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by Bjorn Petersen · Posted 03/04/2020
Kodak announced Ektachrome E100's triumphant return to production a few years ago, and, for the past couple of years, the film has been available for 35mm and Super 8 shooters. Finally, at the end of 2019,
1,319 Views· Posted 03/04/2020
Sony Artisan Ben Lowy takes the new Sony FE 20mm f/1.8 G Lens out for a spin around New York City. This lightweight lens is great for landscape photography, astrophotography, street photography, and filmmakers.
Features include three extra-low-dispersion elements, 7.5-inch close-focusing distance, a manual aperture ring, and a custom function button.
Order at: Sony FE 20mm f/1.8 G Lens
1,171 Views· Posted 02/26/2020
We review the latest in FUJIFILM's X Series: the FUJIFILM X-T4. Derek Fahsbender and Doug Guerra give you their first impressions of this mirrorless camera, for photography and video. Features include FUJIFILM's IBIS (In-Body Image Stabilization), an improved mechanical shutter, adjustable flip screen, DCI 4K/60p and Full HD/240p super slow-motion video, and more.
by Allan Weitz · Posted 02/20/2020
The introduction of the Nikon D780 answers two burning questions. The first is: “Will there ever be a replacement for the still-popular-after-all-these-years Nikon D750?” The answer is “Yes.” The second question is: “Does the successful reception of Nikon’s Z-series mirrorless cameras put the kibosh on future DSLR development from Nikon?” The answer
by Cory Rice · Posted 02/14/2020
Writing for Explora can be a bit like using a dating app for cameras. No matter how happy you are with your current situation, you are subjected to a nonstop parade of attractive alternatives—tempting you, teasing you, mocking your convictions. The urge to run off with a hot new body can be overwhelming. At least it has been for me since I hooked up with FUJIFILM’s GFX 100 Medium Format Mirrorless Camera. Is it love? Is it lust?
by Jason T · Posted 02/12/2020
Building upon its legacy of compact, professional Micro Four Thirds cameras, Olympus now delivers an update to the E-M1 line with the announcement of the OM-D E-M1 Mark III Mirrorless Camera. With a new processor and loads of added features, this release should unlock even more possibilities for all types of photographers. Also released was a compact
by Todd Vorenkamp · Posted 02/11/2020
I never fancied myself a passionate lover of a battery charger. That is, until I tried the Nitecore FX1 Dual-Slot USB Travel Charger for FUJIFILM NP-W126 & NP-W126S Batteries. Am I kidding you? No. Seriously, I really, really like, maybe love, this camera battery charger. Why and how did this charger win my heart? Four words: It is freaking cool!
Battery chargers usually come with a new camera except for some USB-charging only cameras.
by Allan Weitz · Posted 02/11/2020
If you’re into analog film cameras, by extension you’re also into light meters. This is because while most modern cameras contain excellent TTL metering systems, if you use film cameras made prior to the 1970s and ’80s chances are: A. the camera has a meter but it doesn’t work anymore; B. the meter works but it’s no longer accurate; C. they stopped making batteries for your meter when Jimmy Carter was President; or D. the camera never had a light meter in the first place. If you resonate with any of the above and your film camera has an
by Bjorn Petersen · Posted 02/10/2020
I am one of those few lucky people who has found the perfect camera bag. And beyond it being just the perfect camera bag, it’s also the perfect bag for so much more than just carrying my camera. This miracle bag, this thing that I love, is the Domke F-802 Reporter’s Satchel. Minimal, lo-fi, bare-bones, plain, humble… however you want to emphasize its simplicity, this has been my bag of choice for many, many years.
I’m partial to
by Bjorn Petersen · Posted 01/22/2020
The MacBook Pro has long been the standard, go-to laptop for working photographers. It combines the power we need along with the portability to bring on location or along while traveling. It’s the perfect combination that just got even better with the recent release of the new, late 2019 16" MacBook Pro. I had a chance to use this new model for a few days, and decided to jump in head-first and use it in lieu of not
by Allan Weitz · Posted 01/17/2020
Speaking as a photographer who learned the craft of black-and-white photography using a 4 x 5" field camera and Tri-X film, I know a good black-and-white photograph when I see one. After spending an afternoon wandering about New York’s Chelsea Market and the elevated High Line with the new Leica M10 Monochrom, I can tell you straight up that the M10 Monochrom takes incredibly good black-and-white photographs. And you can bank
by John Harris · Posted 01/14/2020
I am in a year-long quest to find the right camera/lens combination that will give me a wide-angle (24mm, 28mm, or 35mm equivalent) fixed focal length setup for everyday carry and general street photography. I have been experimenting with small form factor mirrorless and point-and-shoot cameras such as the Sony a6500 and FUJIFILM X100F
1,613 Views· Posted 01/06/2020
Doug takes the Canon 1DX Mark III DSLR Camera out for a spin, showing you that "this camera is all about speed." Featuring a 20.1MP sensor with a newly designed low pass filter and a 191-point Dual Pixel CMOS AF system that prioritizes people. The 1DXIII can shoot up to 20 fps in Live View with AF/AE Tracking and can achieve a maximum burst rate of 1000+ images (RAW+JPEG). Video capabilities of the Canon 1DX III include 4K 60p with Canon Log, 10-bit 4
by Allan Weitz · Posted 12/24/2019
I'm a big fan of smaller, lighter camera gear, so when Tamron announced a trio of lightweight, compact prime wide-angle lenses for Sony E-mount cameras, I took notice. Included in the lineup are the 35mm f/2.8 Di III OSD M 1:2 and 24mm f/2.8 Di III OSD M 1:2, which will be available any day now, and a
by Bjorn Petersen · Posted 12/18/2019
Sigma released the most intriguing and exciting camera of the year. This probably isn’t a statement you’d expect to hear, but I’d argue that 2019’s Sigma fp is the most unexpected and, subsequently, most pleasantly surprising camera from 2019. And not because it’s the best camera, but because it signals a clear and decisive break from the status quo of camera design that has been present in the industry for many, many years. Sigma has