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Posted 04/27/2022
Over the course of six years, Sony’s G Master lineup has offered some of the best lenses in the business—and yet Sony still pushes itself to get even better. With the release of the FE 24-70mm f/2.8 GM II, it’s easy to see Sony’s drive to improve in action based on all the upgrades made to one of its earliest, and still good, G Master lenses. Sony also appears to be watching industry trends, further tuning its optics and handling to suit the demands
Posted 03/31/2022
Our team headed into the studio with HIVE LIGHTING's Hornet 200-CX Omni-Color Open Face LED Light. Using the Antenna App, they were able to control the RGB lighting and utilize HIVE's cosmetic presets.
How would you use the Hornet 200-CX LED Light? Let us know in the Comments section, below.
by Todd Vorenkamp · Posted 02/28/2022
There are few things as slow and tedious in the photographic world as threading a head on a tripod or a camera on a tripod head—or turning of any threaded screw, for that matter. The process of threading a camera on a tripod has been mostly eliminated by the invention of the quick-release (QR) dovetail plate. Can this concept and functionality be brought forward into the world of the modern creative? The Manfrotto MOVE Ecosystem has done just that.
The previous sentence had the word “Ecosystem” in it. MOVE is truly a system of accessories and
Posted 02/21/2022
The B&H video team is on set to test the new Panasonic Lumix GH6 Mirrorless Camera. Renowned for meshing high-spec video capabilities with portability, the GH6 boasts a new 25.2MP Micro Four Thirds sensor; 5.7K video at 30 fps; 4K video at 120 fps; and even ProRes recording along with updated stills features; improved image stabilization; and a higher-res EVF and LCD. The GH6 is the camera that makes the most of the Micro Four
Posted 02/21/2022
Let's take a look at the Nikon NIKKOR Z 400mm f/2.8! Made for Nikon's Z mount, this super-telephoto lens is perfect for sports and wildlife photography, with a maximum aperture of f/2.8 and built-in 1.4x teleconverter, as well as sophisticated optical, autofocus, and VR systems.
What would you capture with this camera lens? Let us know below in the Comments section!
by Cory Rice · Posted 02/10/2022
There’s always room for improvement, even for the most tried-and-true designs. Such logic guides the thinking behind the Pelican Air™ lineup, a lightweight reboot of some of the industry’s most trusted hard cases. I tested the Pelican Air 1525TP™, a mid-size case fitted
by Bjorn Petersen · Posted 01/26/2022
Marrying its digital and instant film systems, FUJIFILM’s INSTAX MINI EVO seems to get a lot right about what makes a successful instant film camera. It’s funny that much of what makes this camera successful is a healthy dose of inspiration from the brand’s mirrorless X system of cameras. Characterized by its retro looks and 100 distinct combinations of creative lens and film effects, this camera keeps what’s fun about instant film
Posted 12/16/2021
Jake Estes tests the Tamron 18-300mm f/3.5-6.3 for FUJIFILM X, a versatile ultra-wide to telephoto lens. This zoom lens was created for the X-mount/APS-C format and is a perfect all-arounder, because it covers almost any shooting situation.
Will you be adding this lens to your kit? Share your thoughts on it in the Comments, below.
by Todd Vorenkamp · Posted 12/13/2021
If you have been around digital things long enough, you know that not all data storage is equal. Although memory cards might look the same, you’ll see a range of prices and specs from card to card. And, when it comes to storing your valuable images, you don’t really want to take chances—you need to trust your brand of memory card. Samsung has released the latest versions of its EVO Plus UHS-I microSDXC memory cards, featuring more storage and more speed than the previous EVO lineup.
Posted 12/09/2021
Fast and compact, these new Tamron lenses are a welcome addition to any photographer's kit! You don't have to sacrifice image quality for these lightweight lenses. The 28-75mm offers a bright f/2.8 maximum aperture, improved sharpness, faster and more precise performance, and more. The 35-150mm is a medium telephoto lens with a maximum
by Jason T. · Posted 10/13/2021
Back with a new addition to its hugely popular line of portable instant cameras and printers, FUJIFILM brings you the INSTAX Link WIDE printer, which allows you to print any image from your smartphone in seconds, using INSTAX Wide Film.
INSTAX Link WIDE Printer in Ash White
Like the entire FUJIFILM INSTAX line, the new Link WIDE printer is, most essentially, about one thing—fun. In a world where Instagram and Snapchat reign
by Cory Rice · Posted 09/30/2021
The Dayled 2000 PRO Dual-Color is one of nine freshly updated LED Fresnels from Lupo created for photographers, cinematographers, and studios looking for serious power and precise control from a continuous light. Perched at the top of the Dayled lineup in terms of strength and versatility, the new 2000 PRO Dual-Color features an expanded CCT range, wider beam angle, and handful of practical updates over its predecessor.
My first
Posted 09/02/2021
It has been more than four years since FUJIFILM entered the mirrorless medium format market with the original GFX 50S, and now the company is finally getting around to updating the focal point of this system with the GFX 50S II. Version II of this groundbreaking model sees a revised design, more in line with the recent GFX 100S, along with faster performance and the inclusion of in-body image stabilization (IBIS). The GFX 50S II is a more
Posted 08/15/2021
Join the B&H team in the field as they use the Nikon Z 6II and Z 7II, testing the low-light features, AF tracking, and all-around speed in a photoshoot.
Click here to learn more about the Nikon Z 6II and Z 7II.
Have any
Posted 07/30/2021
Introducing the Panasonic Lumix 25-50mm f/1.7 Zoom Lens, designed for Micro Four Thirds cameras. This Panasonic Lumix lens utilizes Leica glass and was created for photographers and videographers. The constant aperture of f/1.7 gives you beautifully compressed close-ups, and the details are crisp from edge to edge. The stepless aperture ring, linear focusing ability, and smooth manual focus make this a great filmmaking lens, as well