idiosyncrasies. We relate the nuts-and-bolts aspects of his workflow, from using the viewfinder (or not) to measuring exposure with a Minolta spot meter, to how he composes a frame with a 140-degree angle of view. We also discuss other wide-format cameras, how Bridges works on set with other actors and crew members, the creation of his new book, and the scope of his photographic work, which has become a unique documentation of movie-making from the 1980s until today. Join us for this lively conversation and look for Jeff Bridges: Pictures Volume 2, published by powerHouse Books and distributed by Penguin Random House. All of Bridge’s proceeds from the sale of his book go to the Motion Picture & Television Fund, a nonprofit organization that offers charitable care and support to film-industry workers. When you visit his website, check the link for No Kid Hungry, an organization dedicated to ending childhood hunger and for which Bridges is the national spokesperson. Finally, if you are in the Los Angeles area on October 15, take the opportunity to have Jeff sign your copy of his book at the Book Soup event, on Sunset Blvd. Guest: Jeff Bridges Above photograph © Jeff Bridges George Clooney, Tragedia/Comedia, "The Men Who Stare at Goats," 2009 © Jeff Bridges Iron Man Suit, "Iron Man," 2008 © Jeff Bridges Stan Winston’s Workshop, "Iron Man," 2008 © Jeff Bridges Stephen Bruton, Songwriter, "Crazy Heart," 2009 © Jeff Bridges Jack Nation, "Crazy Heart," 2009 © Jeff Bridges Gary Ross, Director, and Tobey Maguire, "Seabiscuit," 2003 © Jeff Bridges Claudio Miranda and Olivia Wilde, "Tron: Legacy," 2010 © Jeff Bridges Loyd Catlett, "Seventh Son," 2014 © Jeff Bridges "Scenes of the Crime," 2001 © Jeff Bridges Jodelle Ferland, Tragedia/Comedia, "Tideland," 2005 © Jeff Bridges Jeff Bridges, "True Grit," 2010 © Jeff Bridges Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 10/03/2019
We welcome to the B&H Photography Podcast two photographers who have brought their talent and dedication to bear on the complex and beautiful lives that exist on the U.S.-Mexico border. Our first guest is photographer Stefan Falke, who is engaged in a 10-year portrait project called LA FRONTERA: Artists along the US-Mexico Border, which is dedicated to documenting the “influence that artists have on their community.” He has photographed more than 200 artists, writers, singers, and photographers who live on both sides of the 2,000-mile-long border. With Falke we discuss the development of this project, his style of shooting, how he met the many artists he has photographed, and the complications and joys of shooting in border towns in the U.S. and Mexico. He also discusses how he pared down his camera and lens choices for this project to just his trusty Nikon D850 and a 24-70mm lens. After a short break, we welcome photographer Monica Lozano, who is included in Falke’s project, and describes her portrait session with him in the main market, in Juarez, Mexico. We also discuss her incredible photographic series, which blend documentary and fine art styles to bring awareness to the struggle of migrants in Europe and the Americas. Lozano, a Mexican-American artist with roots in both countries, brings a compassionate yet objective depiction to a complex situation, and she even blends in a touch of humor. With Lozano, we discuss her evolution as an artist, the differing effects that stylized photos have compared to straight documentary, and the resounding need to understand the long and evolving history and culture of “la frontera.” Join us for this compelling conversation and check out the B&H Photography Podcast Facebook Group. Guests: Stefan Falke and Monica Lozano Raechel Running, Agua Prieta, Mexico, 2015© Stefan Falke Alfredo “Libre” Gutierrez, Tijuana, Mexico, 2016 © Stefan Falke Tom Kiefer, Ajo Arizona, 2017 © Stefan Falke Jellyfish, Ciudad Juarez, Mexico, 2015 © Stefan Falke Monica Lozano, Ciudad Juarez, Mexico, 2015 © Stefan Falke Pablo Llana, Playas de Tijuana, Mexico, 2016 © Stefan Falke from the “What Remains” series © Monica Lozano from the “What Remains” series © Monica Lozano from the “What Remains” series © Monica Lozano from the “What Remains” series © Monica Lozano from the “Borders” series © Monica Lozano from the “Borders” series © Monica Lozano from the “Borders” series © Monica Lozano from the “Hugs Not Walls” series © Monica Lozano from the “Hugs Not Walls” series © Monica Lozano Allan Weitz, Monica Lozano, and Stefan Falke © John Harris Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/25/2019
When one of the world’s most “followed” photographers is available for a conversation, you make the time to talk with him, and when that photographer is acclaimed adventure, landscape, travel, and surf photographer Chris Burkard, expect that conversation to include some serious insights into the passion and ambition it takes to create the beautiful images he makes. On this week’s episode of the B&H Photography Podcast, we speak with Burkard about a range of subjects—and this conversation does not disappoint. We get right into it by asking about his penchant for shooting in frigid locations, and how stubbornness and even persistence can be the enemy of good photography in sub-zero temperatures. We discuss the composition of his photographs and how that is indicative of his views on nature, and we dig into his “origin story” and why clients began to come to him for the kind of photography he creates. In general, however, we stick to the nuts and bolts of his photography. We learn why he prefers mirrorless cameras, specifically the Sony Alpha a7R IV, how he organizes his commercial workflow to make time for the adventures he craves, and how he sets time aside to be with his young family. After a break, we ask Burkard to walk us through the creation of a few of his best-known images. Not only does he offer insight into the photographic aspects, but he elaborates to give us a better understanding of the remote locations he finds and the teamwork needed. To quote Burkard, “to better understand how the Earth was made, we must look at it from new perspectives.” Join us for this eye-opening conversation. Guest: Chris Burkard Aleutian Islands, 2013 © Chris Burkard Westfjord, Iceland, 2016 © Chris Burkard Highlining in Joshua Tree with Garrison Rowland on Hall of Horrors formation during the Supermoon, 2016 © Chris Burkard Skógar, Iceland, 2014 © Chris Burkard Westfjord, Iceland, 2016 © Chris Burkard Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/18/2019
On today’s episode of the B&H Photography Podcast, we revisit our conversation with Stephen and Bette Wilkes in honor of the release of Wilkes’s great new book Day to Night, and the accompanying gallery show at the Bryce Wolkowitz gallery, in New York. We also spend a bit of time reflecting on a few of the legendary photographers who have died recently. The Day to Night series that Stephen Wilkes has been working on for ten years has received much-deserved attention and has grown from its New York roots to encompass locations in Europe, the Middle East, Asia, and Africa. These photographs, which capture a full 24-hour cycle in one frame, are awe-inspiring when viewed as a whole; fascinating when analyzed in detail; and monumental when considered as a production. On today’s episode of the B&H Photography Podcast, we speak with Stephen Wilkes and Bette Wilkes—his wife, business manager, and the behind-the-scenes producer of these incredible photographs. Our conversation is easygoing and bounces back and forth between Mr. and Ms. Wilkes, emphasizing their intertwined working relationship. With Mr. Wilkes, we speak of the genesis of the project and the influences he finds in the paintings of the Dutch Masters and the Hudson River School. We also discuss his process, which is physically and technically demanding. He speaks of a desire to “get lost” in the moment and ultimately how his images are “a representation of his memory” from the day and place. With Ms. Wilkes, we speak of the knotty and time-consuming process of arranging a shoot that will last more than twenty-four continuous hours in some of the world’s busiest and most desolate locations. We discuss many photographs, but concentrate on two images from the Day to Night series to highlight their complicated productions—the first is a photograph of New York City’s Flatiron Building and, in the second half of the show, we visit a watering hole in the Serengeti Plain. To see these images, please visit our website, and, if you are in New York prior to October 26, 2019, check out the Day to Night exhibit at Bryce Wolkowitz Gallery. Guests: Stephen Wilkes and Bette Wilkes Highline, New York © Stephen Wilkes Times Square, New York © Stephen Wilkes Flatiron Building, New York © Stephen Wilkes Coney Island, New York © Stephen Wilkes Yosemite National Park © Stephen Wilkes Venice, Italy © Stephen Wilkes Serengeti Plain, Tanzania © Stephen Wilkes Bette Wilkes, Allan Weitz, and Stephen Wilkes © John Harris Mourner in front of Robert Frank’s apartment building, New York © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/11/2019
On today’s episode of the B&H Photography Podcast we take a deep dive into one bag and then into another one, and another. We welcome Jeannette Garcia and Yaakov Katz, two experts from the B&H SuperStore, to discuss the materials, capacities, features, and styles of camera bags and cases that are available today. We start with a simple question for each of them: what should one ask when purchasing a new camera bag? Both offer simple yet insightful answers to that question as they walk us down the path to finding the right camera bag for our needs. From slings to messenger bags, holsters, and pouches, we examine the differences in materials and mention the features that might serve one’s particular photographic application. We also consider rolling cases, hard cases,  lens cases, designer camera bags, and  inserts and run down a list of various brands to get feedback from Garcia and Katz, including several well-known bag companies that were founded by photographers, such as Think Tank, Tenba, and  Domke. Join us for this informative and enjoyable conversation. Guests: Jeannette Garcia and Yaakov Katz Jeannette Garcia, Allan Weitz, and Yaakov Katz John Harris   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/04/2019
We have been hosting the B&H Photography Podcast Panasonic LUMIX S1 Sweepstakes for the past several weeks and, today, we are excited to announce the winners of the LUMIX DC-S1 Mirrorless Digital Camera with 24-105mm lens and the LUMIX DC-G95 Mirrorless Camera with a 12-60mm lens. With that in mind, we’d like to thank all of our listeners who left ratings and reviews on Apple Podcasts, and particularly those who subscribed to the podcast and mentioned a favorite episode. This kind of feedback is well appreciated and helps us to develop the kind of episodes we hope you enjoy. Before we make that announcement, however, Allan, Jason, and I reflect on our “ photography New Year’s resolutions ” and discuss our personal photography projects from 2019 and the gear we have been using to make them happen. We start with Allan, who discusses his year-long process of culling his archive of images going back to 1969, including finding what he refers to as the very first “Allan Weitz photo.” He also explains how he uses his Sony Alpha a7R II Mirrorless Digital Camera as his “Franken-slide copier” and some of the gear that has impressed him this year, including the 7artisans Photoelectric 50mm f/1.1 lens and the Zeiss Batis 40mm f/2 CF lens, and his thoughts on the just-announced Leica M-E (Typ 240) Digital Rangefinder. John continues with a brief explanation of the resolutions on which he is procrastinating, and on his return to street photography and attempts to work with the FUJIFILM X100F Digital Camera, the Ricoh GR III, and the Leica M Monochrom (Typ 246) Digital Rangefinder. Finally, Jason updates us on his telephoto cityscapes, his abstract portraiture, the Sony Clear Image Zoom function and whether or not he purchased the Sony FE 100-400mm f/4.5-56 GM OSS lens. Join us for this enjoyable chat and check out some of the previous episodes of the podcast which we mention during this conversation, including our talks with Jay Maisel and Stephen Wilkes, our discussion about hard drives, and our talk with landscape photographer Erin Babnik. © Allan Weitz © Allan Weitz © Allan Weitz © Allan Weitz © Jason Tables © Jason Tables © Jason Tables © Jason Tables © John Harris © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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